About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012)
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Ibero-Americanos |
Texto Completo: | https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/27171 |
Resumo: | This article intends to make a balance of different discourses produced about contemporary Brazilian culture between the beginning of the 1980s and the beginning of the decade of 2010. In the cut-off period, there were crossings that marked the re-readings of various cultural movements of national affirmation, among which the so-called tropicalist movement, we intend to observe different perceptions regarding the estate left by the initiative. In this sense, hemerographic materials, academic or non-academic essays, musical initiatives and traces of memories constitute supports that help to perceive the different efforts of meaning of the being of the national culture. From the analysis of discourses, viewed as producers of meaning in everyday life, proposed by Mary Jane Spink and Benedito Medrado, the article seeks to understand the extent to which Brazilian cultural movements have produced certain places of power in an attempt to define a Brazilian identity, and, consequently, gaps in its constitution and affirmation. |
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About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012)Sobre la Tropicália e otras artes: conflictos estéticos y debates en torno a la designación de la cultura brasileña (1982-2012)Sobre a Tropicália e outras artes: conflitos estéticos e debates em torno da nomeação da cultura brasileira (1982-2012)HistoryBrazilian CultureNational IdentityTropicáliaSpeechesHistoriaCultura BrasileñaIdentidad NacionalTropicáliaDiscursosHistóriaCultura BrasileiraIdentidade NacionalTropicáliaDiscursosThis article intends to make a balance of different discourses produced about contemporary Brazilian culture between the beginning of the 1980s and the beginning of the decade of 2010. In the cut-off period, there were crossings that marked the re-readings of various cultural movements of national affirmation, among which the so-called tropicalist movement, we intend to observe different perceptions regarding the estate left by the initiative. In this sense, hemerographic materials, academic or non-academic essays, musical initiatives and traces of memories constitute supports that help to perceive the different efforts of meaning of the being of the national culture. From the analysis of discourses, viewed as producers of meaning in everyday life, proposed by Mary Jane Spink and Benedito Medrado, the article seeks to understand the extent to which Brazilian cultural movements have produced certain places of power in an attempt to define a Brazilian identity, and, consequently, gaps in its constitution and affirmation.Este artículo pretende realizar un balance de diferentes discursos producidos respecto a la cultura brasileña contemporánea entre el inicio de la década de 1980 y el inicio de la década de 2010. En la medida en que, en el período recortado, hubo atravesamientos que marcaron las relecturas de diversos movimientos culturales de afirmación nacional, entre los cuales el llamado movimiento tropicalista, se pretende observar diferentes percepciones acerca del botín dejado por la iniciativa. En ese sentido, materiales hemerográficos, ensayos académicos o no académicos, iniciativas musicales y rastros de memorias constituyen soportes que ayudan a percibir los diferentes esfuerzos de significación del ser de la cultura nacional. El artículo busca, a partir del análisis de discursos, vistos como productores de sentido en el cotidiano, propuesta por Mary Jane Spink y Benedito Medrado, percibir en qué medida los movimientos culturales brasileños produjeron determinados lugares de poder en el intento de definir una identidad brasileña, y, en consecuencia, lagunas en su constitución y afirmación.Este artigo pretende realizar um balanço de diferentes discursos produzidos a respeito da cultura brasileira contemporânea entre o início da década de 1980 e o início da década de 2010. Na medida em que, no período recortado, houveram atravessamentos que marcaram as releituras de diversos movimentos culturais de afirmação nacional, dentre os quais o chamado movimento tropicalista, pretende-se observar diferentes percepções a respeito do espólio deixado pela iniciativa. Nesse sentido, materiais hemerográficos, ensaios acadêmicos ou não acadêmicos, , iniciativas musicais e rastros de memórias constituem suportes que ajudam a perceber os diferentes esforços de significação do ser da cultura nacional. O artigo busca, a partir da análise de discursos, vistos como produtores de sentido no cotidiano, proposta por Mary Jane Spink e Benedito Medrado, perceber em que medida os movimentos culturais brasileiros produziram determinados lugares de poder na tentativa de definir uma identidade brasileira, e, consequentemente, lacunas em sua constituição e afirmação.Editora da PUCRS - ediPUCRS2017-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/2717110.15448/1980-864X.2017.3.27171Estudos Ibero-Americanos; Vol. 43 No. 3 (2017): Dossier: Amor Mundi – Actuality and Reception of Hannah Arendt’s Work; 681-692Estudos Ibero-Americanos; Vol. 43 Núm. 3 (2017): Dossier: Amor Mundi - Actualidad y Recepción de Hannah Arendt; 681-692Estudos Ibero-Americanos; v. 43 n. 3 (2017): Dossiê: Amor Mundi: atualidade e recepção da obra de Hannah Arendt; 681-6921980-864X0101-406410.15448/1980-864X.2017.3reponame:Estudos Ibero-Americanosinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/27171/16225Copyright (c) 2017 Fábio Leonardo Castelo Branco Britohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBrito, Fábio Leonardo Castelo Branco2017-12-05T19:40:31Zoai:ojs.revistaseletronicas.pucrs.br:article/27171Revistahttps://revistaseletronicas.pucrs.br/index.php/iberoamericanaPRIhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/oaieditora.periodicos@pucrs.br||eia@pucrs.br1980-864X0101-4064opendoar:2017-12-05T19:40:31Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) Sobre la Tropicália e otras artes: conflictos estéticos y debates en torno a la designación de la cultura brasileña (1982-2012) Sobre a Tropicália e outras artes: conflitos estéticos e debates em torno da nomeação da cultura brasileira (1982-2012) |
title |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
spellingShingle |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) Brito, Fábio Leonardo Castelo Branco History Brazilian Culture National Identity Tropicália Speeches Historia Cultura Brasileña Identidad Nacional Tropicália Discursos História Cultura Brasileira Identidade Nacional Tropicália Discursos |
title_short |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
title_full |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
title_fullStr |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
title_full_unstemmed |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
title_sort |
About Tropicália and other arts: aesthetic conflicts and debates around the nomination of the Brazilian culture (1982-2012) |
author |
Brito, Fábio Leonardo Castelo Branco |
author_facet |
Brito, Fábio Leonardo Castelo Branco |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brito, Fábio Leonardo Castelo Branco |
dc.subject.por.fl_str_mv |
History Brazilian Culture National Identity Tropicália Speeches Historia Cultura Brasileña Identidad Nacional Tropicália Discursos História Cultura Brasileira Identidade Nacional Tropicália Discursos |
topic |
History Brazilian Culture National Identity Tropicália Speeches Historia Cultura Brasileña Identidad Nacional Tropicália Discursos História Cultura Brasileira Identidade Nacional Tropicália Discursos |
description |
This article intends to make a balance of different discourses produced about contemporary Brazilian culture between the beginning of the 1980s and the beginning of the decade of 2010. In the cut-off period, there were crossings that marked the re-readings of various cultural movements of national affirmation, among which the so-called tropicalist movement, we intend to observe different perceptions regarding the estate left by the initiative. In this sense, hemerographic materials, academic or non-academic essays, musical initiatives and traces of memories constitute supports that help to perceive the different efforts of meaning of the being of the national culture. From the analysis of discourses, viewed as producers of meaning in everyday life, proposed by Mary Jane Spink and Benedito Medrado, the article seeks to understand the extent to which Brazilian cultural movements have produced certain places of power in an attempt to define a Brazilian identity, and, consequently, gaps in its constitution and affirmation. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/27171 10.15448/1980-864X.2017.3.27171 |
url |
https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/27171 |
identifier_str_mv |
10.15448/1980-864X.2017.3.27171 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/27171/16225 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Fábio Leonardo Castelo Branco Brito https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Fábio Leonardo Castelo Branco Brito https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Estudos Ibero-Americanos; Vol. 43 No. 3 (2017): Dossier: Amor Mundi – Actuality and Reception of Hannah Arendt’s Work; 681-692 Estudos Ibero-Americanos; Vol. 43 Núm. 3 (2017): Dossier: Amor Mundi - Actualidad y Recepción de Hannah Arendt; 681-692 Estudos Ibero-Americanos; v. 43 n. 3 (2017): Dossiê: Amor Mundi: atualidade e recepção da obra de Hannah Arendt; 681-692 1980-864X 0101-4064 10.15448/1980-864X.2017.3 reponame:Estudos Ibero-Americanos instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Estudos Ibero-Americanos |
collection |
Estudos Ibero-Americanos |
repository.name.fl_str_mv |
Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
editora.periodicos@pucrs.br||eia@pucrs.br |
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1799128859464957952 |