A notícia na era da devoração da imagem
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/19528 |
Resumo: | Since the end of 2010, news programs have no longer been watched as they used to be. TV is in real time on the Internet, computers, laptops, tablets and mobile phones. In the era of digital convergence, viewers do not only watch TV, but they concomitantly access the content from live images or on demand. This work aims to analyze the codes of this image culture since the beginning of television in Brazil and to analyze the changes undergone by the advent of social media. It also intends to point out the affinity between the nature of the accelerated images and which are out of control of this online media generation with the nature of the images portrayed by the German thinker Aby Warburg. The research corpus comprises an image cut of the period in which the media revolution has resulted in a new language. The hypothesis is that TV, almost seven decades later, must be understood as a broadcasting language, from which it originated, and as a new product of media visibility resulting from the advent of social media. Television has, for the first time, lost its supremacy to the Internet and needed to establish new patterns of relationship with viewers. The work aims to demonstrate the phenomenon of this change and it is based on studies and research on journalism, television and image, particularly those involving technology and thinkers on the image culture. It makes a parallel with the German thinker Aby Warburg, whose theory has characteristics of the language disseminated in the digital communication culture. The scientific research of this study allowed to conclude that TV has been in conflict with the social network as Hercules had been with Hydra. Journalism, which has the news as its major symbolic value, means tactile, volatile and shared mediation of this conflict |
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Baitello Junior, Norvalhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8238764J1Nascimento, Marco Antonio Camargo2016-12-19T11:21:48Z2016-11-30Nascimento, Marco Antonio Camargo. A notícia na era da devoração da imagem. 2016. 81 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.https://tede2.pucsp.br/handle/handle/19528Since the end of 2010, news programs have no longer been watched as they used to be. TV is in real time on the Internet, computers, laptops, tablets and mobile phones. In the era of digital convergence, viewers do not only watch TV, but they concomitantly access the content from live images or on demand. This work aims to analyze the codes of this image culture since the beginning of television in Brazil and to analyze the changes undergone by the advent of social media. It also intends to point out the affinity between the nature of the accelerated images and which are out of control of this online media generation with the nature of the images portrayed by the German thinker Aby Warburg. The research corpus comprises an image cut of the period in which the media revolution has resulted in a new language. The hypothesis is that TV, almost seven decades later, must be understood as a broadcasting language, from which it originated, and as a new product of media visibility resulting from the advent of social media. Television has, for the first time, lost its supremacy to the Internet and needed to establish new patterns of relationship with viewers. The work aims to demonstrate the phenomenon of this change and it is based on studies and research on journalism, television and image, particularly those involving technology and thinkers on the image culture. It makes a parallel with the German thinker Aby Warburg, whose theory has characteristics of the language disseminated in the digital communication culture. The scientific research of this study allowed to conclude that TV has been in conflict with the social network as Hercules had been with Hydra. Journalism, which has the news as its major symbolic value, means tactile, volatile and shared mediation of this conflictDesde o ano 2010 os telejornais não são mais assistidos como antigamente. A TV está em tempo real na Internet, nos computadores, notebooks, tablets e celulares. Na era da convergência digital, os espectadores já não assistem somente à TV, mas acessam instantaneamente o conteúdo de imagens ao vivo ou on demand. Este trabalho tem como objetivo analisar os códigos desta cultura da imagem desde o início da televisão no Brasil, bem como as mudanças sofridas com o advento das redes sociais. Pretende-se também assinalar a afinidade entre a natureza das imagens aceleradas e fora de controle da geração online media com a índole das imagens retratadas pelo pensador alemão Aby Warburg. O corpus da pesquisa compreende um recorte da imagem no período em que a revolução dos meios resultou em uma nova linguagem. A hipótese é a de que a TV, quase sete décadas depois, deve ser compreendida como linguagem broadcasting, da qual se originou, e como um novo produto da sociedade midiática, resultante do advento das redes sociais. A televisão pela primeira vez perdeu a supremacia para a Internet e precisou estabelecer novos padrões de relacionamento com os telespectadores. O trabalho pretende demonstrar o fenômeno desta mudança e ampara-se em estudos e pesquisas sobre jornalismo, televisão e imagem, notadamente aqueles envolvendo tecnologias e pensadores da cultura da imagem. Faz um paralelo com o pensador alemão Aby Warburg, cuja teoria possui características da linguagem disseminada na cultura da comunicação digital. A pesquisa científica deste trabalho permitiu concluir que a televisão vive um conflito com a rede social como Hércules viveu com a Hidra. O jornalismo, cujo maior valor simbólico é a notícia, significa a mediação tátil, volátil e compartilhada deste conflitoCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/40506/Marco%20Antonio%20Camargo%20Nascimento.