A construção da autoria compartilhada no universo da fanfiction

Detalhes bibliográficos
Autor(a) principal: Barros, Maria Rita
Data de Publicação: 2009
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/14614
Resumo: This essay focuses on the production written by fans that use digital technology to upload their work, known in cyberspace as fanfics. These fans are anonymous people who submit their texts, their fanfics, to the screening of proofreaders and readers who united by the same literary taste and/or by the desire to improve their writing style feedback on, and take part in, each others´ work. A look at different cyber environments, particularly blogs and websites, reveals that fanfics have become a new type of textual creation. Our aim is to describe the universe within which fanfics, or fanfictions, exist so as to show how their shared authorship is built. Unlike school students, fanfic writers place themselves as the subject of their text, assume their authorship when they position themselves vis-a-vis a text, and, by making use of different genres, do not let the dialogue end. In order to penetrate the nature of such fans, who become authors themselves, or co-authors of an original work, we fall back on the observations made by theorists of Social Discourse Analysis. Our conclusion is that in cyberspace there is a new space for textual production, wherein it is possible to dialogue, (re) create, and for fanfics to present a smooth conception of authorship since they spring from an existing idea already accepted in the publishing universe and even by other media types. The fanfic writer places himself as a co-author of an original published work by getting hold of an idea that already exists, of a style, and starts a new game. Drawn by the voice of the original author, he seeks to emulate the same features, the same style, so as to find new players/readers who wish to share and discuss with him his authorship
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spelling Ferreira, Luiz Antoniohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4294781H8Barros, Maria Rita2016-04-28T19:34:43Z2010-01-272009-10-22Barros, Maria Rita. The production of shared authorship in the world of fanfiction. 2009. 108 f. Dissertação (Mestrado em Língua Portuguesa) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/14614This essay focuses on the production written by fans that use digital technology to upload their work, known in cyberspace as fanfics. These fans are anonymous people who submit their texts, their fanfics, to the screening of proofreaders and readers who united by the same literary taste and/or by the desire to improve their writing style feedback on, and take part in, each others´ work. A look at different cyber environments, particularly blogs and websites, reveals that fanfics have become a new type of textual creation. Our aim is to describe the universe within which fanfics, or fanfictions, exist so as to show how their shared authorship is built. Unlike school students, fanfic writers place themselves as the subject of their text, assume their authorship when they position themselves vis-a-vis a text, and, by making use of different genres, do not let the dialogue end. In order to penetrate the nature of such fans, who become authors themselves, or co-authors of an original work, we fall back on the observations made by theorists of Social Discourse Analysis. Our conclusion is that in cyberspace there is a new space for textual production, wherein it is possible to dialogue, (re) create, and for fanfics to present a smooth conception of authorship since they spring from an existing idea already accepted in the publishing universe and even by other media types. The fanfic writer places himself as a co-author of an original published work by getting hold of an idea that already exists, of a style, and starts a new game. Drawn by the voice of the original author, he seeks to emulate the same features, the same style, so as to find new players/readers who wish to share and discuss with him his authorshipEsta dissertação trata da produção escrita elaborada por fãs que usam a tecnologia digital para postarem seus textos, conhecidos no ciberespaço como fanfics. Esses fãs são pessoas anônimas que submetem seus textos, suas fanfics à apreciação de corretores e leitores que, unidos por um mesmo gosto literário e/ou por uma vontade de aprimorar o seu estilo na escrita, fazem comentários e participam da produção uns dos outros. Ao transitar por diferentes espaços virtuais, em especial blogs e websites, observamos que as fanfics se apresentam como uma nova forma de criação textual. O nosso objetivo, portanto, é descrever o universo em que encontramos as fanfics ou fanfictions, para apresentar como se constrói a sua autoria compartilhada. Diferentemente da atitude dos alunos que produzem textos na escola, o escritor de fanfics coloca-se como sujeito do seu próprio texto, assume a sua autoria quando se posiciona a respeito de uma obra e, ao fazer uso de diferentes gêneros, não deixa o diálogo acabar. Em busca de uma caracterização desse fã que se torna autor ou coautor de uma obra original- recorremos às reflexões desenvolvidas pelos teóricos da Análise Social do Discurso. Concluímos que, no ciberespaço, temos um novo espaço de construção textual, em que é possível dialogar, (re) criar e as fanfics apresentam uma concepção fluida de autoria, pois surgem a partir de uma ideia que já existe, já foi aceita pelo mercado editorial e até por outras mídias o escritor de fanfic se posiciona como um coautor de uma obra original impressa ao se apropriar de uma ideia já existente, de um estilo e inicia um novo jogo. Seduzido pela voz do autor primeiro, ele busca assumir o traço, o estilo, visando encontrar novos jogadores-leitores que queiram compartilhar, discutir com ele e a sua autoriaCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/30620/Maria%20Rita%20Barros.