A Peircean perspective on human voice: the semiotic nonagon of the uses of voice
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Cognitio (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/40878 |
Resumo: | The human voice is a widely studied phenomenon that has been approached from a large number of disciplines, ranging from medical specialties to the performing arts. Albeit enriching, this variety of perspectives has conspired against the formulation of a common conception of the voice and a framework that might help to understand voice-related phenomena in more general terms, emphasizing continuities and relationships rather than having to redefine the object of study according to the conceptual tools and methodologies of each discipline. Peirce’s semeiotic offers an alternative to this fragmented landscape of voice studies, especially through his taxonomy of signs related to the phaneroscopic categories. The semiotic nonagon (Guerri, 2003, 2014 y 2016) is an operative model that in adopting the form of a diagrammatic icon, assists in applying Peirce’s categories to the analysis of concepts, objects or disciplines in general. Using the semiotic nonagon as a methodological tool, this paper offers a way to analyze, describe and categorize according to logical criteria the many uses of human voice. It is hoped that the insights gained from the relationships between radically different uses of the voice will help reduce redundancy and provide new directions for research in other disciplines, as well as serve potential pedagogical and analytical needs in the arts and other disciplines (e.g., linguistics, cultural studies). |
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A Peircean perspective on human voice: the semiotic nonagon of the uses of voiceUna perspectiva peirceana sobre la voz humana: el nonágono semiótico de los usos de la vozApplied semioticsPerforming artsPragmaticsSemiotic nonagonVoiceArtes performativasNonágono semióticoPragmáticaSemiótica aplicadaVozThe human voice is a widely studied phenomenon that has been approached from a large number of disciplines, ranging from medical specialties to the performing arts. Albeit enriching, this variety of perspectives has conspired against the formulation of a common conception of the voice and a framework that might help to understand voice-related phenomena in more general terms, emphasizing continuities and relationships rather than having to redefine the object of study according to the conceptual tools and methodologies of each discipline. Peirce’s semeiotic offers an alternative to this fragmented landscape of voice studies, especially through his taxonomy of signs related to the phaneroscopic categories. The semiotic nonagon (Guerri, 2003, 2014 y 2016) is an operative model that in adopting the form of a diagrammatic icon, assists in applying Peirce’s categories to the analysis of concepts, objects or disciplines in general. Using the semiotic nonagon as a methodological tool, this paper offers a way to analyze, describe and categorize according to logical criteria the many uses of human voice. It is hoped that the insights gained from the relationships between radically different uses of the voice will help reduce redundancy and provide new directions for research in other disciplines, as well as serve potential pedagogical and analytical needs in the arts and other disciplines (e.g., linguistics, cultural studies).La voz humana es un fenómeno ampliamente estudiado desde una gran variedad de disciplinas, desde las especialidades de la medicina hasta las artes. Aunque esta situación resulta enriquecedora, la multiplicidad de perspectivas ha conspirado contra la formulación de una concepción única de la voz y de un sistema lógico que pueda ayudar a entender los fenómenos asociados con ella en términos más generales, enfatizando continuidades y relaciones en lugar de requerir cada vez una definición del objeto de estudio de acuerdo con las herramientas conceptuales y las metodologías de cada disciplina. La semeiotica de Peirce ofrece una alternativa a esta fragmentación de los estudios de la voz, especialmente a través de su taxonomía de signos relacionada con las categorías faneroscópicas. El nonágono semiótico (Guerri, 2003, 2014 y 2016) es un modelo operativo que, adoptando la forma de un ícono diagramático, ayuda a aplicar las categorías peirceanas al análisis de conceptos, objetos o disciplinas en general. Con el nonágono semiótico como herramienta metodológica, este artículo ofrece una forma de analizar, describir y categorizar de acuerdo con criterios lógicos los múltiples usos de la voz humana. Se espera que las relaciones que revela entre usos radicalmente diferentes de la voz ayuden a reducir la redundancia entre disciplinas y a proveer nuevas direcciones para la investigación en otras