O rigor e a sensibilidade poética da prática tradutória de Ana Cristina Cesar

• Autor(a) principal: Kmita, Andréia
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/21653
• topic: Cesar, Ana Cristina [1952-1983] - Crítica e interpretação; Tradução poética; Sylvia Plath; Poetic translation; Theory and practice of translation; Cesar, Ana Cristina [1952-1983] - Criticism and interpretation; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA

The present research aims to investigate the literary translation activity of the Carioca poet Ana Cristina Cesar, relating her translation work to the critical conjectures and criteria that guide her own poetic writing. Setting specific analysis in "Words" ("Words"), translation of the poem of the North American poet Sylvia Plath. It will start from the discussion of concepts of literary translation sketched by scholars and poet-translators, Rosemary Arrojo (2003), Paulo Henriques Britto (2016), Paulo Rónai (1976), Mário Laranjeira (1993), Henri Meschonnic (2010), Georges Mounin (1963), Paul Ricoeur (2011), Michaël oustinoff (2011), Lawrence Venuti (2002), Roman Jakobson (1970), Paul Zumthor (2018), Breno Silveira (2004), Even-Zohar (2012), Susan-Bassnett (2003) and Leila M. Darin (2015). These concepts will be added by original fragments of the poet Ana Cristina Cesar, who left us about her translation practice in the book "Criticism and Translation" (2016). The critical sense that guided the poet in his choices, in the lexical and grammatical fields, and that marked his conception of literature between the English (starting language) and the Portuguese (language of arrival). Being relevant the research material included, the publications of "Writings in England", translation drafts that were published and their critical production, some of them located in the IMS (Moreira Salles Institute), in Rio de Janeiro