In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss

Detalhes bibliográficos
Autor(a) principal: de Figueiredo, Camila Augusta Pires
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Letras de Hoje (Online)
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/33789
Resumo: Serial narratives such as TV series have their own language, genres and narrative tools, according to their media specificities. It is observed that the television of today is going through a process of rapid cultural and technological transformations. Such advances have led to profound changes in the formats of the series, as well as in their modes of production and consumption. As for the production aspects, for example, we observe the creation of new narrative models in which the technological resources are shaped as extensions of the television product, creating a multiplatform or transmedial narrative experience. In this paper we will examine the case of the television series Sherlock by Steven Moffat and Mark Gatiss, broadcasted by BBC, as an example of a program designed for a transmedia television, one that encouraged the emergence of an engaged audience willing to follow the series beyond the TV screen across other media platforms.
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spelling In the post-TV era: transmedia and fandom in Sherlock, by Moffat and GatissEn la era post-televisiva: transmedia y fandom en Sherlock por Moffat y GatissIn the post-TV era: transmedia and fandom in Sherlock, by Moffat and GatisstelevisionTV seriesSherlocktransmediaafter-TVtelevisiónserie de TVSherlocktransmediapost-TVtelevisionTV seriesSherlocktransmediaafter-TV.Serial narratives such as TV series have their own language, genres and narrative tools, according to their media specificities. It is observed that the television of today is going through a process of rapid cultural and technological transformations. Such advances have led to profound changes in the formats of the series, as well as in their modes of production and consumption. As for the production aspects, for example, we observe the creation of new narrative models in which the technological resources are shaped as extensions of the television product, creating a multiplatform or transmedial narrative experience. In this paper we will examine the case of the television series Sherlock by Steven Moffat and Mark Gatiss, broadcasted by BBC, as an example of a program designed for a transmedia television, one that encouraged the emergence of an engaged audience willing to follow the series beyond the TV screen across other media platforms.Las narrativas en serie, como las series de televisión, tienen su propio lenguaje, géneros y herramientas narrativas, de acuerdo con sus especificidades mediáticas. La televisión de hoy está experimentando un  proceso de rápido cambio cultural y tecnológico. Tales avances han llevado a cambios profundos en los formatos, modos de producción y consumo de series. En relación con los aspectos de producción, por  ejemplo, se observa la creación de nuevos modelos narrativos en los que los recursos tecnológicos se configuran como una extensión del producto televisivo, creando una experiencia narrativa multiplataforma o transmedia. En este artículo veremos el caso de la serie de televisión de la BBC Sherlock, de Steven Moffat y Mark Gatiss, como un ejemplo de un programa diseñado para una televisión transmedia que ha estimulado la aparición de un público comprometido dispuesto a seguir la serie más allá de la pantalla de televisión.Serial narratives such as TV series have their own language, genres and narrative tools, according to their media specificities. It is observed that the television of today is going through a process of rapid cultural and technological transformations. Such advances have led to profound changes in the formats of the series, as well as in their modes of production and consumption. As for the production aspects, for example, we observe the creation of new narrative models in which the technological resources are shaped as extensions of the television product, creating a multiplatform or transmedial narrative experience. In this paper we will examine the case of the television series Sherlock by Steven Moffat and Mark Gatiss, broadcasted by BBC, as an example of a program designed for a transmedia television, one that encouraged the emergence of an engaged audience willing to follow the series beyond the TV screen across other media platforms.