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesJornalismo onlineTelevisão Ultra HDInteratividadeOnline journalismUltra HD televisionInteractivityCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOA notícia na era da devoração da imagemNews in image devouring erainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMarco Antonio Camargo Nascimento.pdf.txtMarco Antonio Camargo Nascimento.pdf.txtExtracted texttext/plain148122https://repositorio.pucsp.br/xmlui/bitstream/handle/19528/4/Marco%20Antonio%20Camargo%20Nascimento.pdf.txtfc110122bd8b1ba13e78474d4c70d9fcMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
A notícia na era da devoração da imagem |
dc.title.alternative.eng.fl_str_mv |
News in image devouring era |
title |
A notícia na era da devoração da imagem |
spellingShingle |
A notícia na era da devoração da imagem Nascimento, Marco Antonio Camargo Jornalismo online Televisão Ultra HD Interatividade Online journalism Ultra HD television Interactivity CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
A notícia na era da devoração da imagem |
title_full |
A notícia na era da devoração da imagem |
title_fullStr |
A notícia na era da devoração da imagem |
title_full_unstemmed |
A notícia na era da devoração da imagem |
title_sort |
A notícia na era da devoração da imagem |
author |
Nascimento, Marco Antonio Camargo |
author_facet |
Nascimento, Marco Antonio Camargo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Baitello Junior, Norval |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8238764J1 |
dc.contributor.author.fl_str_mv |
Nascimento, Marco Antonio Camargo |
contributor_str_mv |
Baitello Junior, Norval |
dc.subject.por.fl_str_mv |
Jornalismo online Televisão Ultra HD Interatividade |
topic |
Jornalismo online Televisão Ultra HD Interatividade Online journalism Ultra HD television Interactivity CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Online journalism Ultra HD television Interactivity |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
Since the end of 2010, news programs have no longer been watched as they used to be. TV is in real time on the Internet, computers, laptops, tablets and mobile phones. In the era of digital convergence, viewers do not only watch TV, but they concomitantly access the content from live images or on demand. This work aims to analyze the codes of this image culture since the beginning of television in Brazil and to analyze the changes undergone by the advent of social media. It also intends to point out the affinity between the nature of the accelerated images and which are out of control of this online media generation with the nature of the images portrayed by the German thinker Aby Warburg. The research corpus comprises an image cut of the period in which the media revolution has resulted in a new language. The hypothesis is that TV, almost seven decades later, must be understood as a broadcasting language, from which it originated, and as a new product of media visibility resulting from the advent of social media. Television has, for the first time, lost its supremacy to the Internet and needed to establish new patterns of relationship with viewers. The work aims to demonstrate the phenomenon of this change and it is based on studies and research on journalism, television and image, particularly those involving technology and thinkers on the image culture. It makes a parallel with the German thinker Aby Warburg, whose theory has characteristics of the language disseminated in the digital communication culture. The scientific research of this study allowed to conclude that TV has been in conflict with the social network as Hercules had been with Hydra. Journalism, which has the news as its major symbolic value, means tactile, volatile and shared mediation of this conflict |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-12-19T11:21:48Z |
dc.date.issued.fl_str_mv |
2016-11-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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publishedVersion |
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Nascimento, Marco Antonio Camargo. A notícia na era da devoração da imagem. 2016. 81 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/19528 |
identifier_str_mv |
Nascimento, Marco Antonio Camargo. A notícia na era da devoração da imagem. 2016. 81 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Comunicação e Semiótica |
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PUC-SP |
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Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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