A imagem da escuta: os sites person-to-person e os compositores heterônimos
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/4893 |
Resumo: | The main issue of this thesis is concerned to the listening and it's compositions in view of the experimental ways of frequentation of the architecture person-to-person in the internet. They will be approached, as empirical corpus, practices of sonorous compositions spread through site-programs like soulseek.org and known as bootleg mash ups. The research tries to demonstrate the difficulties coming from the specutations of the thought when dealing with the investigation how the sensations in the listening,make some contagious, encouraged by collective affects linked to the temporalities of the technology and the musical creation. The conceptual basis of this thesis leans on the approximation among the echoing ideas of F. Nietzsche, Gabriel Tarde, Henri Bergson, F. Pessoa, Gilles Deleuze and F. Guattari. The purpposal is to discuss, from the conceptions that these authors brought to the problem of the imagem in the thought, what changes about the sensation of listening when the image of the thought changes.In such a way this work adopts the contribution of the "thought of the haecceitas", trying to re-imagine the creative virtualities of the Time in the composition of the musical listening. Accorded to this conception, instead of abiding by the practice of cutting and pastting sonorous elements, the desktop's composer will need to invest previously in an experimental economy of rhythms and images of the Time to potencialize the sensations in the listening. From this premise, it is asserted that the creative performances of musical listening, stimulated by the ways of conviviality into the sites peer-to-peer, need to interfere in the regimes of perception, sense and the image that the subjectivity aquires in the stereotyped cadences of the internet. Such practices present themselves as an heteronymic poetical activity, with an invenctive resistence to the recent technological processes of subjectivation. To achieve this level, the compositional listening needs to go beyond the reccuring stable regimes of the sound, the sign, the space, the phenomenon, the sense, the techinque and the musical logos in the transcndentalimage of thought. From this creative battle in a saturated enviroment of axioms, the musical composition faces up the problem of retitute singular in the sensation, to transduce the wills and to make a contagious of the sensivity virtualities into the thought of the listening |
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Ferraz, SilvioRodrigues, Rodrigo Fonseca e2016-04-26T18:16:11Z2007-06-202007-03-29Rodrigues, Rodrigo Fonseca e. A imagem da escuta: os sites person-to-person e os compositores heterônimos. 2007. 176 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007.https://tede2.pucsp.br/handle/handle/4893The main issue of this thesis is concerned to the listening and it's compositions in view of the experimental ways of frequentation of the architecture person-to-person in the internet. They will be approached, as empirical corpus, practices of sonorous compositions spread through site-programs like soulseek.org and known as bootleg mash ups. The research tries to demonstrate the difficulties coming from the specutations of the thought when dealing with the investigation how the sensations in the listening,make some contagious, encouraged by collective affects linked to the temporalities of the technology and the musical creation. The conceptual basis of this thesis leans on the approximation among the echoing ideas of F. Nietzsche, Gabriel Tarde, Henri Bergson, F. Pessoa, Gilles Deleuze and F. Guattari. The purpposal is to discuss, from the conceptions that these authors brought to the problem of the imagem in the thought, what changes about the sensation of listening when the image of the thought changes.In such a way this work adopts the contribution of the "thought of the haecceitas", trying to re-imagine the creative virtualities of the Time in the composition of the musical listening. Accorded to this conception, instead of abiding by the practice of cutting and pastting sonorous elements, the desktop's composer will need to invest previously in an experimental economy of rhythms and images of the Time to potencialize the sensations in the listening. From this premise, it is asserted that the creative performances of musical listening, stimulated by the ways of conviviality into the sites peer-to-peer, need to interfere in the regimes of perception, sense and the image that the subjectivity aquires in the stereotyped cadences of the internet. Such practices present themselves as an heteronymic poetical activity, with an invenctive resistence to the recent technological processes of subjectivation. To achieve this level, the compositional listening needs to go beyond the reccuring stable regimes of the sound, the sign, the space, the phenomenon, the sense, the techinque and the musical logos in the transcndentalimage of thought. From this creative battle in a saturated enviroment of axioms, the musical composition faces up the problem of retitute singular in the sensation, to transduce the wills and to make a contagious of the sensivity virtualities into the thought of the listeningA questão principal desta tese diz respeito à escuta e suas composições face aos modos experimentais de freqüentação das arquiteturas person-to-person na internet. Serão abordadas, como corpus empírico, práticas de composição sonora disseminadas por meio de sites-programas como o Soulseek.org e conhecidas pelo nome de "bootleg mash ups". A pesquisa tenta demonstrar as dificuldades das especulações do pensamento quando se trata de indagar como as sensações na escuta se contagiam, animadas por afetos coletivos ligados às temporalidades da tecnologia e da criação musical. A fundamentação conceitual da tese se ampara na aproximação entre idéias ecoantes de Duns Scott, F. Nietzsche, G. Tarde, H. Bergson, F. Pessoa, G. Deleuze e F. Guattari. O objetivo aqui é demonstrar, a partir das concepções que estes autores deram para o problema da imagem no pensar, o que muda na sensação da escuta ao se mudar a imagem mesma do pensamento. Para tanto, este trabalho adota as contribuições do "pensamento das hecceidades" para tentar re-imaginar as virtualidades criativas do Tempo na composição da escuta musical. De acordo com esta concepção, em vez de se ater à prática de cortar e de colar elementos sonoros, o compositor de desktop precisará antes investir numa economia experimental de ritmos e de imagens do Tempo para singularizar sensações na escuta. A partir desta premissa, afirma-se que as performances criativas da música, estimuladas pelos hábitos de convívio nos sites peer-to-peer, precisam interferir em regimes de percepção, de sentido e da imagem que a subjetividade adquire nas cadências estereotipadas da internet. Tais práticas apresentam-se como uma atividade poética heteronímica, de resistência inventiva aos recentes processos tecnológicos de subjetivação. Por tal razão, a escuta compositora necessita ultrapassar os regimes estáveis do som, do signo, do espaço, do fenômeno, do sentido, da técnica, do logos musical recorrentes na imagem transcendental do pensamento. A partir do embate criativo num ambiente saturado de axiomas, a composição musical enfrenta o problema de restituir o singular na sensação, de transduzir vontades e de contagiar virtualidades sensíveis na escuta e no seu pensamentoCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/13707/RODRIGO%20FONSECA.