A música experimental de Gilberto Mendes: contexto e análises

Detalhes bibliográficos
Autor(a) principal: Cruz, João Batista Carvalho de Brito
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/20176
Resumo: The present research studies the experimental phase of Brazilian composer Gilberto Mendes’s work, extracting from such period a few structuring elements of his musical creation, such as the way he interacts with his environment, the semiotical particularities of his works, and their compositional morphology. In order to demonstrate how the work of Mendes during such period is at the same time aesthetically avant-garde (in line with European and north-american vanguards and Brazilian concrete poetry) and communicative, this dissertation investigates the complexity inherent to the musical semiosis under discussion. With that in sight, the research materializes itself in the analysis of three experimental works of the composer’s: nascemorre (1963), Blirium C9 (1964) and Santos Football Music (1969). These analysis were made according to musical semiotics based in Charles S. Peirce’s pragmaticism, since this theoretical-methodological framework enables one to apprehend the complexity of the musical interpretative process in a broad manner, from its production to its fruition
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spelling Santaella, Luciahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8557715P6Cruz, João Batista Carvalho de Brito2017-06-22T12:19:10Z2017-06-12Cruz, João Batista Carvalho de Brito. A música experimental de Gilberto Mendes: contexto e análises. 2017. 136 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20176The present research studies the experimental phase of Brazilian composer Gilberto Mendes’s work, extracting from such period a few structuring elements of his musical creation, such as the way he interacts with his environment, the semiotical particularities of his works, and their compositional morphology. In order to demonstrate how the work of Mendes during such period is at the same time aesthetically avant-garde (in line with European and north-american vanguards and Brazilian concrete poetry) and communicative, this dissertation investigates the complexity inherent to the musical semiosis under discussion. With that in sight, the research materializes itself in the analysis of three experimental works of the composer’s: nascemorre (1963), Blirium C9 (1964) and Santos Football Music (1969). These analysis were made according to musical semiotics based in Charles S. Peirce’s pragmaticism, since this theoretical-methodological framework enables one to apprehend the complexity of the musical interpretative process in a broad manner, from its production to its fruitionA presente pesquisa estuda a fase experimental do compositor Gilberto Mendes, extraindo desse período componentes estruturantes da criação musical do compositor: a maneira como ele se relaciona com seu ambiente, as peculiaridades semióticas de suas obras e sua morfologia composicional. Investigando a complexidade sígnica das semioses musicais em questão, esta pesquisa procura demonstrar como as obras desse período podem ser ao mesmo tempo estruturalmente vanguardistas (em compromisso com as vanguardas europeias, estadunidense e com a Poesia Concreta brasileira) e comunicativas. Tendo esse objeto e objetivo em vista, a pesquisa se materializa na análise de três obras experimentais do compositor: nascemorre (1963), Blirium C9 (1964) e Santos Football Music (1969). Estas análises são realizadas de acordo com uma semiótica musical com bases na filosofia de Charles S. Peirce, já que a partir desse arcabouço teórico-metodológico é possível apreender de forma ampla a complexidade desse processo interpretativo, desde sua produção até sua performance-fruiçãoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESFundação São Paulo - FUNDASPapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/42552/Jo%c3%a3o%20Batista%20Carvalho%20de%20Brito%20Cruz.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesMendes, Gilberto [1922-2016] - Crítica e interpretaçãoVanguarda (Estética)Musica popular -- BrasilMúsica experimentalExperimental musicPopular music - BrazilCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOA música experimental de Gilberto Mendes: contexto e análisesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTJoão Batista Carvalho de Brito Cruz.pdf.txtJoão Batista Carvalho de Brito Cruz.pdf.txtExtracted texttext/plain326634https://repositorio.pucsp.br/xmlui/bitstream/handle/20176/4/Jo%c3%a3o%20Batista%20Carvalho%20de%20Brito%20Cruz.pdf.txt19748a5d7604ccb18bf92483b2033f0eMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv A música experimental de Gilberto Mendes: contexto e análises
title A música experimental de Gilberto Mendes: contexto e análises
spellingShingle A música experimental de Gilberto Mendes: contexto e análises
Cruz, João Batista Carvalho de Brito
Mendes, Gilberto [1922-2016] - Crítica e interpretação
Vanguarda (Estética)
Musica popular -- Brasil
Música experimental
Experimental music
Popular music - Brazil
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short A música experimental de Gilberto Mendes: contexto e análises
title_full A música experimental de Gilberto Mendes: contexto e análises
title_fullStr A música experimental de Gilberto Mendes: contexto e análises
title_full_unstemmed A música experimental de Gilberto Mendes: contexto e análises
title_sort A música experimental de Gilberto Mendes: contexto e análises
author Cruz, João Batista Carvalho de Brito
author_facet Cruz, João Batista Carvalho de Brito
author_role author
dc.contributor.advisor1.fl_str_mv Santaella, Lucia
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8557715P6
dc.contributor.author.fl_str_mv Cruz, João Batista Carvalho de Brito
contributor_str_mv Santaella, Lucia
dc.subject.por.fl_str_mv Mendes, Gilberto [1922-2016] - Crítica e interpretação
Vanguarda (Estética)
Musica popular -- Brasil
Música experimental
topic Mendes, Gilberto [1922-2016] - Crítica e interpretação
Vanguarda (Estética)
Musica popular -- Brasil
Música experimental
Experimental music
Popular music - Brazil
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Experimental music
Popular music - Brazil
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The present research studies the experimental phase of Brazilian composer Gilberto Mendes’s work, extracting from such period a few structuring elements of his musical creation, such as the way he interacts with his environment, the semiotical particularities of his works, and their compositional morphology. In order to demonstrate how the work of Mendes during such period is at the same time aesthetically avant-garde (in line with European and north-american vanguards and Brazilian concrete poetry) and communicative, this dissertation investigates the complexity inherent to the musical semiosis under discussion. With that in sight, the research materializes itself in the analysis of three experimental works of the composer’s: nascemorre (1963), Blirium C9 (1964) and Santos Football Music (1969). These analysis were made according to musical semiotics based in Charles S. Peirce’s pragmaticism, since this theoretical-methodological framework enables one to apprehend the complexity of the musical interpretative process in a broad manner, from its production to its fruition
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-06-22T12:19:10Z
dc.date.issued.fl_str_mv 2017-06-12
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv Cruz, João Batista Carvalho de Brito. A música experimental de Gilberto Mendes: contexto e análises. 2017. 136 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20176
identifier_str_mv Cruz, João Batista Carvalho de Brito. A música experimental de Gilberto Mendes: contexto e análises. 2017. 136 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
url https://tede2.pucsp.br/handle/handle/20176
dc.language.iso.fl_str_mv por
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Comunicação e Semiótica
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
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reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
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