Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America

Detalhes bibliográficos
Autor(a) principal: Brum, Rosemary Fritsch
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Ibero-Americanos
Texto Completo: https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/12461
Resumo: The text reflects on the travels of Filippo Tommaso Marinetti to South America on two occasions, in 1926 and in 1936. The focus is on the contributions of the creator of the Italian futurism, for a wide range of artistic, literary and architectural works on the continent. Albeit briefly, the controversy about the receipt of the movement and its dialog with the Latin American avant-garde art is also tackled. Modernism, the controversial Brazilian reception and the perspective regarding Argentina and Uruguay were discussed by commentators and researchers who reflect on the diversity of views on these travels and the artistic, intellectual and ideological reception of the movement. The historical dimension is used as a base for creating a hypothesis, since when these travels happened in South America, the movement had already sizzled around the half of the First World War. As the mechanized slaughter devastated Europe, it became more difficult to maintain the cult of the machine. Throughout the 1920s and 1930s, the second generation of futurists tried to extend their ideology and practice to futuristic installations, theater set design, graphic arts and advertising, to some success.
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spelling Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin AmericaEntre presencias y escritos: reverberaciones del viaje de Marinetti en 1926 en América LatinaEntre presenças e escritos: reverberações da viagem de Marinetti em 1926 na América LatinaMarinettiFuturismAvant-gardeModernismPerformanceMarinettiFuturismoVanguardiasModernismoDesempeñoMarinettiFuturismoVanguardasModernismoPerformanceThe text reflects on the travels of Filippo Tommaso Marinetti to South America on two occasions, in 1926 and in 1936. The focus is on the contributions of the creator of the Italian futurism, for a wide range of artistic, literary and architectural works on the continent. Albeit briefly, the controversy about the receipt of the movement and its dialog with the Latin American avant-garde art is also tackled. Modernism, the controversial Brazilian reception and the perspective regarding Argentina and Uruguay were discussed by commentators and researchers who reflect on the diversity of views on these travels and the artistic, intellectual and ideological reception of the movement. The historical dimension is used as a base for creating a hypothesis, since when these travels happened in South America, the movement had already sizzled around the half of the First World War. As the mechanized slaughter devastated Europe, it became more difficult to maintain the cult of the machine. Throughout the 1920s and 1930s, the second generation of futurists tried to extend their ideology and practice to futuristic installations, theater set design, graphic arts and advertising, to some success.El texto reflexiona sobre los viajes de Filippo Tomaso Marinetti a Sudamérica, en dos ocasiones, en 1926 y 1936. Se destaca la contribución del futurismo italiano a través de su creador, para una amplia gama de producción artística, literaria e incluso arquitectónica con el continente. Se enfrenta, aunque sea brevemente, la controversia sobre la recepción del movimiento y el diálogo con la vanguardia de América Latina. El modernismo y la polémica recepción brasileña más la perspectiva platina (Argentina y Uruguay) fueron galardonados por los comentaristas e investigadores que reflejan la diversidad de evaluación sobre estos viajes y la recepción artística, intelectual e ideológica del movimiento. Hipotéticamente, parten todos de la dimensión histórica, una vez que de estas giras en Sudamérica, el impulso del movimiento ya había llegado a su fin en medio de la Primera Guerra Mundial. A la medida que la masacre mecanizada tragaba a Europa, se hizo difícil mantener el culto a la máquina. A lo largo de los años 1920 y 1930, la segunda generación de futuristas trató de extender la ideología y la práctica futurista a la instalación, a la escenografía teatral, a las artes gráficas y a la publicidad, alcanzando cierto éxito.O texto reflete sobre as viagens de Filippo Tomaso Marinetti à América do Sul, em duas oportunidades, em 1926 e em 1936. Destaca-se a contribuição do futurismo italiano através do seu criador, para um vasto campo da produção artística, literária e até arquitetônica para o continente. Enfrenta-se, ainda que brevemente, a controvérsia sobre a recepção do movimento e o diálogo com as vanguardas latino-americanas. O modernismo e a polêmica recepção brasileira mais a perspectiva platina (Argentina e Uruguai) foram contemplados por comentaristas e pesquisadores que refletem a diversidade de avaliação sobre essas viagens e a recepção artística, intelectual e ideológica do movimento. Por hipótese, partem todos da dimensão histórica, uma vez que