Análise do discurso poético mítico da personagem Iracema de José de Alencar

Detalhes bibliográficos
Autor(a) principal: Silva, Flávia da
Data de Publicação: 2009
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/14895
Resumo: This dissertation proposes to analyze the degrees of poeticity constant in the construction of the myth of Iracema in the homonymous novel of 1865, taking into account its relation with the language, the memory/imagination dialogue and the figurative creation of the character s image. The analytic path was built parting from the specific universe of book covers and xylographs, considering the romantic period s vision, when the novel Iracema by Jose de Alencar, was written and published. Monuments, built in tribute to the legendary character and its place of origin: Ceara, were also presented and analysed. Hence, we looked for support in some concepts that address the mythological character of our protagonist, to then, immediately establish links with Iracema-the myth, the theme-character of this study. To do this, her qualities as a sacralized figure depicted in a painting will be referred to, in order to give evidence to certain potentials; the glorification of the nationality, the terra mater archetype, the founding myth. Alencar deliberately projected this novel to reveal its civilizational proposition: representation of romantic nationalism; insertion of memory/imagination dialogue; author-reader interaction. Having this in mind, he analyzed and described the character Iracema within an amorous, idyllic prism, parting from its etymologic root (the name ira meaning lips of honey in the Tupi language, or reverberation of America) all the way to possible deductions with the New World matrix Moacir s mother son of the wild one invaded by the colonizer, represented by the white man Martin. Moacir, half-breed son, survivor and first element of a new race. A game of tension between the lyric subject and the humanized Eros, this legend, now a fiction, is woven around a single character, a paper woman , the image of fertility, that represents the interior, that is, the mountains, (therefore, land) in a dialogue with Martin, a warrior from another space the sea he that comes and goes, a traveler that does not fix himself anywhere. Also a game of tension between Eros and Thanatos, this narrative portrays an Iracema who dies to give life, who dies to become a myth. She represents the land America for which she suffered condemnation; the son represents the result of this movement of transformation, to be more exact, miscigenation. The work, in our view, problematizes the reading that is a poetic founder myth of a new literary and poetic discourse, innovative in the sphere of the brazilian XIXth century novel
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spelling Matos, Edilene DiasSilva, Flávia da2016-04-28T19:59:16Z2009-05-142009-04-27Silva, Flávia da. Análise do discurso poético mítico da personagem Iracema de José de Alencar. 2009. 102 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/14895This dissertation proposes to analyze the degrees of poeticity constant in the construction of the myth of Iracema in the homonymous novel of 1865, taking into account its relation with the language, the memory/imagination dialogue and the figurative creation of the character s image. The analytic path was built parting from the specific universe of book covers and xylographs, considering the romantic period s vision, when the novel Iracema by Jose de Alencar, was written and published. Monuments, built in tribute to the legendary character and its place of origin: Ceara, were also presented and analysed. Hence, we looked for support in some concepts that address the mythological character of our protagonist, to then, immediately establish links with Iracema-the myth, the theme-character of this study. To do this, her qualities as a sacralized figure depicted in a painting will be referred to, in order to give evidence to certain potentials; the glorification of the nationality, the terra mater archetype, the founding myth. Alencar deliberately projected this novel to reveal its civilizational proposition: representation of romantic nationalism; insertion of memory/imagination dialogue; author-reader interaction. Having this in mind, he analyzed and described the character Iracema within an amorous, idyllic prism, parting from its etymologic root (the name ira meaning lips of honey in the Tupi language, or reverberation of America) all the way to possible deductions with the New World matrix Moacir s mother son of the wild one invaded by the colonizer, represented by the white man Martin. Moacir, half-breed son, survivor and first element of a new race. A game of tension between