Iranian cinema and banned music
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rever (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/rever/article/view/16126 |
Resumo: | This article analyzes two Iranian films about banned music: No one knows about Persian Cats (Kasi Az Gorbehaye Irani Khabar Nadareth, 2009), by Bahman Ghobadi and Is not an illusion (Na Yek Tavahom, 2009), by Torang Abedian. To understand the importance of these films for the Iranian cinematography, it is necessary to comprehend how the censorship works in the country related both to cinema and music, due to the fact that the laws of the country have Islam as foundation and religion permeates the life and the behavior of its inhabitants. |
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Iranian cinema and banned musicO cinema iraniano e a música interditaIslamIranian CinemaMusicCensorshipImagesIslãCinema iranianoMúsicaCensuraImagensThis article analyzes two Iranian films about banned music: No one knows about Persian Cats (Kasi Az Gorbehaye Irani Khabar Nadareth, 2009), by Bahman Ghobadi and Is not an illusion (Na Yek Tavahom, 2009), by Torang Abedian. To understand the importance of these films for the Iranian cinematography, it is necessary to comprehend how the censorship works in the country related both to cinema and music, due to the fact that the laws of the country have Islam as foundation and religion permeates the life and the behavior of its inhabitants.Este artigo analisa dois filmes iranianos sobre a música interdita: Ninguémsabe dos gatos persas (Kasi Az Gorbehaye Irani Khabar Nadareth, 2009), de BahmanGhobadi, e Não é uma ilusão (Na yek Tavahom, 2009), de Torang Abedian.Para entender a importância que esses filmes representam para a cinematografiairaniana, é preciso compreender como a censura age no país tanto em relaçãoao cinema, quanto em relação à música, pois todas as leis que regem o Irã sãobaseadas no Islã e a religião permeia a vida e o comportamento de seus habitantes.Pontifícia Universidade Católica de São Paulo2013-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/rever/article/view/16126REVER: Journal for the Study of Religion; Vol. 13 No. 1 (2013): Islã e Antropologia; 45-62REVER: Revista de Estudos da Religião; v. 13 n. 1 (2013): Islã e Antropologia; 45-621677-1222reponame:Rever (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/rever/article/view/16126/12164Pessuto, Keleninfo:eu-repo/semantics/openAccess2023-07-12T12:18:55Zoai:ojs.pkp.sfu.ca:article/16126Revistahttps://revistas.pucsp.br/index.php/rever/PRIhttps://revistas.pucsp.br/rever/oairever@pucsp.br1677-12221677-1222opendoar:2023-07-12T12:18:55Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Iranian cinema and banned music O cinema iraniano e a música interdita |
title |
Iranian cinema and banned music |
spellingShingle |
Iranian cinema and banned music Pessuto, Kelen Islam Iranian Cinema Music Censorship Images Islã Cinema iraniano Música Censura Imagens |
title_short |
Iranian cinema and banned music |
title_full |
Iranian cinema and banned music |
title_fullStr |
Iranian cinema and banned music |
title_full_unstemmed |
Iranian cinema and banned music |
title_sort |
Iranian cinema and banned music |
author |
Pessuto, Kelen |
author_facet |
Pessuto, Kelen |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pessuto, Kelen |
dc.subject.por.fl_str_mv |
Islam Iranian Cinema Music Censorship Images Islã Cinema iraniano Música Censura Imagens |
topic |
Islam Iranian Cinema Music Censorship Images Islã Cinema iraniano Música Censura Imagens |
description |
This article analyzes two Iranian films about banned music: No one knows about Persian Cats (Kasi Az Gorbehaye Irani Khabar Nadareth, 2009), by Bahman Ghobadi and Is not an illusion (Na Yek Tavahom, 2009), by Torang Abedian. To understand the importance of these films for the Iranian cinematography, it is necessary to comprehend how the censorship works in the country related both to cinema and music, due to the fact that the laws of the country have Islam as foundation and religion permeates the life and the behavior of its inhabitants. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/16126 |
url |
https://revistas.pucsp.br/index.php/rever/article/view/16126 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/16126/12164 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
REVER: Journal for the Study of Religion; Vol. 13 No. 1 (2013): Islã e Antropologia; 45-62 REVER: Revista de Estudos da Religião; v. 13 n. 1 (2013): Islã e Antropologia; 45-62 1677-1222 reponame:Rever (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Rever (São Paulo. Online) |
collection |
Rever (São Paulo. Online) |
repository.name.fl_str_mv |
Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
rever@pucsp.br |
_version_ |
1796798386456756224 |