Produção em cinema estereoscópico 3D anáglifo

Detalhes bibliográficos
Autor(a) principal: Coimbra, Gastão de Lima
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/22410
Resumo: This research has as general objective to investigate a set of information that guides the researchers and producers, through the technical and theoretical bases for the production of content in stereoscopic 3D and anaglyph. What justifies this investigation is the scarcity of publications that contemplate the beginning, middle and end of the processes involved in the production of 3D content and also the fact that only a feature film until 2018 was produced in 3d in the country where this research is based, Brazil, and even produced by a contracted American team that returned with its equipment and know-how to the United States. What motivates the realization of this research is the possibility of expanding access in academic circles, the processes involved in the production of 3D works and the association of these processes in other projects and technologies. We will try to answer the following problematizing question: Is it possible, to gather in a clear and objective way, the processes involved in the production of audiovisual projects in 3d stereoscopic anaglyph? We consider the hypothesis that complex technological processes such as stereoscopic 3D can be organized in an objective way in order to facilitate their understanding and their use in the audiovisual in association with other technologies. We chose the methodology of the qualitative research, of the descriptive type, with origin of bibliographical / documentary data. For the review of previous studies, we will consider the period from 2007 to 2018 of theses and dissertations from reputed entities. In our theoretical reference we will delve into the fundamental themes of our research, which are basically about the capture of material in stereoscopic 3d, edition of this same material, post-production and exhibition of it. The research context will involve types of cameras, mounts available for 3D processes, software and anaglyphic stereoscopic assembly techniques, color post-production and glasses and screens ideal for projection and better three-dimensional perception. The expected results are the production of a clear and objective text on the stages of the production process in 3d stereoscopic anaglyph and the production of a video of up to one minute that can be satisfactorily assisted with anaglyph glasses, recognized by blue and red lenses
id PUC_SP-1_02f3b5e83eea676a942d26dcdea98292
oai_identifier_str oai:repositorio.pucsp.br:handle/22410
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling André, Claudio Fernandohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4489591D5Coimbra, Gastão de Lima2019-07-17T10:07:48Z2019-06-18Coimbra, Gastão de Lima. Produção em cinema estereoscópico 3D anáglifo. 2019. 101 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.https://tede2.pucsp.br/handle/handle/22410This research has as general objective to investigate a set of information that guides the researchers and producers, through the technical and theoretical bases for the production of content in stereoscopic 3D and anaglyph. What justifies this investigation is the scarcity of publications that contemplate the beginning, middle and end of the processes involved in the production of 3D content and also the fact that only a feature film until 2018 was produced in 3d in the country where this research is based, Brazil, and even produced by a contracted American team that returned with its equipment and know-how to the United States. What motivates the realization of this research is the possibility of expanding access in academic circles, the processes involved in the production of 3D works and the association of these processes in other projects and technologies. We will try to answer the following problematizing question: Is it possible, to gather in a clear and objective way, the processes involved in the production of audiovisual projects in 3d stereoscopic anaglyph? We consider the hypothesis that complex technological processes such as stereoscopic 3D can be organized in an objective way in order to facilitate their understanding and their use in the audiovisual in association with other technologies. We chose the methodology of the qualitative research, of the descriptive type, with origin of bibliographical / documentary data. For the review of previous studies, we will consider the period from 2007 to 2018 of theses and dissertations from reputed entities. In our theoretical reference we will delve into the