the lyric subject and the humanized Eros, this legend, now a fiction, is woven around a single character, a paper woman , the image of fertility, that represents the interior, that is, the mountains, (therefore, land) in a dialogue with Martin, a warrior from another space the sea he that comes and goes, a traveler that does not fix himself anywhere. Also a game of tension between Eros and Thanatos, this narrative portrays an Iracema who dies to give life, who dies to become a myth. She represents the land America for which she suffered condemnation; the son represents the result of this movement of transformation, to be more exact, miscigenation. The work, in our view, problematizes the reading that is a poetic founder myth of a new literary and poetic discourse, innovative in the sphere of the brazilian XIXth century novelEsta dissertação propõe investigar os graus de poeticidade na construção do mito de Iracema, presentes no romance homônimo (1865), de José de Alencar (1829 -1877), quer com relação à linguagem, quer com relação ao diálogo memória coletiva/imaginação e à criação figurativa de imagens da personagem que vêm sendo representadas através do tempo em outras fontes impressas ou pictóricas. Nesse sentido, a análise foi composta a partir do específico universo de imagens, de capas de livros, xilogravuras, considerando a visão do período romântico, época em que o romance Iracema foi publicado. Foram apresentados e analisados, ainda, monumentos edificados em homenagem à já lendária personagem e ao lugar de onde ela teve origem: Ceará. Buscamos respaldo em alguns conceitos que tratam do caráter mitológico da personagem, para, em seguida, estabelecer ligações com a mítica-Iracema, personagem-tema desse estudo. Para tanto, foram evidenciadas suas qualidades de figura sacralizada e inscrita num quadro referencial de certas potencialidades: exaltação da nacionalidade, arquétipo da terra mater, mito fundador. Portanto, a obra, a nosso ver, consiste, assim, na problematização de uma leitura como mito poético fundador de um novo discurso literário, inovador no âmbito do romance brasileiro do século XIX. Sob tal perspectiva, analisamos e descrevemos a personagem Iracema no idílico amoroso, a partir de sua raiz etimológica (de seu nome lábios de mel, de ira, na língua tupi, ou reverberação de América) e até deduções possíveis com matriz do Novo Mundo. Trata-se da mãe de Moacir filho da selva invadida pelo colonizador, representado pelo branco Martin. Ele, Moacir, filho mestiço, sobrevivente e primeiro elemento de uma nova raça. Jogo de tensão entre o sujeito lírico e um Eros humanizado, essa lenda, acentuada pela elaboração ficcional, é tecida em torno de singular personagem, uma mulher de papel , imagem de fecundidade, que representa o interior, ou seja, a serra (terra, portanto) em diálogo tensional com o europeu Martim, guerreiro de outro espaço o mar , aquele que vai-e-volta, viajante, que não se fixa em definitivo. Sendo considerada como jogo de tensão entre Eros e Tânatos, essa narrativa exibe uma Iracema que morre para dar vida; que morre para se tornar mito. Ela representa a terra América pela qual sofrera a condenação. Assim, o filho de Iracema e de Martim representa o resultado desse movimento de transformação, mais pontualmente o da miscigenação. Com efeito, por meio de uma minuciosa investigação das características literárias da época, com esse romance, José de Alencar revela sua proposta civilizatória: representação do nacionalismo romântico; inserção do diálogo memória/imaginação e interação do autor-leitorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/31197/Flavia%20da%20Silva.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBRLiteraturaMemóriaMitoImagemAlencar, Jose de -- 1829-1877 -- Iracema -- Critica e interpretacaoAnalise do discurso literarioMemoryMythImageCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADAAnálise do discurso poético mítico da personagem Iracema de José de Alencarinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTFlavia da Silva.pdf.txtFlavia da Silva.pdf.txtExtracted texttext/plain213852https://repositorio.pucsp.br/xmlui/bitstream/handle/14895/3/Flavia%20da%20Silva.pdf.txt940b6d8fdc36b324a3fd8ad17b426beaMD53ORIGINALFlavia da Silva.pdfapplication/pdf1824494https://repositorio.pucsp.br/xmlui/bitstream/handle/14895/1/Flavia%20da%20Silva.pdf9bfc1f33fd7101db4706cc40d4e7e373MD51THUMBNAILFlavia da Silva.pdf.jpgFlavia da Silva.pdf.jpgGenerated Thumbnailimage/jpeg3279https://repositorio.pucsp.br/xmlui/bitstream/handle/14895/2/Flavia%20da%20Silva.pdf.jpg0c55f9df0ab422c02aa34eec3de35e53MD52handle/148952022-04-27 12:07:41.144oai:repositorio.pucsp.br:handle/14895Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T15:07:41Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Análise do discurso poético mítico da personagem Iracema de José de Alencar
