Iconic relation between the character and his discourse in Quincas Borba

Detalhes bibliográficos
Autor(a) principal: Saraiva, Juracy
Data de Publicação: 2020
Outros Autores: Andrea Kunz, Marinês
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras de Hoje (Online)
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/25867
Resumo: The article analyses the iconic feature that is established between the character, Rubião, from Quincas Borba, and his discourse, based on the presupposition that this procedure exposes Machado de Assis’ critical-reflective process. The selection of a writing style as a handcrafted practice is expressed in the “Advertência”, that opens Ressurreição, and it becomes evident when the two versions of Quincas Borba are confronted to each other, leading the treatment disposed in the protagonist’s discourse of the narrative to gain a surplus of expression. By exploring the possibilities of language, Machado gives the verbal signs the quality of natural gestures, and on them imprints the power to reproduce iconically the trajectory of Rubião. The character goes from a dispersive state, manifested by a bivocal discourse, to madness’ integrity, when he takes over a discursive unicity. By making meaning evident, the discursive procedures impel the reader to look for the intentionality of the text, and through it, the reader may migrate to the social context where the denunciation of the author lays.
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spelling Iconic relation between the character and his discourse in Quincas BorbaRelación icónica entre el protagonista y su discurso em Quincas BorbaRelação icônica entre o protagonista e seu discurso em Quincas BorbaMachado de AssisQuincas BorbaCharacterDiscourseIconicity.Machado de AssisQuincas BorbaPersonajeDiscursoIconicidad.Machado de AssisQuincas BorbapersonagemdiscursoiconicidadeThe article analyses the iconic feature that is established between the character, Rubião, from Quincas Borba, and his discourse, based on the presupposition that this procedure exposes Machado de Assis’ critical-reflective process. The selection of a writing style as a handcrafted practice is expressed in the “Advertência”, that opens Ressurreição, and it becomes evident when the two versions of Quincas Borba are confronted to each other, leading the treatment disposed in the protagonist’s discourse of the narrative to gain a surplus of expression. By exploring the possibilities of language, Machado gives the verbal signs the quality of natural gestures, and on them imprints the power to reproduce iconically the trajectory of Rubião. The character goes from a dispersive state, manifested by a bivocal discourse, to madness’ integrity, when he takes over a discursive unicity. By making meaning evident, the discursive procedures impel the reader to look for the intentionality of the text, and through it, the reader may migrate to the social context where the denunciation of the author lays.El artículo analiza la relación icónica establecida entre el personaje Rubião, de Quincas Borba, y su discurso, basándose en el supuesto de que este procedimiento expone el proceso crítico reflexivo de Machado de Assis. La opción de escribir como práctica artesanal se muestra en la “Advertencia”, que abre Ressurreição, se pone visible en la confrontación entre las dos versiones de Quincas Borba y gana expresividad en el tratamiento dado al discurso del protagonista de esta narrativa. Al explorar las posibilidades del lenguaje, Machado le da, a los signos verbales, la naturaleza de los gestos y en ellos impresiona el poder de reproducir especulativamente el camino de Rubião. Este personaje progresa de un estado de dispersión, manifestado por un discurso bivocal, al de integridad en la locura, cuando asume la univocidad discursiva. Al evidenciar los sentidos, los procedimientos narrativos llevan el lector a buscar la intencionalidad del texto y migrar de él al contexto social, donde se produce la denuncia del escritor.O artigo analisa a relação icônica que se estabelece entre a personagem Rubião, de Quincas Borba, e seu discurso, partindo do pressuposto de que esse procedimento expõe o processo crítico-reflexivo de Machado de Assis. A opção pela escrita como prática artesanal está manifestada na “Advertência”, que abre Ressurreição, torna-se visível no confronto entre as duas versões de Quincas Borba e ganha expressividade no tratamento conferido ao discurso do protagonista dessa narrativa. Ao explorar as possibilidades da linguagem, Machado confere aos signos verbais a natureza de gestos e neles imprime o poder de reproduzir especularmente o percurso de Rubião. Essa personagem progride de um estado de dispersão, manifestado por um discurso bivocal, até o da integridade na loucura, quando assume a univocidade discursiva. Ao evidenciar sentidos, os procedimentos narrativos compelem o leitor a buscar a intencionalidade do texto e dele migrar para o do contexto social, onde incide a denúncia do escritor.Editora da PUCRS - ediPUCRS2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/2586710.15448/1984-7726.2020.2.25867Letras de Hoje; Vol. 55 No. 2 (2020); e25867Letras de Hoje; Vol. 55 Núm. 2 (2020); e25867Letras de Hoje; v. 55 n. 2 (2020); e258671984-77260101-333510.15448/1984-7726.2020.2reponame:Letras de Hoje (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/25867/26251Copyright (c) 2020 Letras de Hojehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSaraiva, JuracyAndrea Kunz, Marinês2020-09-11T20:47:58Zoai:ojs.revistaseletronicas.pucrs.br:article/25867Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/falePRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/oaieditora.periodicos@pucrs.br || letrasdehoje@pucrs.br1984-77260101-3335opendoar:2020-09-11T20:47:58Letras de Hoje (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Iconic relation between the character and his discourse in Quincas Borba
Relación icónica entre el protagonista y su discurso em Quincas Borba
Relação icônica entre o protagonista e seu discurso em Quincas Borba
title Iconic relation between the character and his discourse in Quincas Borba
spellingShingle Iconic relation between the character and his discourse in Quincas Borba
Saraiva, Juracy
Machado de Assis
Quincas Borba
Character
Discourse
Iconicity.