áreas, así también como para cubrir potenciales necesidades pedagógicas y analíticas en las artes y otras disciplinas (i.e. lingüística, estudios culturales).Pontifícia Universidade Católica de São Paulo2019-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/4087810.23925/2316-5278.2018v19i2p258-269Cognitio: Revista de Filosofia; Vol. 19 No. 2 (2018); 258-269Cognitio: Revista de Filosofia; v. 19 n. 2 (2018); 258-2692316-52781518-7187reponame:Cognitio (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPenghttps://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/40878/27840Copyright (c) 2019 http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessLlobet Vallejos, Juan PabloStocco, Pablo Antonio2019-02-01T16:39:18Zoai:ojs.pkp.sfu.ca:article/40878Revistahttps://revistas.pucsp.br/index.php/cognitiofilosofiaPRIhttps://revistas.pucsp.br/index.php/cognitiofilosofia/oairevcognitio@gmail.com2316-52781518-7187opendoar:2019-02-01T16:39:18Cognitio (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice Una perspectiva peirceana sobre la voz humana: el nonágono semiótico de los usos de la voz |
title |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
spellingShingle |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice Llobet Vallejos, Juan Pablo Applied semiotics Performing arts Pragmatics Semiotic nonagon Voice Artes performativas Nonágono semiótico Pragmática Semiótica aplicada Voz |
title_short |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
title_full |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
title_fullStr |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
title_full_unstemmed |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
title_sort |
A Peircean perspective on human voice: the semiotic nonagon of the uses of voice |
author |
Llobet Vallejos, Juan Pablo |
author_facet |
Llobet Vallejos, Juan Pablo Stocco, Pablo Antonio |
author_role |
author |
author2 |
Stocco, Pablo Antonio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Llobet Vallejos, Juan Pablo Stocco, Pablo Antonio |
dc.subject.por.fl_str_mv |
Applied semiotics Performing arts Pragmatics Semiotic nonagon Voice Artes performativas Nonágono semiótico Pragmática Semiótica aplicada Voz |
topic |
Applied semiotics Performing arts Pragmatics Semiotic nonagon Voice Artes performativas Nonágono semiótico Pragmática Semiótica aplicada Voz |
description |
The human voice is a widely studied phenomenon that has been approached from a large number of disciplines, ranging from medical specialties to the performing arts. Albeit enriching, this variety of perspectives has conspired against the formulation of a common conception of the voice and a framework that might help to understand voice-related phenomena in more general terms, emphasizing continuities and relationships rather than having to redefine the object of study according to the conceptual tools and methodologies of each discipline. Peirce’s semeiotic offers an alternative to this fragmented landscape of voice studies, especially through his taxonomy of signs related to the phaneroscopic categories. The semiotic nonagon (Guerri, 2003, 2014 y 2016) is an operative model that in adopting the form of a diagrammatic icon, assists in applying Peirce’s categories to the analysis of concepts, objects or disciplines in general. Using the semiotic nonagon as a methodological tool, this paper offers a way to analyze, describe and categorize according to logical criteria the many uses of human voice. It is hoped that the insights gained from the relationships between radically different uses of the voice will help reduce redundancy and provide new directions for research in other disciplines, as well as serve potential pedagogical and analytical needs in the arts and other disciplines (e.g., linguistics, cultural studies). |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-02-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/40878 10.23925/2316-5278.2018v19i2p258-269 |
url |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/40878 |
identifier_str_mv |
10.23925/2316-5278.2018v19i2p258-269 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/40878/27840 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 http://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 http://creativecommons.org/licenses/by/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Cognitio: Revista de Filosofia; Vol. 19 No. 2 (2018); 258-269 Cognitio: Revista de Filosofia; v. 19 n. 2 (2018); 258-269 2316-5278 1518-7187 reponame:Cognitio (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Cognitio (São Paulo. Online) |
collection |
Cognitio (São Paulo. Online) |
repository.name.fl_str_mv |
Cognitio (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
revcognitio@gmail.com |
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1803387422125326336 |