title Análise do discurso poético mítico da personagem Iracema de José de Alencar
spellingShingle Análise do discurso poético mítico da personagem Iracema de José de Alencar
Silva, Flávia da
Memória
Mito
Imagem
Alencar, Jose de -- 1829-1877 -- Iracema -- Critica e interpretacao
Analise do discurso literario
Memory
Myth
Image
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
title_short Análise do discurso poético mítico da personagem Iracema de José de Alencar
title_full Análise do discurso poético mítico da personagem Iracema de José de Alencar
title_fullStr Análise do discurso poético mítico da personagem Iracema de José de Alencar
title_full_unstemmed Análise do discurso poético mítico da personagem Iracema de José de Alencar
title_sort Análise do discurso poético mítico da personagem Iracema de José de Alencar
author Silva, Flávia da
author_facet Silva, Flávia da
author_role author
dc.contributor.advisor1.fl_str_mv Matos, Edilene Dias
dc.contributor.author.fl_str_mv Silva, Flávia da
contributor_str_mv Matos, Edilene Dias
dc.subject.por.fl_str_mv Memória
Mito
Imagem
Alencar, Jose de -- 1829-1877 -- Iracema -- Critica e interpretacao
Analise do discurso literario
topic Memória
Mito
Imagem
Alencar, Jose de -- 1829-1877 -- Iracema -- Critica e interpretacao
Analise do discurso literario
Memory
Myth
Image
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
dc.subject.eng.fl_str_mv Memory
Myth
Image
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA
description This dissertation proposes to analyze the degrees of poeticity constant in the construction of the myth of Iracema in the homonymous novel of 1865, taking into account its relation with the language, the memory/imagination dialogue and the figurative creation of the character s image. The analytic path was built parting from the specific universe of book covers and xylographs, considering the romantic period s vision, when the novel Iracema by Jose de Alencar, was written and published. Monuments, built in tribute to the legendary character and its place of origin: Ceara, were also presented and analysed. Hence, we looked for support in some concepts that address the mythological character of our protagonist, to then, immediately establish links with Iracema-the myth, the theme-character of this study. To do this, her qualities as a sacralized figure depicted in a painting will be referred to, in order to give evidence to certain potentials; the glorification of the nationality, the terra mater archetype, the founding myth. Alencar deliberately projected this novel to reveal its civilizational proposition: representation of romantic nationalism; insertion of memory/imagination dialogue; author-reader interaction. Having this in mind, he analyzed and described the character Iracema within an amorous, idyllic prism, parting from its etymologic root (the name ira meaning lips of honey in the Tupi language, or reverberation of America) all the way to possible deductions with the New World matrix Moacir s mother son of the wild one invaded by the colonizer, represented by the white man Martin. Moacir, half-breed son, survivor and first element of a new race. A game of tension between the lyric subject and the humanized Eros, this legend, now a fiction, is woven around a single character, a paper woman , the image of fertility, that represents the interior, that is, the mountains, (therefore, land) in a dialogue with Martin, a warrior from another space the sea he that comes and goes, a traveler that does not fix himself anywhere. Also a game of tension between Eros and Thanatos, this narrative portrays an Iracema who dies to give life, who dies to become a myth. She represents the land America for which she suffered condemnation; the son represents the result of this movement of transformation, to be more exact, miscigenation. The work, in our view, problematizes the reading that is a poetic founder myth of a new literary and poetic discourse, innovative in the sphere of the brazilian XIXth century novel
publishDate 2009
dc.date.available.fl_str_mv 2009-05-14
dc.date.issued.fl_str_mv 2009-04-27
dc.date.accessioned.fl_str_mv 2016-04-28T19:59:16Z
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dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Silva, Flávia da. Análise do discurso poético mítico da personagem Iracema de José de Alencar. 2009. 102 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/14895
identifier_str_mv Silva, Flávia da. Análise do discurso poético mítico da personagem Iracema de José de Alencar. 2009. 102 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
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