fundamental themes of our research, which are basically about the capture of material in stereoscopic 3d, edition of this same material, post-production and exhibition of it. The research context will involve types of cameras, mounts available for 3D processes, software and anaglyphic stereoscopic assembly techniques, color post-production and glasses and screens ideal for projection and better three-dimensional perception. The expected results are the production of a clear and objective text on the stages of the production process in 3d stereoscopic anaglyph and the production of a video of up to one minute that can be satisfactorily assisted with anaglyph glasses, recognized by blue and red lensesEsta pesquisa tem como objetivo geral investigar um conjunto de informações que guie os pesquisadores e produtores, através das bases técnicas e teóricas para produção de conteúdo em 3D estereoscópico e anáglifo. O que justifica essa investigação, é a escassez de publicações que contemplem início, meio e fim, dos processos envolvidos na produção de conteúdo em 3D e também o fato que apenas um longa-metragem até 2018 foi produzido em 3D, no país onde esta pesquisa está sediada, o Brasil, e assim mesmo, produzido por uma equipe americana contratada que retornou com seus equipamentos e com os conhecimentos relativos a produção aos Estados Unidos. O que motiva a realização desta pesquisa, é a possiblidade de ampliar o acesso nos meios acadêmicos, aos processos envolvidos na produção de obras em 3D e a associação desses processos em outros projetos e tecnologias. Buscaremos responder a seguinte questão problematizadora: De que maneira, seria possível, reunir claramente e objetivamente, os processos envolvidos na produção de projetos audiovisuais em 3D estereoscópico anáglifo? Consideramos a hipótese que processos tecnológicos complexos como o 3D estereoscópico, podem ser organizados de forma objetiva a fim de facilitar seu entendimento e sua utilização no audiovisual em associação a outras tecnologias. Optamos pela metodologia da pesquisa qualitativa, do tipo descritiva, com origem de dados bibliográficos/documentais. Para a revisão de estudos anteriores, consideraremos o período de 2007 a 2018 como o foco principal, porém teremos algumas publicações especificas fora do período em foco, que serão consultadas. Teses, dissertações e publicações nos trarão embasamento teórico, dentro de um contexto em que hajam relações proveitosas ao projeto. Em nosso referencial teórico nos aprofundaremos nos temas fundamentais de nossa pesquisa, que versam basicamente sobre a captura de material em 3D estereoscópico, edição deste mesmo material, pós-produção e exibição do mesmo. O contexto da pesquisa envolverá, tipos de câmeras, montagens disponíveis em 3D, softwares e técnicas de montagem, pós-produção das cores e óculos e telas ideais para projeção e melhor percepção tridimensional. Os resultados esperados são a produção de um texto claro e objetivo sobre as etapas do processo de produção em 3D estereoscópico anáglifo e a produção de um vídeo de até um minuto que possa ser assistido com óculos anáglifos, reconhecidos pelas lentes azul e vermelhoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/49771/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Tecnologias da Inteligência e Design DigitalPUC-SPBrasilFaculdade de Ciências Exatas e TecnologiaEstereoscópicoAnáglifo3DImagem tridimensionalRealidade virtualStereoscopicAnaglyphThree-dimensional imagingVirtual realityCNPQ::ENGENHARIASProdução em cinema estereoscópico 3D anáglifoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTGastão de Lima Coimbra.pdf.txtGastão de Lima Coimbra.pdf.txtExtracted texttext/plain152172https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/4/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf.txt2b0516cad80f0f21e79061701a1554f7MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALGastão de Lima Coimbra.pdfGastão de Lima Coimbra.pdfapplication/pdf3803097https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/2/Gast%c3%a3o%20de%20Lima%20Coimbra.pdfabd4e5f4668473e27e9c774063fd8549MD52THUMBNAILGastão de Lima Coimbra.pdf.jpgGastão de Lima Coimbra.pdf.jpgGenerated Thumbnailimage/jpeg2147https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/3/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf.jpg415f70f6f3c455c247c35ecfcc74154cMD53handle/224102022-06-15 12:40:21.532oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-06-15T15:40:21Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Produção em cinema estereoscópico 3D anáglifo
title Produção em cinema estereoscópico 3D anáglifo
