Investigação das artistas na historiografia da arte ocidental

• Autor(a) principal: Domene, Daniken
• Data de Publicação: 2023
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/41134
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::CRITICA DA ARTE; Artistas mulheres; História da arte ocidental; Apagamento histórico; Historiografia das artistas; História da arte feminista; Women artists; Western art history; Historical erasure; Historiography of artists; Feminist history of art

The visual arts have never been restricted to any gender, although there is a male predominance in the “history of art”, women have always produced, resisting the difficulties imposed in each period. This question has been putted since the last decades of the 20th century, more precisely after the article “Why have there been no great women artists?” (1971), by historian Linda Nochlin, allied with the demands of the feminist movement. How is this debate currently taking place and what advances launched in the 70s have been established since then? Do we know exactly which historians commented and which excluded the artists entirely? Therefore, this monograph starts from a historiographical review and surveys some identities and productions of artists in the West, reviewing a history that was intended to be universal, but with a certain depth it is observed that many historians of the 20th century went backwards in comparison to historians previous works, which analyzed and presented works and biographies of women artists since the 1st century