The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rever (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/rever/article/view/18411 |
Resumo: | Although little noticed in Western societies accustomed with figures such as the “Laughing Buddha” or the “Meditating Buddha”, armed and fierce deities are common in Buddhist iconography in India, Tibet, China, Korea and Japan. This article investigates the origin of these deities – especially in Mahayanist context – and analyses the symbolic meaning of the weapons they carry. The goal is to realize the value assigned to the iconographic violence in the context of Buddhism. The article also formulates hypotheses about the distance of Western societies in relation to non-Buddhist “armed Buddhas” and its acceptance in respect of figures such as the “Laughing Buddha” and “Meditating Buddha”. |
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The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography“O Dharma das Armas”: origem e significados da iconografia marcial encontrada no BudismoBuddhismHinduismiconographyviolencetransculturalityBudismoHinduísmoiconografia religiosaviolênciatransculturalidade.Although little noticed in Western societies accustomed with figures such as the “Laughing Buddha” or the “Meditating Buddha”, armed and fierce deities are common in Buddhist iconography in India, Tibet, China, Korea and Japan. This article investigates the origin of these deities – especially in Mahayanist context – and analyses the symbolic meaning of the weapons they carry. The goal is to realize the value assigned to the iconographic violence in the context of Buddhism. The article also formulates hypotheses about the distance of Western societies in relation to non-Buddhist “armed Buddhas” and its acceptance in respect of figures such as the “Laughing Buddha” and “Meditating Buddha”.Apesar de pouco percebidas nas sociedades ocidentais acostumadas com figuras como a do “Buda Sorridente” ou do “Buda Meditativo”, divindades armadas e ferozes são comuns na iconografia budista de países como Índia, Tibete,China, Coreia e Japão. Neste artigo, investigamos a origem de algumas dessas divindades, em especial as do contexto mahayanista, e buscamos nos aproximar do significado simbólico das armas que elas portam. O objetivo é perceber o valor atribuído à iconografia marcial no contexto do Budismo. Subsidiariamente, tecemos considerações a respeito do afastamento das sociedades ocidentais não budistas em relação aos “Budas armados” e à sua aceitação em relação a figuras como as do “Buda Sorridente” e do “Buda Meditativo”.Pontifícia Universidade Católica de São Paulo2012-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/rever/article/view/18411REVER: Journal for the Study of Religion; Vol. 13 No. 2 (2013): Antônio Flávio Pierucci: a Tribute; 101-117REVER: Revista de Estudos da Religião; v. 13 n. 2 (2013): Pierucci: Uma Homenagem; 101-1171677-1222reponame:Rever (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/rever/article/view/18411/13658Apolloni, Rodrigo Wolffinfo:eu-repo/semantics/openAccess2023-07-12T12:18:55Zoai:ojs.pkp.sfu.ca:article/18411Revistahttps://revistas.pucsp.br/index.php/rever/PRIhttps://revistas.pucsp.br/rever/oairever@pucsp.br1677-12221677-1222opendoar:2023-07-12T12:18:55Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography “O Dharma das Armas”: origem e significados da iconografia marcial encontrada no Budismo |
title |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
spellingShingle |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography Apolloni, Rodrigo Wolff Buddhism Hinduism iconography violence transculturality Budismo Hinduísmo iconografia religiosa violência transculturalidade. |
title_short |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
title_full |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
title_fullStr |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
title_full_unstemmed |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
title_sort |
The "Dharma of the Weapons”: origin and meanings of Buddhist martial iconography |
author |
Apolloni, Rodrigo Wolff |
author_facet |
Apolloni, Rodrigo Wolff |
author_role |
author |
dc.contributor.author.fl_str_mv |
Apolloni, Rodrigo Wolff |
dc.subject.por.fl_str_mv |
Buddhism Hinduism iconography violence transculturality Budismo Hinduísmo iconografia religiosa violência transculturalidade. |
topic |
Buddhism Hinduism iconography violence transculturality Budismo Hinduísmo iconografia religiosa violência transculturalidade. |
description |
Although little noticed in Western societies accustomed with figures such as the “Laughing Buddha” or the “Meditating Buddha”, armed and fierce deities are common in Buddhist iconography in India, Tibet, China, Korea and Japan. This article investigates the origin of these deities – especially in Mahayanist context – and analyses the symbolic meaning of the weapons they carry. The goal is to realize the value assigned to the iconographic violence in the context of Buddhism. The article also formulates hypotheses about the distance of Western societies in relation to non-Buddhist “armed Buddhas” and its acceptance in respect of figures such as the “Laughing Buddha” and “Meditating Buddha”. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/18411 |
url |
https://revistas.pucsp.br/index.php/rever/article/view/18411 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/18411/13658 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
REVER: Journal for the Study of Religion; Vol. 13 No. 2 (2013): Antônio Flávio Pierucci: a Tribute; 101-117 REVER: Revista de Estudos da Religião; v. 13 n. 2 (2013): Pierucci: Uma Homenagem; 101-117 1677-1222 reponame:Rever (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Rever (São Paulo. Online) |
collection |
Rever (São Paulo. Online) |
repository.name.fl_str_mv |
Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
rever@pucsp.br |
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1796798386489262080 |