José Saramago and the unveiling of the author in the literary narratology scene

Detalhes bibliográficos
Autor(a) principal: Silva, Adriana Gonçalves da
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Navegações (Online)
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/43048
Resumo: French theorist Roland Barthes, after his famous conference of 1968, at the Collège de France, came to be cited as responsible for decreeing what says the metaphor that gives title to his text: The death of the author. Contrary to this aspect, the contemporary Portuguese novelist, José Saramago, will declare in his critical production The author as the narrator of his works, that is, affirming a certain nullity of the literary instance of the “narrator” by assuming it as performed by the author himself. Considering the author’s place in the Barthesian reflection and the place granted to him in Saramaguian fiction, we seek to problematize this space occupied in order to ascertain the consonances and/or dissonances in the understanding of both, as well as its unsealing in the scene of literary narratology.
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spelling José Saramago and the unveiling of the author in the literary narratology sceneJosé Saramago e o desvelamento do autor na cena da narratologia literáriaJosé SaramagoAuthorNarratorRoland BarthesJosé SaramagoAutorNarradorRoland BarthesFrench theorist Roland Barthes, after his famous conference of 1968, at the Collège de France, came to be cited as responsible for decreeing what says the metaphor that gives title to his text: The death of the author. Contrary to this aspect, the contemporary Portuguese novelist, José Saramago, will declare in his critical production The author as the narrator of his works, that is, affirming a certain nullity of the literary instance of the “narrator” by assuming it as performed by the author himself. Considering the author’s place in the Barthesian reflection and the place granted to him in Saramaguian fiction, we seek to problematize this space occupied in order to ascertain the consonances and/or dissonances in the understanding of both, as well as its unsealing in the scene of literary narratology.O teórico francês Roland Barthes, após sua célebre conferência de 1968, no Collège de France, passou a ser citado como responsável por decretar o que diz a metáfora que dará título ao seu texto: A morte do autor. Na contramão desta vertente, o romancista português contemporâneo, José Saramago, irá declarar em sua produção crítica “O autor como narrador” de suas obras, ou seja, afirmando certa nulidade da instância literária “narrador” ao assumi-la como realizada pelo próprio autor. Pensando o lugar do autor na reflexão barthesiana e o lugar concedido a este na ficção saramaguiana, buscamos problematizar este espaço ocupado de modo a averiguar as consonâncias e/ou dissonâncias no entendimento de ambos, assim como seu desvelamento na cena da narratologia literária. Editora da PUCRS - ediPUCRS2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/4304810.15448/1983-4276.2022.1.43048Navegações; Vol. 15 No. 1 (2022): Single Volume; e43048Navegações; v. 15 n. 1 (2022): Volume Único; e430481983-42761982-852710.15448/1983-4276.2022.1reponame:Navegações (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/43048/27699Copyright (c) 2022 Navegaçõeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Adriana Gonçalves da2022-11-21T13:28:46Zoai:ojs.revistaseletronicas.pucrs.br:article/43048Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoesPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/oai||revistanavegacoes@pucrs.br1983-42761982-8527opendoar:2022-11-21T13:28:46Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv José Saramago and the unveiling of the author in the literary narratology scene
José Saramago e o desvelamento do autor na cena da narratologia literária
title José Saramago and the unveiling of the author in the literary narratology scene
spellingShingle José Saramago and the unveiling of the author in the literary narratology scene
Silva, Adriana Gonçalves da
José Saramago
Author
Narrator
Roland Barthes
José Saramago
Autor
Narrador
Roland Barthes
title_short José Saramago and the unveiling of the author in the literary narratology scene
title_full José Saramago and the unveiling of the author in the literary narratology scene
title_fullStr José Saramago and the unveiling of the author in the literary narratology scene
title_full_unstemmed José Saramago and the unveiling of the author in the literary narratology scene
title_sort José Saramago and the unveiling of the author in the literary narratology scene
author Silva, Adriana Gonçalves da
author_facet Silva, Adriana Gonçalves da
author_role author
dc.contributor.author.fl_str_mv Silva, Adriana Gonçalves da
dc.subject.por.fl_str_mv José Saramago
Author
Narrator
Roland Barthes
José Saramago
Autor
Narrador
Roland Barthes
topic José Saramago
Author
Narrator
Roland Barthes
José Saramago
Autor
Narrador
Roland Barthes
description French theorist Roland Barthes, after his famous conference of 1968, at the Collège de France, came to be cited as responsible for decreeing what says the metaphor that gives title to his text: The death of the author. Contrary to this aspect, the contemporary Portuguese novelist, José Saramago, will declare in his critical production The author as the narrator of his works, that is, affirming a certain nullity of the literary instance of the “narrator” by assuming it as performed by the author himself. Considering the author’s place in the Barthesian reflection and the place granted to him in Saramaguian fiction, we seek to problematize this space occupied in order to ascertain the consonances and/or dissonances in the understanding of both, as well as its unsealing in the scene of literary narratology.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
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format article
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dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/43048
10.15448/1983-4276.2022.1.43048
url https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/43048
identifier_str_mv 10.15448/1983-4276.2022.1.43048
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/43048/27699
dc.rights.driver.fl_str_mv Copyright (c) 2022 Navegações
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Navegações
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Navegações; Vol. 15 No. 1 (2022): Single Volume; e43048
Navegações; v. 15 n. 1 (2022): Volume Único; e43048
1983-4276
1982-8527
10.15448/1983-4276.2022.1
reponame:Navegações (Online)
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instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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reponame_str Navegações (Online)
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repository.name.fl_str_mv Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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