Machado de Assis
Quincas Borba
Personaje
Discurso
Iconicidad.
Machado de Assis
Quincas Borba
personagem
discurso
iconicidade
title_short Iconic relation between the character and his discourse in Quincas Borba
title_full Iconic relation between the character and his discourse in Quincas Borba
title_fullStr Iconic relation between the character and his discourse in Quincas Borba
title_full_unstemmed Iconic relation between the character and his discourse in Quincas Borba
title_sort Iconic relation between the character and his discourse in Quincas Borba
author Saraiva, Juracy
author_facet Saraiva, Juracy
Andrea Kunz, Marinês
author_role author
author2 Andrea Kunz, Marinês
author2_role author
dc.contributor.author.fl_str_mv Saraiva, Juracy
Andrea Kunz, Marinês
dc.subject.por.fl_str_mv Machado de Assis
Quincas Borba
Character
Discourse
Iconicity.
Machado de Assis
Quincas Borba
Personaje
Discurso
Iconicidad.
Machado de Assis
Quincas Borba
personagem
discurso
iconicidade
topic Machado de Assis
Quincas Borba
Character
Discourse
Iconicity.
Machado de Assis
Quincas Borba
Personaje
Discurso
Iconicidad.
Machado de Assis
Quincas Borba
personagem
discurso
iconicidade
description The article analyses the iconic feature that is established between the character, Rubião, from Quincas Borba, and his discourse, based on the presupposition that this procedure exposes Machado de Assis’ critical-reflective process. The selection of a writing style as a handcrafted practice is expressed in the “Advertência”, that opens Ressurreição, and it becomes evident when the two versions of Quincas Borba are confronted to each other, leading the treatment disposed in the protagonist’s discourse of the narrative to gain a surplus of expression. By exploring the possibilities of language, Machado gives the verbal signs the quality of natural gestures, and on them imprints the power to reproduce iconically the trajectory of Rubião. The character goes from a dispersive state, manifested by a bivocal discourse, to madness’ integrity, when he takes over a discursive unicity. By making meaning evident, the discursive procedures impel the reader to look for the intentionality of the text, and through it, the reader may migrate to the social context where the denunciation of the author lays.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/25867
10.15448/1984-7726.2020.2.25867
url https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/25867
identifier_str_mv 10.15448/1984-7726.2020.2.25867
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/25867/26251
dc.rights.driver.fl_str_mv Copyright (c) 2020 Letras de Hoje
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Letras de Hoje
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letras de Hoje; Vol. 55 No. 2 (2020); e25867
Letras de Hoje; Vol. 55 Núm. 2 (2020); e25867
Letras de Hoje; v. 55 n. 2 (2020); e25867
1984-7726
0101-3335
10.15448/1984-7726.2020.2
reponame:Letras de Hoje (Online)
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Letras de Hoje (Online)
collection Letras de Hoje (Online)
repository.name.fl_str_mv Letras de Hoje (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv editora.periodicos@pucrs.br || letrasdehoje@pucrs.br
_version_ 1799128781419446272

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