***Na era da pós-TV: transmídia e fandom em Sherlock, de Moffat e Gatiss***Narrativas seriais como as séries de televisão possuem linguagem, gêneros e ferramentas narrativas próprias, conforme suas especificidades midiáticas. Observa-se que a televisão de hoje passa por um processo de rápidas transformações culturais e tecnológicas. Tais avanços têm levado a profundas modificações nos formatos, modos de produção e consumo das séries. Em relação aos aspectos de produção, por exemplo, observa-se a criação de novos modelos narrativos nos quais os recursos tecnológicos se configuram como uma extensão do produto televisivo, criando uma experiência narrativa multiplataforma ou transmidiática. Neste trabalho analisaremos o caso da série televisiva Sherlock, de Steven Moffat e Mark Gatiss exibida pela BBC, como um exemplo de programa elaborado para uma televisão transmidiática que estimulou o surgimento de um público engajado, disposto a seguir a série para além da tela de TV.Palavras-chave: televisão; série de TV; Sherlock; transmídia; pós-TV.Editora da PUCRS - ediPUCRS2020-04-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionIntermedialityapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/3378910.15448/1984-7726.2020.1.33789Letras de Hoje; Vol. 55 No. 1 (2020); e33789Letras de Hoje; Vol. 55 Núm. 1 (2020); e33789Letras de Hoje; v. 55 n. 1 (2020); e337891984-77260101-333510.15448/1984-7726.2020.1reponame:Letras de Hoje (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSenghttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/33789/19580Copyright (c) 2020 Letras de Hojehttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessde Figueiredo, Camila Augusta Pires2021-04-27T19:41:20Zoai:ojs.revistaseletronicas.pucrs.br:article/33789Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/falePRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/fale/oaieditora.periodicos@pucrs.br || letrasdehoje@pucrs.br1984-77260101-3335opendoar:2021-04-27T19:41:20Letras de Hoje (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
En la era post-televisiva: transmedia y fandom en Sherlock por Moffat y Gatiss
In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
title In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
spellingShingle In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
de Figueiredo, Camila Augusta Pires
television
TV series
Sherlock
transmedia
after-TV
televisión
serie de TV
Sherlock
transmedia
post-TV
television
TV series
Sherlock
transmedia
after-TV.
title_short In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
title_full In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
title_fullStr In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
title_full_unstemmed In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
title_sort In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss
author de Figueiredo, Camila Augusta Pires
author_facet de Figueiredo, Camila Augusta Pires
author_role author
dc.contributor.author.fl_str_mv de Figueiredo, Camila Augusta Pires
dc.subject.por.fl_str_mv television
TV series
Sherlock
transmedia
after-TV
televisión
serie de TV
Sherlock
transmedia
post-TV
television
TV series
Sherlock
transmedia
after-TV.
topic television
TV series
Sherlock
transmedia
after-TV
televisión
serie de TV
Sherlock
transmedia
post-TV
television
TV series
Sherlock
transmedia
after-TV.
description Serial narratives such as TV series have their own language, genres and narrative tools, according to their media specificities. It is observed that the television of today is going through a process of rapid cultural and technological transformations. Such advances have led to profound changes in the formats of the series, as well as in their modes of production and consumption. As for the production aspects, for example, we observe the creation of new narrative models in which the technological resources are shaped as extensions of the television product, creating a multiplatform or transmedial narrative experience. In this paper we will examine the case of the television series Sherlock by Steven Moffat and Mark Gatiss, broadcasted by BBC, as an example of a program designed for a transmedia television, one that encouraged the emergence of an engaged audience willing to follow the series beyond the TV screen across other media platforms.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Intermediality
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/33789
10.15448/1984-7726.2020.1.33789
url https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/33789
identifier_str_mv 10.15448/1984-7726.2020.1.33789
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/fale/article/view/33789/19580
dc.rights.driver.fl_str_mv Copyright (c) 2020 Letras de Hoje
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Letras de Hoje
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letras de Hoje; Vol. 55 No. 1 (2020); e33789
Letras de Hoje; Vol. 55 Núm. 1 (2020); e33789
Letras de Hoje; v. 55 n. 1 (2020); e33789
1984-7726
0101-3335
10.15448/1984-7726.2020.1
reponame:Letras de Hoje (Online)
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Letras de Hoje (Online)
collection Letras de Hoje (Online)
repository.name.fl_str_mv Letras de Hoje (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv editora.periodicos@pucrs.br || letrasdehoje@pucrs.br
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