Alteridade e silêncio em A paixão segundo G. H de Clarice Lispector

• Autor(a) principal: Pereira, Carlos Alberto Rodrigues
• Data de Publicação: 2006
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/14789
• topic: Alteridade; Silêncio; Devir; Lispector, Clarice 1925-1977 -- A paixao segundo G. H. -- Critica e interpretacao; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA

This study has for main purpose to focus, in A paixão segundo G.H., by Clarice Lispector, some manifestations of otherness that are showed in this novel, emphasizing the role of the others in the construction of the identity of the character. Firstly, these manifestations are analyzed under the point of view of the others who are located externally, and have the same kind of social life than the protagonist. Therefore, these people accept the protagonist without any contestation of her image. On the other hand, there is Janair, the maid of G.H., considered by us a type of antagonist, because she doesn t share the same social space and the same narrator s world vision, then the maid assumes an objection position about the employer s way of life, disclosing others features of the protagonist. Next, the work shows the autograph as a way to the personage reveals another person who is herself, so, when she takes the decision to narrate her own history the personage reaches, as author, the necessary distance to understand the epifanical greatness of the facts that happens with her, as personage, on the anterior day. At this moment, the narrative acts as a discovery instrument of her interior experience, so the character gets to assimilate the silence as a significant element to understand her process of revelation, of which top happens in a meeting with a cockroach. The principal aims of this research, therefore, are the otherness, observed under different prisms, the self-writing as a form to comprehend facts that seemed disconnected and the silence considered as a relevant element of the interior trajectory of the protagonist