spellingShingle Produção em cinema estereoscópico 3D anáglifo
Coimbra, Gastão de Lima
Estereoscópico
Anáglifo
3D
Imagem tridimensional
Realidade virtual
Stereoscopic
Anaglyph
Three-dimensional imaging
Virtual reality
CNPQ::ENGENHARIAS
title_short Produção em cinema estereoscópico 3D anáglifo
title_full Produção em cinema estereoscópico 3D anáglifo
title_fullStr Produção em cinema estereoscópico 3D anáglifo
title_full_unstemmed Produção em cinema estereoscópico 3D anáglifo
title_sort Produção em cinema estereoscópico 3D anáglifo
author Coimbra, Gastão de Lima
author_facet Coimbra, Gastão de Lima
author_role author
dc.contributor.advisor1.fl_str_mv André, Claudio Fernando
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4489591D5
dc.contributor.author.fl_str_mv Coimbra, Gastão de Lima
contributor_str_mv André, Claudio Fernando
dc.subject.por.fl_str_mv Estereoscópico
Anáglifo
3D
topic Estereoscópico
Anáglifo
3D
Imagem tridimensional
Realidade virtual
Stereoscopic
Anaglyph
Three-dimensional imaging
Virtual reality
CNPQ::ENGENHARIAS
dc.subject.eng.fl_str_mv Imagem tridimensional
Realidade virtual
Stereoscopic
Anaglyph
Three-dimensional imaging
Virtual reality
dc.subject.cnpq.fl_str_mv CNPQ::ENGENHARIAS
description This research has as general objective to investigate a set of information that guides the researchers and producers, through the technical and theoretical bases for the production of content in stereoscopic 3D and anaglyph. What justifies this investigation is the scarcity of publications that contemplate the beginning, middle and end of the processes involved in the production of 3D content and also the fact that only a feature film until 2018 was produced in 3d in the country where this research is based, Brazil, and even produced by a contracted American team that returned with its equipment and know-how to the United States. What motivates the realization of this research is the possibility of expanding access in academic circles, the processes involved in the production of 3D works and the association of these processes in other projects and technologies. We will try to answer the following problematizing question: Is it possible, to gather in a clear and objective way, the processes involved in the production of audiovisual projects in 3d stereoscopic anaglyph? We consider the hypothesis that complex technological processes such as stereoscopic 3D can be organized in an objective way in order to facilitate their understanding and their use in the audiovisual in association with other technologies. We chose the methodology of the qualitative research, of the descriptive type, with origin of bibliographical / documentary data. For the review of previous studies, we will consider the period from 2007 to 2018 of theses and dissertations from reputed entities. In our theoretical reference we will delve into the fundamental themes of our research, which are basically about the capture of material in stereoscopic 3d, edition of this same material, post-production and exhibition of it. The research context will involve types of cameras, mounts available for 3D processes, software and anaglyphic stereoscopic assembly techniques, color post-production and glasses and screens ideal for projection and better three-dimensional perception. The expected results are the production of a clear and objective text on the stages of the production process in 3d stereoscopic anaglyph and the production of a video of up to one minute that can be satisfactorily assisted with anaglyph glasses, recognized by blue and red lenses
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-07-17T10:07:48Z
dc.date.issued.fl_str_mv 2019-06-18
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Coimbra, Gastão de Lima. Produção em cinema estereoscópico 3D anáglifo. 2019. 101 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/22410
identifier_str_mv Coimbra, Gastão de Lima. Produção em cinema estereoscópico 3D anáglifo. 2019. 101 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.
url https://tede2.pucsp.br/handle/handle/22410
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Exatas e Tecnologia
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/4/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/1/license.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/2/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/22410/3/Gast%c3%a3o%20de%20Lima%20Coimbra.pdf.jpg
bitstream.checksum.fl_str_mv 2b0516cad80f0f21e79061701a1554f7
bd3efa91386c1718a7f26a329fdcb468
abd4e5f4668473e27e9c774063fd8549
415f70f6f3c455c247c35ecfcc74154c
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809277797596659712