Comunicação nos processos de criação: cadernos de artistas

• Autor(a) principal: Fernandes, Maria Paula Palhares
• Data de Publicação: 2009
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/5220
• topic: Processo criativo; Bierrenbach, Chris -- 1964-; Criacao (Literaria, artistica, etc); Critica textual; Viajantes -- Brasil -- Historia -- Seculo 19; Creative process; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

This work aims to study the creative process thru the macro relationships of communication established by the artist in the social, cultural, and historic context of the internal relations in which intense dialogs with himself or someone else are developed. This research has as an object of study the general notations the artist leaves behind, as traces of his creation, and that, from different origins served as the basis of study for this thesis. The methodology adopted is the Genetic Criticism, with a theoretical approach which sustains itself in the dialog of semiotics in the lines of Pierce and the thinking of Edgar Morin, which is also discussed by Salles in her discussions about the creative process as a construction network. Initially we use the notebooks and notations of European traveling artists from the first half of the 19th century, who produced very rich works in Brazil. Following, we establish a dialog with Van Gogh thru the letters he wrote his brother Théo. However, we search within this expressive communication of the artist and his relation with the History of Art, which the presence is extremely powerful in all of the materials and which was domineering in the construction of his poetic project. Finally, the research turns to our contemporary days. Two notebooks, kindly lended by Cris Bierrenbach, a young artist from São Paulo, constitute significant material for the analysis of the creative process thru the theoretic principles suggested by the Genetic Criticism, which is based on semiotic