Sinha Vitória: olhares e dizeres

Detalhes bibliográficos
Autor(a) principal: Cassamassimo, Maria Elisa
Data de Publicação: 2010
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/14659
Resumo: This study was focused in the work Vidas Secas (2006), and the object of our research is the character Sinha Vitória. Our proposal seeks, in a way, supply in the fortune criticism of the novel, the absence of studies that bring into focus the feminine character in greater depth, to open a new perspective on reflexive Sinha Vitória and her transforming function in the course of the narrative. For that, we starting with these questions: how can we say that Sinha Vitória is the one who lives the internal world of the other characters, leading and giving force to them? In what way her projective look and her progressive language acquisition (starting at guttural sounds to a real articulated speech) are the responsables for her capacity in lead all the family? What is the real meaning of this feminine character in Vidas Secas? So, our hypothesis is that Sinha Vitória is structured under a principle in which their dialogical self awareness is defined by otherness, dialog with its own conscience and the other characters, especially with Fabiano; and that is she who provides in the work a liberating action of the cycle of drought, by means of self awareness founded on two pillars: the eye projective-imaginative and speech, whose transformation of guttural sounds until the speech articulated. This feminine character is, in our point of view, the strengh who moves this research, whose purpose is to understand the roots of a character built under the principle dialogical that is founded on the "look" and the "say". The theoretical foundations focused on several conceptions about the look contained in the work O Olhar (1998), organized by Adauto Novaes, and in Bakhtin´s theories about the dialogism and indirect free speech, specially in his works Marxismo e Filosofia da Linguagem (1999) and Questões de Literatura e de Estética (1998). This study presents Sinha Vitória´s projective look, whose strengh is able to make, in the speech, other new dialogical spaces
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spelling Oliveira, Maria Rosa Duarte deCassamassimo, Maria Elisa2016-04-28T19:58:38Z2011-02-032010-10-14Cassamassimo, Maria Elisa. Sinha Vitória: olhares e dizeres. 2010. 95 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.https://tede2.pucsp.br/handle/handle/14659This study was focused in the work Vidas Secas (2006), and the object of our research is the character Sinha Vitória. Our proposal seeks, in a way, supply in the fortune criticism of the novel, the absence of studies that bring into focus the feminine character in greater depth, to open a new perspective on reflexive Sinha Vitória and her transforming function in the course of the narrative. For that, we starting with these questions: how can we say that Sinha Vitória is the one who lives the internal world of the other characters, leading and giving force to them? In what way her projective look and her progressive language acquisition (starting at guttural sounds to a real articulated speech) are the responsables for her capacity in lead all the family? What is the real meaning of this feminine character in Vidas Secas? So, our hypothesis is that Sinha Vitória is structured under a principle in which their dialogical self awareness is defined by otherness, dialog with its own conscience and the other characters, especially with Fabiano; and that is she who provides in the work a liberating action of the cycle of drought, by means of self awareness founded on two pillars: the eye projective-imaginative and speech, whose transformation of guttural sounds until the speech articulated. This feminine character is, in our point of view, the strengh who moves this research, whose purpose is to understand the roots of a character built under the principle dialogical that is founded on the "look" and the "say". The theoretical foundations focused on several conceptions about the look contained in the work O Olhar (1998), organized by Adauto Novaes, and in Bakhtin´s theories about the dialogism and indirect free speech, specially in his works Marxismo e Filosofia da Linguagem (1999) and Questões de Literatura e de Estética (1998). This study presents Sinha Vitória´s projective look, whose strengh is able to make, in the speech, other new dialogical spacesO estudo realizado centrou-se na obra Vidas Secas (2006), tendo por objeto de investigação a personagem Sinha Vitória. Nossa proposta busca, em parte, suprir na fortuna crítica do romance, a ausência de estudos que foquem a personagem feminina com maior profundidade, de modo a abrir uma nova perspectiva reflexiva sobre Sinha Vitória e sua função transformadora no decorrer da narrativa. Para isso, nos pautamos nos questionamentos: em que medida Sinha Vitória pode ser vista como aquela que habita o mundo interior das outras personagens e como força impulsionadora? De que modo seu olhar projetivo e a progressão de sua linguagem (que vai dos sons guturais à fala articulada) são os responsáveis pelo preenchimento dos espaços invisíveis e a tornam o guia do núcleo familiar? Qual é o significado profundo dessa personagem feminina em Vidas Secas? Como hipótese temos que: - a personagem Sinha Vitória está estruturada sob um princípio dialógico no qual sua autoconsciência se define pela alteridade, pelo diálogo com sua própria consciência e a das demais personagens, especialmente com a de Fabiano; é ela que confere a Visas Secas uma