Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG

Detalhes bibliográficos
Autor(a) principal: Cardoso, Fernanda de Souza
Data de Publicação: 2016
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/19089
Resumo: The present research has worked the dance as an expressive and symbolic manifestation present in candomblé religion, specifically in the angola’s candomblé, in the context of Montes Claros, north of Minas Gerais. It has started from the hypothesis that the dance is not an accessory, but on the contrary, it is an indispensable element in the referred religious rituals. The research held up in the proposed understanding of dance as a constitutive element of this religious system of their essentiality to the candomblé is done, is established. The issues that guided the research is expressed in the following questions: what is dance for the candomble religion? What is its role? How does it appear in the candomblé rituals angola? The methodology, inspired by own methods to Social Sciences, included the immersion in the candomblé angola universe. The contact with the object, in this case the yards of candomblé "Roça Congo Matamba Nzambi," the city of Montes Claros, between the years 2013 and 2016, allowing collect information of the subjects to identify the dynamics of the plantations’s operation and monitoring by participant’s observation, some public parties that are part of the annual calendar of events of that house. Beyond the observation, semi-structured interviews were performed, applied to six saint-children. The collected data were analyzed based on the theoretical references that guided this research. The study concluded that through this body moving experience, feelings are provoked, colors, gestures and sounds emerge; and promote celebration, corporification, offering. The initiates conceive that the dance allows the divine and honorable presence of inquices together to theirs. The presence of such rituals in candomble appears therefore amalgamated thereto, not being dispensed, on the contrary, intensifies the time to every new touch the atabaque and the presence of outstanding and interdependent song. The danceable subjects are known and recognized by the experience that is both: individual and collective, singular and plural; that is, even if it is experienced in particular ways for each one/ that is part of the house, it still collective, it seeks to add, celebrates the communion of saint-children more than "dance well" they seek to connect with what they believe
id PUC_SP-1_609878a7638bd1cca148b83c3df6a3d0
oai_identifier_str oai:repositorio.pucsp.br:handle/19089
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling Nunes, Maria José Fontelas Rosadohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4264932T6Cardoso, Fernanda de Souza2016-09-27T12:59:07Z2016-06-17Cardoso, Fernanda de Souza. Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG. 2016. 153 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.https://tede2.pucsp.br/handle/handle/19089The present research has worked the dance as an expressive and symbolic manifestation present in candomblé religion, specifically in the angola’s candomblé, in the context of Montes Claros, north of Minas Gerais. It has started from the hypothesis that the dance is not an accessory, but on the contrary, it is an indispensable element in the referred religious rituals. The research held up in the proposed understanding of dance as a constitutive element of this religious system of their essentiality to the candomblé is done, is established. The issues that guided the research is expressed in the following questions: what is dance for the candomble religion? What is its role? How does it appear in the candomblé rituals angola? The methodology, inspired by own methods to Social Sciences, included the immersion in the candomblé angola universe. The contact with the object, in this case the yards of candomblé "Roça Congo Matamba Nzambi," the city of Montes Claros, between the years 2013 and 2016, allowing collect information of the subjects to identify the dynamics of the plantations’s operation and monitoring by participant’s observation, some public parties that are part of the annual calendar of events of that house. Beyond the observation, semi-structured interviews were performed, applied to six saint-children. The collected data were analyzed based on the theoretical references that guided this research. The study concluded that through this body moving experience, feelings are provoked, colors, gestures and sounds emerge; and promote celebration, corporification, offering. The initiates conceive that the dance allows the divine and honorable presence of inquices together to theirs. The presence of such rituals in candomble appears therefore amalgamated thereto, not being dispensed, on the contrary, intensifies the time to every new touch the atabaque and the presence of outstanding and interdependent song. The danceable subjects are known and recognized by the experience