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoEscutaComposiçãoInternetDeleuzeTempoPensamentoInternetMidia digitalComposicao (Musica)Musica -- SemioticaMusica -- Filosofia e esteticaListeningCompositionsInternetDeleuzeTimeThoughtCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOA imagem da escuta: os sites person-to-person e os compositores heterônimosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRODRIGO FONSECA.pdf.txtRODRIGO FONSECA.pdf.txtExtracted texttext/plain405132https://repositorio.pucsp.br/xmlui/bitstream/handle/4893/3/RODRIGO%20FONSECA.pdf.txt42e70d27fecb0ca8bb16b78cb38b8284MD53ORIGINALRODRIGO FONSECA.pdfapplication/pdf597625https://repositorio.pucsp.br/xmlui/bitstream/handle/4893/1/RODRIGO%20FONSECA.pdf676f225f8f2cdf1a70b0edd1e60260adMD51THUMBNAILRODRIGO FONSECA.pdf.jpgRODRIGO FONSECA.pdf.jpgGenerated Thumbnailimage/jpeg2243https://repositorio.pucsp.br/xmlui/bitstream/handle/4893/2/RODRIGO%20FONSECA.pdf.jpg4514e55237631b89e0b33052dc57ec87MD52handle/48932022-04-28 19:13:57.283oai:repositorio.pucsp.br:handle/4893Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T22:13:57Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
title |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
spellingShingle |
A imagem da escuta: os sites person-to-person e os compositores heterônimos Rodrigues, Rodrigo Fonseca e Escuta Composição Internet Deleuze Tempo Pensamento Internet Midia digital Composicao (Musica) Musica -- Semiotica Musica -- Filosofia e estetica Listening Compositions Internet Deleuze Time Thought CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
title_full |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
title_fullStr |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
title_full_unstemmed |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
title_sort |
A imagem da escuta: os sites person-to-person e os compositores heterônimos |
author |
Rodrigues, Rodrigo Fonseca e |
author_facet |
Rodrigues, Rodrigo Fonseca e |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ferraz, Silvio |
dc.contributor.author.fl_str_mv |
Rodrigues, Rodrigo Fonseca e |
contributor_str_mv |
Ferraz, Silvio |
dc.subject.por.fl_str_mv |
Escuta Composição Internet Deleuze Tempo Pensamento Internet Midia digital Composicao (Musica) Musica -- Semiotica Musica -- Filosofia e estetica |
topic |
Escuta Composição Internet Deleuze Tempo Pensamento Internet Midia digital Composicao (Musica) Musica -- Semiotica Musica -- Filosofia e estetica Listening Compositions Internet Deleuze Time Thought CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Listening Compositions Internet Deleuze Time Thought |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The main issue of this thesis is concerned to the listening and it's compositions in view of the experimental ways of frequentation of the architecture person-to-person in the internet. They will be approached, as empirical corpus, practices of sonorous compositions spread through site-programs like soulseek.org and known as bootleg mash ups. The research tries to demonstrate the difficulties coming from the specutations of the thought when dealing with the investigation how the sensations in the listening,make some contagious, encouraged by collective affects linked to the temporalities of the technology and the musical creation. The conceptual basis of this thesis leans on the approximation among the echoing ideas of F. Nietzsche, Gabriel Tarde, Henri Bergson, F. Pessoa, Gilles Deleuze and F. Guattari. The purpposal is to discuss, from the conceptions that these authors brought to the problem of the imagem in the thought, what changes about the sensation of listening when the image of the thought changes.In such a way this work adopts the contribution of the "thought of the haecceitas", trying to re-imagine the creative virtualities of the Time in the composition of the musical listening. Accorded to this conception, instead of abiding by the practice of cutting and pastting sonorous elements, the desktop's composer will need to invest previously in an experimental economy of rhythms and images of the Time to potencialize the sensations in the listening. From this premise, it is asserted that the creative performances of musical listening, stimulated by the ways of conviviality into the sites peer-to-peer, need to interfere in the regimes of perception, sense and the image that the subjectivity aquires in the stereotyped cadences of the internet. Such practices present themselves as an heteronymic poetical activity, with an invenctive resistence to the recent technological processes of subjectivation. To achieve this level, the compositional listening needs to go beyond the reccuring stable regimes of the sound, the sign, the space, the phenomenon, the sense, the techinque and the musical logos in the transcndentalimage of thought. From this creative battle in a saturated enviroment of axioms, the musical composition faces up the problem of retitute singular in the sensation, to transduce the wills and to make a contagious of the sensivity virtualities into the thought of the listening |
publishDate |
2007 |
dc.date.available.fl_str_mv |
2007-06-20 |
dc.date.issued.fl_str_mv |
2007-03-29 |
dc.date.accessioned.fl_str_mv |
2016-04-26T18:16:11Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Rodrigues, Rodrigo Fonseca e. A imagem da escuta: os sites person-to-person e os compositores heterônimos. 2007. 176 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/4893 |
identifier_str_mv |
Rodrigues, Rodrigo Fonseca e. A imagem da escuta: os sites person-to-person e os compositores heterônimos. 2007. 176 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007. |
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BR |
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