A obscena senhora D: ecos pessoanos em Hilda Hilst

• Autor(a) principal: Ferri, Anna Victoria Almeida
• Data de Publicação: 2021
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/24294
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA; Hilst, Hilda [1930-2004] - A obscena senhora D - Crítica e interpretação; Pessoa, Fernando [1888-1935] - Crítica e interpretação; Campos, Álvaro de; Poesia brasileira; Hilst, Hilda [1930-2004] - A obscena senhora D - Criticism and interpretation; Pessoa, Fernando [1888-1935] - Criticism and Interpretation; Brazilian poetry

This study purposes a reflection on the poetic project of Hilda Hilst (1930-2004) and Fernando Pessoa (1888-1935), through the analysis of their structures, languages and themes, which we believe represents a dialogue between their works. The study importance is justified when we observe that, although the work of the Brazilian writer is extensively investigated, there are few productions that suggest a dialogue with the contours of Portuguese literature. Thus, the present research starts from the following question: how is the resonance that permeates the scriptures of Hilda Hilst and Fernando Pessoa in the selected corpus? We aim the hypothesis that the texts of Hilst and Pessoa are approached not only by metaphysical themes, but also by a writing that shows a confluence of genres and a sensationalist charge that reverberates one of the main ideas worked by Pessoa throughout his life: the Sensationism. Therefore, the main objectives of this study are: to evidence the poetic project of Hilst and Pessoa in order to identify structural and thematic connections, to propose new readings of the works in question, aiming to contribute to the criti ’ treasure of the corpus and the researched subject. Organized in two chapters, the dissertation initially presents a brief overview of the poetic project of the two writers, based on the investigation of other researchers and theorists, such as Álcir Pécora, Cristiano Diniz, José Gil and Fernando Cabral de Martins. Then, the selected corpus was analyzed, which was divided into two aspects, the first referring to Hilst's fiction The obscene madame D (2001), together with the static personal drama O Marinheiro (2018), in which we identified an approximation through the structure of the texts; and the second, about the dialogues between the recurring themes present in the poems of the heteronym Álvaro de Campos and also in the prose The obscene madame D, which is part of a revealing process of voices, which are mixed and composed in different tones and meanings