Interface expandida - o vídeo na comunicação on-line

Detalhes bibliográficos
Autor(a) principal: Borovik, Rogério Largman
Data de Publicação: 2005
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/4395
Resumo: Abstract The new conditions provided nowadays by technological advancements have made it possible to develop different ways of videographic production. While granting the concentration of different human activities within a single individual, the processes which are inherent to the digital universe have contributed as completely new tools to communication and collaborative productions. The concept of authorship is being questioned, both in the collective making and in the use of recyclable material, in such a way that a cultural substrate considered banal, every-day stuff and disposable can be transformed into raw material for artistic creation. The main objectives of this study were to present a historical overview of digital video, studying its communication process, enhanced by the arising of the Internet, and to analyze the possibilities inscribed in the audiovisual authoring software Keyworx, that is original both in its conceptual proposal and in its shape, interface and action. Keyworx is not a product manufactured by a company, but rather an educational project of the Waag Society, a Dutch research institution. This software makes a fusion of multi-user teleconference environment aspects with those of digital media process softwares (popularly known as VJ software ). A more profound discussion about the digital video interface and its functioning showed that it is of the utmost importance to a reflection on the particularities of a collaborative video creation model on the net. In this sense, the theories of Edmond Couchot, Lev Manovich, Arlindo Machado, Jay David Bolter, Richard Grusin and Giselle Beiguelman have occupied a key position in this study, because they elucidate aspects of the binary nature of digital media and their implications in the authoring processes, along with interviews with the creators of Keyworx. We could observe that, ever since the beginnings of digital video on the Internet, the communication roles between the sender and the receptor had their definition broadened, converted into interactors of a dialogical communication, which implies changes in the way they are created and distributed in the media.
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spelling Beiguelman, GiselleBorovik, Rogério Largman2016-04-26T18:11:41Z2005-09-302005-10-10Borovik, Rogério Largman. Interface expandida - o vídeo na comunicação on-line. 2005. 128 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2005.https://tede2.pucsp.br/handle/handle/4395Abstract The new conditions provided nowadays by technological advancements have made it possible to develop different ways of videographic production. While granting the concentration of different human activities within a single individual, the processes which are inherent to the digital universe have contributed as completely new tools to communication and collaborative productions. The concept of authorship is being questioned, both in the collective making and in the use of recyclable material, in such a way that a cultural substrate considered banal, every-day stuff and disposable can be transformed into raw material for artistic creation. The main objectives of this study were to present a historical overview of digital video, studying its communication process, enhanced by the arising of the Internet, and to analyze the possibilities inscribed in the audiovisual authoring software Keyworx, that is original both in its conceptual proposal and in its shape, interface and action. Keyworx is not a product manufactured by a company, but rather an educational project of the Waag Society, a Dutch research institution. This software makes a fusion of multi-user teleconference environment aspects with those of digital media process softwares (popularly known as VJ software ). A more profound discussion about the digital video interface and its functioning showed that it is of the utmost importance to a reflection on the particularities of a collaborative video creation model on the net. In this sense, the theories of Edmond Couchot, Lev Manovich, Arlindo Machado, Jay David Bolter, Richard Grusin and Giselle Beiguelman have occupied a key position in this study, because they elucidate aspects of the binary nature of digital media and their implications in the authoring processes, along with interviews with the creators of Keyworx. We could observe that, ever since the beginnings of digital video on the Internet, the communication roles between the sender and the receptor had their definition broadened, converted into interactors of a dialogical communication, which implies changes in the way they are created and distributed in the media.As novas condições dadas pelos avanços tecnológicos na contemporaneidade propiciaram diferentes maneiras de produção videográfica. Ao mesmo tempo em que garante a concentração de diversas atividades humanas em um único indivíduo, os processos inerentes ao universo digital contribuíram como ferramentas inéditas para a comunicação e produções colaborativas. O conceito de autoria é questionado tanto no fazer conjunto como no uso de material reciclável , de maneira que um substrato cultural considerado banal, cotidiano e descartável, pode ser transformado em matéria prima para a criação artística. Esse estudo tem como objetivo principal apresentar um panorama histórico sobre o vídeo digital, estudando suas funções na comunicação on line; assim como analisar as possibilidades inscritas no software de autoração audiovisual Keyworx, que possui uma originalidade tanto em sua proposta conceitual, quanto em sua forma, interface e ação. O Keyworx não é um produto confeccionado por uma empresa, mas sim um projeto educacional da Waag Society, instituição de pesquisa holandesa. O software faz uma fusão de aspectos de ambientes de multi-usuário de tele-conferência, com os de software