ação libertadora do ciclo da seca por meio da autoconsciência alicerçada em dois pilares: o do olhar projetivo-imaginativo e o do discurso, cuja transformação se faz dos grunhidos inarticulados até a fala articulada. Esta figura feminina é, portanto, a força que move essa pesquisa cuja finalidade é compreender as raízes de uma personagem edificada sob o princípio dialógico que se funda sobre o olhar e o dizer . Os fundamentos teóricos se centraram em diversas concepções sobre o olhar contidas no livro O Olhar (1998), organizado por Adauto Novaes e nas teorias bakhtinianas sobre o dialogismo e o discurso indireto livre, abordadas nas diversas obras do autor, sobretudo nos livros Marxismo e Filosofia da Linguagem (1999) e Questões de Literatura e de Estética (1998). A análise aponta, portanto, o olhar projetivo de Sinha Vitória, cuja força simbólica é capaz de criar, no discurso, novos espaços dialógicosSecretaria da Educação do Estado de São Pauloapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/30877/Maria%20Elisa%20Cassamassimo.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBRLiteraturaVidas SecasSinha VitóriaOlharDiscursoThe lookSpeechCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADASinha Vitória: olhares e dizeresinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Elisa Cassamassimo.pdf.txtMaria Elisa Cassamassimo.pdf.txtExtracted texttext/plain151948https://repositorio.pucsp.br/xmlui/bitstream/handle/14659/3/Maria%20Elisa%20Cassamassimo.pdf.txt40c1bdc5929b49acdef71cf62b617b79MD53ORIGINALMaria Elisa Cassamassimo.pdfapplication/pdf415167https://repositorio.pucsp.br/xmlui/bitstream/handle/14659/1/Maria%20Elisa%20Cassamassimo.pdf875aaa31ce25d43fd61b0346cde21292MD51THUMBNAILMaria Elisa Cassamassimo.pdf.jpgMaria Elisa Cassamassimo.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/14659/2/Maria%20Elisa%20Cassamassimo.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/146592022-04-28 11:40:12.355oai:repositorio.pucsp.br:handle/14659Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T14:40:12Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Sinha Vitória: olhares e dizeres
title Sinha Vitória: olhares e dizeres
spellingShingle Sinha Vitória: olhares e dizeres
Cassamassimo, Maria Elisa
Vidas Secas
Sinha Vitória
Olhar
Discurso
The look
Speech
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
title_short Sinha Vitória: olhares e dizeres
title_full Sinha Vitória: olhares e dizeres
title_fullStr Sinha Vitória: olhares e dizeres
title_full_unstemmed Sinha Vitória: olhares e dizeres
title_sort Sinha Vitória: olhares e dizeres
author Cassamassimo, Maria Elisa
author_facet Cassamassimo, Maria Elisa
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Maria Rosa Duarte de
dc.contributor.author.fl_str_mv Cassamassimo, Maria Elisa
contributor_str_mv Oliveira, Maria Rosa Duarte de
dc.subject.por.fl_str_mv Vidas Secas
Sinha Vitória
Olhar
Discurso
topic Vidas Secas
Sinha Vitória
Olhar
Discurso
The look
Speech
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
dc.subject.eng.fl_str_mv The look
Speech
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
description This study was focused in the work Vidas Secas (2006), and the object of our research is the character Sinha Vitória. Our proposal seeks, in a way, supply in the fortune criticism of the novel, the absence of studies that bring into focus the feminine character in greater depth, to open a new perspective on reflexive Sinha Vitória and her transforming function in the course of the narrative. For that, we starting with these questions: how can we say that Sinha Vitória is the one who lives the internal world of the other characters, leading and giving force to them? In what way her projective look and her progressive language acquisition (starting at guttural sounds to a real articulated speech) are the responsables for her capacity in lead all the family? What is the real meaning of this feminine character in Vidas Secas? So, our hypothesis is that Sinha Vitória is structured under a principle in which their dialogical self awareness is defined by otherness, dialog with its own conscience and the other characters, especially with Fabiano; and that is she who provides in the work a liberating action of the cycle of drought, by means of self awareness founded on two pillars: the eye projective-imaginative and speech, whose transformation of guttural sounds until the speech articulated. This feminine character is, in our point of view, the strengh who moves this research, whose purpose is to understand the roots of a character built under the principle dialogical that is founded on the "look" and the "say". The theoretical foundations focused on several conceptions about the look contained in the work O Olhar (1998), organized by Adauto Novaes, and in Bakhtin´s theories about the dialogism and indirect free speech, specially in his works Marxismo e Filosofia da Linguagem (1999) and Questões de Literatura e de Estética (1998). This study presents Sinha Vitória´s projective look, whose strengh is able to make, in the speech, other new dialogical spaces
publishDate 2010
dc.date.issued.fl_str_mv 2010-10-14
dc.date.available.fl_str_mv 2011-02-03
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dc.identifier.citation.fl_str_mv Cassamassimo, Maria Elisa. Sinha Vitória: olhares e dizeres. 2010. 95 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/14659
identifier_str_mv Cassamassimo, Maria Elisa. Sinha Vitória: olhares e dizeres. 2010. 95 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
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