Coral amador: efeitos de uma proposta de intervenção fonoaudiológica

Detalhes bibliográficos
Autor(a) principal: Loiola, Camila Miranda
Data de Publicação: 2009
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/12215
Resumo: Most choirs, formed in churches, communities, schools and clubs, is composed of amateur singers. There are few studies that address the intervention with this population and studies emphasize only the immediate results of the application of vocal exercises. Objective: To determine the effects of a speech therapeutic intervention proposed by means of evaluation of speech therapists, singing teachers and amateur choristers participants, analyzing, in the pre and post intervention, the parameters of breathing, projection of the voice and vocal range in singing voice. Method: The program had the theoretical framework of ZABALA (1998), which presents a reflection on the educational practice. This research counted on the participation of ten amateur choral singers who initially responded to a questionnaire to describe the group. The singers performed voice recordings of the vocal range and a piece of song, of free choice, pre and post intervention. During six weekly meetings, the group went through a warming up program, basic knowledge of anatomy and physiology of voice applied to singing, discussions about vocal health, breathing and voice perception. The recordings were sent on a CD to six professional judges (speech therapists and singing teachers). The judges made audio perception analysis by a protocol and evaluated the breathing, projection of the voice and vocal range of the singers. Choristers, without access to the recordings, made auto-evaluation and reviewed the same parameters. Results: Judges evaluation: vocal range had more positive changes, followed by breathing and, finally, the voice projection. Statistical analysis (qui-square) showed that all the parameters were significant changes (p <0.01). When comparing the two groups of judges: speech pathologists examined the voice range profile more in line with expectations, singing teachers, the projection of the voice, and breathing presented data equivalent, statistically. The results showed that by subject, in the opinion of judges, two subjects showed improvement in all parameters examined and seven of them, at least two parameters. According to the singers report, all aspects had improved. Conclusion: the proposed intervention, which adopted an action such as posture and broad education, had positive effects in the study group and shows the need to conduct further studies to evaluate, in addition to the results pre and post intervention, the process itself, the order to enhance the work of a speech pathologist in the singing voice
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spelling Ferreira, Leslie Piccolottohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4164934T2Loiola, Camila Miranda2016-04-27T18:12:38Z2013-04-162009-01-30Loiola, Camila Miranda. Amateur choir: the effect of speech therapeutic intervention. 2009. 115 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/12215Most choirs, formed in churches, communities, schools and clubs, is composed of amateur singers. There are few studies that address the intervention with this population and studies emphasize only the immediate results of the application of vocal exercises. Objective: To determine the effects of a speech therapeutic intervention proposed by means of evaluation of speech therapists, singing teachers and amateur choristers participants, analyzing, in the pre and post intervention, the parameters of breathing, projection of the voice and vocal range in singing voice. Method: The program had the theoretical framework of ZABALA (1998), which presents a reflection on the educational practice. This research counted on the participation of ten amateur choral singers who initially responded to a questionnaire to describe the group. The singers performed voice recordings of the vocal range and a piece of song, of free choice, pre and post intervention. During six weekly meetings, the group went through a warming up program, basic knowledge of anatomy and physiology of voice applied to singing, discussions about vocal health, breathing and voice perception. The recordings were sent on a CD to six professional judges (speech therapists and singing teachers). The judges made audio perception analysis by a protocol and evaluated the breathing, projection of the voice and vocal range of the singers. Choristers, without access to the recordings, made auto-evaluation and reviewed the same parameters. Results: Judges evaluation: vocal range had more positive changes, followed by breathing and, finally, the voice projection. Statistical analysis (qui-square) showed that all the parameters were significant changes (p <0.01). When comparing the two groups of judges: speech pathologists examined the voice range profile more in line with expectations, singing teachers, the projection of the voice, and breathing presented data equivalent, statistically. The results showed that by subject, in the opinion of judges, two subjects showed improvement in all parameters examined and seven of them, at least two parameters. According to the singers report, all aspects had improved. Conclusion: the proposed intervention, which adopted