quando dessas tournées na Sudamerica,o ímpeto do movimento já havia chegado ao fim em meados da Primeira Guerra Mundial. À medida que o morticínio mecanizado tragava a Europa, tornava-se difícil sustentar o culto à máquina. Ao longo das décadas de 1920 e 1930, a segunda geração de futuristas tentou estender a ideologia e a prática futuristas à instalação, à cenografia teatral, às artes gráficas e à publicidade, alcançando algum sucesso.Editora da PUCRS - ediPUCRS2012-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/1246110.15448/1980-864X.2012.s.12461Estudos Ibero-Americanos; v. 38, n. supl. (2012): Dossier - History, Literature and Mith: european travelers in Latin AmericaEstudos Ibero-Americanos; v. 38, n. supl. (2012): Dosier - Historia, Literatura y Mito: viajeros europeos en América del SurEstudos Ibero-Americanos; v. 38, n. supl. (2012): Dossiê - História, Literatura e Mito: viajantes europeus na América do Sul1980-864X0101-406410.15448/1980-864X.2012.sreponame:Estudos Ibero-Americanosinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/12461/pdf_39Brum, Rosemary Fritschinfo:eu-repo/semantics/openAccess2017-05-05T14:54:04Zoai:ojs.revistaseletronicas.pucrs.br:article/12461Revistahttps://revistaseletronicas.pucrs.br/index.php/iberoamericanaPRIhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/oaieditora.periodicos@pucrs.br||eia@pucrs.br1980-864X0101-4064opendoar:2017-05-05T14:54:04Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
Entre presencias y escritos: reverberaciones del viaje de Marinetti en 1926 en América Latina
Entre presenças e escritos: reverberações da viagem de Marinetti em 1926 na América Latina
title Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
spellingShingle Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
Brum, Rosemary Fritsch
Marinetti
Futurism
Avant-garde
Modernism
Performance
Marinetti
Futurismo
Vanguardias
Modernismo
Desempeño
Marinetti
Futurismo
Vanguardas
Modernismo
Performance
title_short Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
title_full Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
title_fullStr Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
title_full_unstemmed Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
title_sort Between being present and writing: reverberations of Marinetti's travel in 1926 to Latin America
author Brum, Rosemary Fritsch
author_facet Brum, Rosemary Fritsch
author_role author
dc.contributor.author.fl_str_mv Brum, Rosemary Fritsch
dc.subject.por.fl_str_mv Marinetti
Futurism
Avant-garde
Modernism
Performance
Marinetti
Futurismo
Vanguardias
Modernismo
Desempeño
Marinetti
Futurismo
Vanguardas
Modernismo
Performance
topic Marinetti
Futurism
Avant-garde
Modernism
Performance
Marinetti
Futurismo
Vanguardias
Modernismo
Desempeño
Marinetti
Futurismo
Vanguardas
Modernismo
Performance
description The text reflects on the travels of Filippo Tommaso Marinetti to South America on two occasions, in 1926 and in 1936. The focus is on the contributions of the creator of the Italian futurism, for a wide range of artistic, literary and architectural works on the continent. Albeit briefly, the controversy about the receipt of the movement and its dialog with the Latin American avant-garde art is also tackled. Modernism, the controversial Brazilian reception and the perspective regarding Argentina and Uruguay were discussed by commentators and researchers who reflect on the diversity of views on these travels and the artistic, intellectual and ideological reception of the movement. The historical dimension is used as a base for creating a hypothesis, since when these travels happened in South America, the movement had already sizzled around the half of the First World War. As the mechanized slaughter devastated Europe, it became more difficult to maintain the cult of the machine. Throughout the 1920s and 1930s, the second generation of futurists tried to extend their ideology and practice to futuristic installations, theater set design, graphic arts and advertising, to some success.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/12461
10.15448/1980-864X.2012.s.12461
url https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/12461
identifier_str_mv 10.15448/1980-864X.2012.s.12461
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/12461/pdf_39
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Estudos Ibero-Americanos; v. 38, n. supl. (2012): Dossier - History, Literature and Mith: european travelers in Latin America
Estudos Ibero-Americanos; v. 38, n. supl. (2012): Dosier - Historia, Literatura y Mito: viajeros europeos en América del Sur
Estudos Ibero-Americanos; v. 38, n. supl. (2012): Dossiê - História, Literatura e Mito: viajantes europeus na América do Sul
1980-864X
0101-4064
10.15448/1980-864X.2012.s
reponame:Estudos Ibero-Americanos
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Estudos Ibero-Americanos
collection Estudos Ibero-Americanos
repository.name.fl_str_mv Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv editora.periodicos@pucrs.br||eia@pucrs.br
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