that is both: individual and collective, singular and plural; that is, even if it is experienced in particular ways for each one/ that is part of the house, it still collective, it seeks to add, celebrates the communion of saint-children more than "dance well" they seek to connect with what they believeA presente pesquisa trabalhou a dança como manifestação expressiva e simbólica, presente na religião do candomblé, especificamente no candomblé angola, no contexto de Montes Claros, norte de Minas Gerais. Partiu-se da hipótese de que a dança não é algo acessório, mas, ao contrário, é um elemento imprescindível nos rituais da referida religião. A pesquisa sustentou-se assim pela proposta de compreensão da dança enquanto elemento constitutivo desse sistema religioso, de sua essencialidade para que o candomblé se faça, se estabeleça. A problemática que orientou a pesquisa expressa-se nas seguintes questões: o que é a dança para a religião do candomblé? Qual é o seu papel? Como ela aparece nos rituais do candomblé angola? A metodologia utilizada, inspirada em métodos próprios às Ciências Sociais, incluiu a imersão no universo do candomblé angola. O contato com o próprio objeto, neste caso, o terreiro de candomblé “Roça Congo Matamba Nzambi”, da cidade de Montes Claros, deu-se entre os anos de 2013 e 2016, permitindo colher informações dos próprios sujeitos e sujeitas, identificar a dinâmica de funcionamento da roça e acompanhar, pela observação participante, algumas festas públicas que são parte do calendário anual de eventos da referida casa. Além da observação, foram realizadas entrevistas semiestruturadas, aplicadas a cinco filhos de santo e uma filha de santo. Os dados coletados foram analisados com base nos referenciais teóricos que orientaram a pesquisa. O estudo permitiu concluir que, por meio dessa experiência do corpo em movimento, sensações são provocadas, cores, gestos e sons emergem; e promovem celebração, corporificação, oferenda. Os iniciados e iniciadas concebem ainda que a dança permite a presença divina e honrosa dos inquices junto aos seus. A presença desta no candomblé aparece, portanto, amalgamada aos rituais, não sendo dispensável, pelo contrário, intensifica o momento a cada novo toque no atabaque e com a presença marcante e interdependente do canto. Os sujeitos dançantes se reconhecem e são reconhecidos pela experiência que é ao mesmo tempo: individual e coletiva, singular e plural; ou seja, mesmo que cada um/a que é parte da casa a experimente de formas particulares, ainda assim ela é coletiva, busca agregar, celebra a comunhão de filhos e filhas de santo que, mais do que “dançar bem”, buscam se conectar com aquilo em que acreditamapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/39806/Fernanda%20de%20Souza%20Cardoso.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciência da ReligiãoPUC-SPBrasilFaculdade de Ciências SociaisCorpoDançaCandomblé AngolaBodyDanceCandomblé AngolaCNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICASGirando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MGinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTFernanda de Souza Cardoso.pdf.txtFernanda de Souza Cardoso.pdf.txtExtracted texttext/plain337023https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/4/Fernanda%20de%20Souza%20Cardoso.pdf.txtb4551a91f08a410a04c98b99aad2a5cfMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALFernanda de Souza Cardoso.pdfFernanda de Souza Cardoso.pdfapplication/pdf3312189https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/2/Fernanda%20de%20Souza%20Cardoso.pdf0524d1a7bc68c9bebf8441a56bd3f7e8MD52THUMBNAILFernanda de Souza Cardoso.pdf.jpgFernanda de Souza Cardoso.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/3/Fernanda%20de%20Souza%20Cardoso.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD53handle/190892022-04-28 16:46:14.964oai:repositorio.pucsp.br:handle/19089Tk9UQTogQ09MT1FVRSBBUVVJIEEgU1VBIFBSw5NQUklBIExJQ0VOw4dBCkVzdGEgbGljZW7Dp2EgZGUgZXhlbXBsbyDDqSBmb3JuZWNpZGEgYXBlbmFzIHBhcmEgZmlucyBpbmZvcm1hdGl2b3MuCgpMSUNFTsOHQSBERSBESVNUUklCVUnDh8ODTyBOw4NPLUVYQ0xVU0lWQQoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgClhYWCAoU2lnbGEgZGEgVW5pdmVyc2lkYWRlKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIApwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgU2lnbGEgZGUgVW5pdmVyc2lkYWRlIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IApkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyAKbmVzdGEgbGljZW7Dp2EuIFZvY8OqIHRhbWLDqW0gZGVjbGFyYSBxdWUgbyBkZXDDs3NpdG8gZGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBuw6NvLCBxdWUgc2VqYSBkZSBzZXUgCmNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiAKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSAKb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlIAppZGVudGlmaWNhZG8gZSByZWNvbmhlY2lkbyBubyB0ZXh0byBvdSBubyBjb250ZcO6ZG8gZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG9yYSBkZXBvc2l0YWRhLgoKQ0FTTyBBIFRFU0UgT1UgRElTU0VSVEHDh8ODTyBPUkEgREVQT1NJVEFEQSBURU5IQSBTSURPIFJFU1VMVEFETyBERSBVTSBQQVRST0PDjU5JTyBPVSAKQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPIFNFSkEgQSBTSUdMQSBERSAKVU5JVkVSU0lEQURFLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyAKVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T19:46:14Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
title Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
spellingShingle Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
Cardoso, Fernanda de Souza
Corpo
Dança
Candomblé Angola
Body
Dance
Candomblé Angola
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
title_short Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
title_full Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
title_fullStr Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
title_full_unstemmed Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
title_sort Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG
author Cardoso, Fernanda de Souza
author_facet Cardoso, Fernanda de Souza
author_role author
dc.contributor.advisor1.fl_str_mv Nunes, Maria José Fontelas Rosado
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4264932T6
dc.contributor.author.fl_str_mv Cardoso, Fernanda de Souza
contributor_str_mv Nunes, Maria José Fontelas Rosado
dc.subject.por.fl_str_mv Corpo
Dança
Candomblé Angola
topic Corpo
Dança
Candomblé Angola
Body
Dance
Candomblé Angola
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
dc.subject.eng.fl_str_mv Body
Dance
Candomblé Angola
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
description The present research has worked the dance as an expressive and symbolic manifestation present in candomblé religion, specifically in the angola’s candomblé, in the context of Montes Claros, north of Minas Gerais. It has started from the hypothesis that the dance is not an accessory, but on the contrary, it is an indispensable element in the referred religious rituals. The research held up in the proposed understanding of dance as a constitutive element of this religious system of their essentiality to the candomblé is done, is established. The issues that guided the research is expressed in the following questions: what is dance for the candomble religion? What is its role? How does it appear in the candomblé rituals angola? The methodology, inspired by own methods to Social Sciences, included the immersion in the candomblé angola universe. The contact with the object, in this case the yards of candomblé "Roça Congo Matamba Nzambi," the city of Montes Claros, between the years 2013 and 2016, allowing collect information of the subjects to identify the dynamics of the plantations’s operation and monitoring by participant’s observation, some public parties that are part of the annual calendar of events of that house. Beyond the observation, semi-structured interviews were performed, applied to six saint-children. The collected data were analyzed based on the theoretical references that guided this research. The study concluded that through this body moving experience, feelings are provoked, colors, gestures and sounds emerge; and promote celebration, corporification, offering. The initiates conceive that the dance allows the divine and honorable presence of inquices together to theirs. The presence of such rituals in candomble appears therefore amalgamated thereto, not being dispensed, on the contrary, intensifies the time to every new touch the atabaque and the presence of outstanding and interdependent song. The danceable subjects are known and recognized by the experience that is both: individual and collective, singular and plural; that is, even if it is experienced in particular ways for each one/ that is part of the house, it still collective, it seeks to add, celebrates the communion of saint-children more than "dance well" they seek to connect with what they believe
publishDate 2016
dc.date.accessioned.fl_str_mv 2016-09-27T12:59:07Z
dc.date.issued.fl_str_mv 2016-06-17
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Cardoso, Fernanda de Souza. Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG. 2016. 153 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/19089
identifier_str_mv Cardoso, Fernanda de Souza. Girando em uma roça banto: a dança como elemento constitutivo do candomblé angola em Montes Claros/MG. 2016. 153 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.
url https://tede2.pucsp.br/handle/handle/19089
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Ciência da Religião
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/4/Fernanda%20de%20Souza%20Cardoso.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/1/license.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/2/Fernanda%20de%20Souza%20Cardoso.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/19089/3/Fernanda%20de%20Souza%20Cardoso.pdf.jpg
bitstream.checksum.fl_str_mv b4551a91f08a410a04c98b99aad2a5cf
bd3efa91386c1718a7f26a329fdcb468
0524d1a7bc68c9bebf8441a56bd3f7e8
cc73c4c239a4c332d642ba1e7c7a9fb2
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809277785847365632