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Língua PortuguesaPUC-SPBRLíngua PortuguesaAutorInteraçãoFan fictionAutoria na internetCo-autoriaFanficsFanfictionsAuthorCo-authorshipInteractionCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESAA construção da autoria compartilhada no universo da fanfictionThe production of shared authorship in the world of fanfictioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Rita Barros.pdf.txtMaria Rita Barros.pdf.txtExtracted texttext/plain211074https://repositorio.pucsp.br/xmlui/bitstream/handle/14614/3/Maria%20Rita%20Barros.pdf.txtf5e5b79abdcbc0eb75e1716c79713a2dMD53ORIGINALMaria Rita Barros.pdfapplication/pdf1700513https://repositorio.pucsp.br/xmlui/bitstream/handle/14614/1/Maria%20Rita%20Barros.pdf6cfc2bb46fcdbb0bc4808ea52ce867acMD51THUMBNAILMaria Rita Barros.pdf.jpgMaria Rita Barros.pdf.jpgGenerated Thumbnailimage/jpeg3046https://repositorio.pucsp.br/xmlui/bitstream/handle/14614/2/Maria%20Rita%20Barros.pdf.jpge03084d998a49733635c12602d29bf0dMD52handle/146142022-04-27 21:59:56.905oai:repositorio.pucsp.br:handle/14614Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T00:59:56Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv A construção da autoria compartilhada no universo da fanfiction
dc.title.alternative.eng.fl_str_mv The production of shared authorship in the world of fanfiction
title A construção da autoria compartilhada no universo da fanfiction
spellingShingle A construção da autoria compartilhada no universo da fanfiction
Barros, Maria Rita
Autor
Interação
Fan fiction
Autoria na internet
Co-autoria
Fanfics
Fanfictions
Author
Co-authorship
Interaction
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
title_short A construção da autoria compartilhada no universo da fanfiction
title_full A construção da autoria compartilhada no universo da fanfiction
title_fullStr A construção da autoria compartilhada no universo da fanfiction
title_full_unstemmed A construção da autoria compartilhada no universo da fanfiction
title_sort A construção da autoria compartilhada no universo da fanfiction
author Barros, Maria Rita
author_facet Barros, Maria Rita
author_role author
dc.contributor.advisor1.fl_str_mv Ferreira, Luiz Antonio
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4294781H8
dc.contributor.author.fl_str_mv Barros, Maria Rita
contributor_str_mv Ferreira, Luiz Antonio
dc.subject.por.fl_str_mv Autor
Interação
Fan fiction
Autoria na internet
Co-autoria
topic Autor
Interação
Fan fiction
Autoria na internet
Co-autoria
Fanfics
Fanfictions
Author
Co-authorship
Interaction
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
dc.subject.eng.fl_str_mv Fanfics
Fanfictions
Author
Co-authorship
Interaction
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
description This essay focuses on the production written by fans that use digital technology to upload their work, known in cyberspace as fanfics. These fans are anonymous people who submit their texts, their fanfics, to the screening of proofreaders and readers who united by the same literary taste and/or by the desire to improve their writing style feedback on, and take part in, each others´ work. A look at different cyber environments, particularly blogs and websites, reveals that fanfics have become a new type of textual creation. Our aim is to describe the universe within which fanfics, or fanfictions, exist so as to show how their shared authorship is built. Unlike school students, fanfic writers place themselves as the subject of their text, assume their authorship when they position themselves vis-a-vis a text, and, by making use of different genres, do not let the dialogue end. In order to penetrate the nature of such fans, who become authors themselves, or co-authors of an original work, we fall back on the observations made by theorists of Social Discourse Analysis. Our conclusion is that in cyberspace there is a new space for textual production, wherein it is possible to dialogue, (re) create, and for fanfics to present a smooth conception of authorship since they spring from an existing idea already accepted in the publishing universe and even by other media types. The fanfic writer places himself as a co-author of an original published work by getting hold of an idea that already exists, of a style, and starts a new game. Drawn by the voice of the original author, he seeks to emulate the same features, the same style, so as to find new players/readers who wish to share and discuss with him his authorship
publishDate 2009
dc.date.issued.fl_str_mv 2009-10-22
dc.date.available.fl_str_mv 2010-01-27
dc.date.accessioned.fl_str_mv 2016-04-28T19:34:43Z
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dc.identifier.citation.fl_str_mv Barros, Maria Rita. The production of shared authorship in the world of fanfiction. 2009. 108 f. Dissertação (Mestrado em Língua Portuguesa) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/14614
identifier_str_mv Barros, Maria Rita. The production of shared authorship in the world of fanfiction. 2009. 108 f. Dissertação (Mestrado em Língua Portuguesa) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
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