processuais de mídia digital (popularmente conhecidos como software de VJ ). Uma discussão mais profunda sobre a interface do vídeo digital e seu funcionamento, mostrou ser de suma importância para a reflexão sobre as particularidades de um modelo de criação colaborativa em vídeo na rede. Nesse sentido, as teorias de Edmond Couchot, Lev Manovich, Arlindo Machado, Jay David Bolter, Richard Grusin e Giselle Beiguelman encontraram lugar de destaque em nosso estudo, pois elucidaram aspectos da natureza binária da mídia digital e suas implicações nos processos de autoria; assim como a realização de entrevistas com os criadores do Keyworx. Pudemos verificar que, a partir do vídeo digital na Internet, os papéis comunicativos entre o emissor e o receptor têm sua definição alargada, convertidos em interatores de uma comunicação dialógica, o que implica em mudanças em sua forma de criação e distribuição midiática.application/pdfhttp://tede2.pucsp.br/tede/retrieve/13117/Dissertacao%20Rogerio%20Largman%20Borovik.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoVideodigitalvídeo na internetedição de vídeoarte e tecnologiainterfaceKeyworxdigital videovideo on the Internetvideo editingart and technologyinterfaceKeyworxCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEOInterface expandida - o vídeo na comunicação on-lineinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALDissertacao Rogerio Largman Borovik.pdfapplication/pdf8080670https://repositorio.pucsp.br/xmlui/bitstream/handle/4395/1/Dissertacao%20Rogerio%20Largman%20Borovik.pdf0601fcb659326615ae7929ca37a8a806MD51TEXTDissertacao Rogerio Largman Borovik.pdf.txtDissertacao Rogerio Largman Borovik.pdf.txtExtracted Texttext/plain243436https://repositorio.pucsp.br/xmlui/bitstream/handle/4395/2/Dissertacao%20Rogerio%20Largman%20Borovik.pdf.txtd4836223c8c483eef8f56d36f8c116b5MD52THUMBNAILDissertacao Rogerio Largman Borovik.pdf.jpgDissertacao Rogerio Largman Borovik.pdf.jpgGenerated Thumbnailimage/jpeg3567https://repositorio.pucsp.br/xmlui/bitstream/handle/4395/3/Dissertacao%20Rogerio%20Largman%20Borovik.pdf.jpgb10041a25fd5aaadcc29de9ccd81fe40MD53handle/43952022-04-28 19:04:40.315oai:repositorio.pucsp.br:handle/4395Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T22:04:40Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Interface expandida - o vídeo na comunicação on-line
title Interface expandida - o vídeo na comunicação on-line
spellingShingle Interface expandida - o vídeo na comunicação on-line
Borovik, Rogério Largman
Videodigital
vídeo na internet
edição de vídeo
arte e tecnologia
interface
Keyworx
digital video
video on the Internet
video editing
art and technology
interface
Keyworx
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEO
title_short Interface expandida - o vídeo na comunicação on-line
title_full Interface expandida - o vídeo na comunicação on-line
title_fullStr Interface expandida - o vídeo na comunicação on-line
title_full_unstemmed Interface expandida - o vídeo na comunicação on-line
title_sort Interface expandida - o vídeo na comunicação on-line
author Borovik, Rogério Largman
author_facet Borovik, Rogério Largman
author_role author
dc.contributor.advisor1.fl_str_mv Beiguelman, Giselle
dc.contributor.author.fl_str_mv Borovik, Rogério Largman
contributor_str_mv Beiguelman, Giselle
dc.subject.por.fl_str_mv Videodigital
vídeo na internet
edição de vídeo
arte e tecnologia
interface
Keyworx
topic Videodigital
vídeo na internet
edição de vídeo
arte e tecnologia
interface
Keyworx
digital video
video on the Internet
video editing
art and technology
interface
Keyworx
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEO
dc.subject.eng.fl_str_mv digital video
video on the Internet
video editing
art and technology
interface
Keyworx
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::ARTES DO VIDEO
description Abstract The new conditions provided nowadays by technological advancements have made it possible to develop different ways of videographic production. While granting the concentration of different human activities within a single individual, the processes which are inherent to the digital universe have contributed as completely new tools to communication and collaborative productions. The concept of authorship is being questioned, both in the collective making and in the use of recyclable material, in such a way that a cultural substrate considered banal, every-day stuff and disposable can be transformed into raw material for artistic creation. The main objectives of this study were to present a historical overview of digital video, studying its communication process, enhanced by the arising of the Internet, and to analyze the possibilities inscribed in the audiovisual authoring software Keyworx, that is original both in its conceptual proposal and in its shape, interface and action. Keyworx is not a product manufactured by a company, but rather an educational project of the Waag Society, a Dutch research institution. This software makes a fusion of multi-user teleconference environment aspects with those of digital media process softwares (popularly known as VJ software ). A more profound discussion about the digital video interface and its functioning showed that it is of the utmost importance to a reflection on the particularities of a collaborative video creation model on the net. In this sense, the theories of Edmond Couchot, Lev Manovich, Arlindo Machado, Jay David Bolter, Richard Grusin and Giselle Beiguelman have occupied a key position in this study, because they elucidate aspects of the binary nature of digital media and their implications in the authoring processes, along with interviews with the creators of Keyworx. We could observe that, ever since the beginnings of digital video on the Internet, the communication roles between the sender and the receptor had their definition broadened, converted into interactors of a dialogical communication, which implies changes in the way they are created and distributed in the media.
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