an action such as posture and broad education, had positive effects in the study group and shows the need to conduct further studies to evaluate, in addition to the results pre and post intervention, the process itself, the order to enhance the work of a speech pathologist in the singing voiceA maioria dos corais, formados em igrejas, comunidades, escolas e clubes, é composta por cantores amadores. Existem poucas pesquisas que abordam a intervenção fonoaudiológica com essa população e os estudos enfatizam apenas resultados imediatos da aplicação de exercícios vocais. Objetivo: verificar os efeitos de uma proposta de intervenção fonoaudiológica, por meio de avaliação de fonoaudiólogos, professores de canto e dos próprios coristas amadores participantes, analisando, em momento pré e pós intervenção fonoaudiológica, os parâmetros de respiração, projeção e tessitura vocal na voz cantada. Método: O programa teve como referencial teórico a proposta de ZABALA (1998), que apresenta uma reflexão sobre a prática educativa. A pesquisa contou com a participação de 10 cantores de um coral amador que inicialmente responderam a um questionário para caracterização do grupo. Os cantores realizaram gravações da extensão vocal e de um trecho de canto, de livre escolha, pré e pós intervenção. Durante seis encontros semanais o grupo passou por um programa de aquecimento vocal, noções de anatomia e fisiologia da voz aplicada ao canto, discussões sobre saúde vocal, trabalho com respiração e propriocepção da voz. As gravações foram enviadas em um CD para seis juízes (fonoaudiólogos e professores de canto). Os juízes fizeram análise perceptivo-auditiva por meio de protocolo e avaliaram a respiração, projeção e tessitura vocal dos cantores. Os coristas, sem terem acesso às gravações, realizaram auto-avaliação e analisaram os mesmos parâmetros. Resultados: na avaliação dos juízes: a tessitura vocal teve mais alterações positivas, seguida da respiração e, por último, a projeção vocal. A análise estatística (teste Qui-Quadrado) mostrou que todos os parâmetros tiveram mudanças significativas (p < 0,01). Ao comparar os dois grupos de juízes: fonoaudiólogos analisaram a tessitura vocal mais de acordo com o esperado, professores de canto, a projeção, e a respiração apresentou dados equivalentes, estatisticamente. Os resultados por sujeito mostraram que, na opinião dos juízes, dois sujeitos apresentaram melhoras em todos os parâmetros analisados e sete deles, em pelo menos dois parâmetros. Segundo o relato dos cantores, todos os aspectos apresentaram melhoras. Conclusão: a proposta de intervenção, que adotou como postura uma ação ampla e educativa, teve efeitos positivos no grupo estudado e mostra a necessidade de se realizarem mais estudos que possam avaliar, além dos resultados pré e pós, o próprio processo em si, a fim de se valorizar a atuação do fonoaudiólogo na área de voz cantadaConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/25150/Camila%20Miranda%20Loiola.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em FonoaudiologiaPUC-SPBRFonoaudiologiaIntervenção fono audiológicaCanto coralTreinamento da vozVozVoiceVocal trainingSpeech language therapyCNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIACoral amador: efeitos de uma proposta de intervenção fonoaudiológicaAmateur choir: the effect of speech therapeutic interventioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTCamila Miranda Loiola.pdf.txtCamila Miranda Loiola.pdf.txtExtracted texttext/plain194320https://repositorio.pucsp.br/xmlui/bitstream/handle/12215/3/Camila%20Miranda%20Loiola.pdf.txt397d5bc6d2ecbf5eb486ff81764ca0f4MD53ORIGINALCamila Miranda Loiola.pdfapplication/pdf1202470https://repositorio.pucsp.br/xmlui/bitstream/handle/12215/1/Camila%20Miranda%20Loiola.pdfef74d84ef3ac18010ff17d120c6f8609MD51THUMBNAILCamila Miranda Loiola.pdf.jpgCamila Miranda Loiola.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/12215/2/Camila%20Miranda%20Loiola.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/122152023-11-24 12:20:19.845oai:repositorio.pucsp.br:handle/12215Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2023-11-24T15:20:19Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
dc.title.alternative.eng.fl_str_mv Amateur choir: the effect of speech therapeutic intervention
title Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
spellingShingle Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
Loiola, Camila Miranda
Intervenção fono audiológica
Canto coral
Treinamento da voz
Voz
Voice
Vocal training
Speech language therapy
CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
title_short Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
title_full Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
title_fullStr Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
title_full_unstemmed Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
title_sort Coral amador: efeitos de uma proposta de intervenção fonoaudiológica
author Loiola, Camila Miranda
author_facet Loiola, Camila Miranda
author_role author
dc.contributor.advisor1.fl_str_mv Ferreira, Leslie Piccolotto
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4164934T2
dc.contributor.author.fl_str_mv Loiola, Camila Miranda
contributor_str_mv Ferreira, Leslie Piccolotto
dc.subject.por.fl_str_mv Intervenção fono audiológica
Canto coral
Treinamento da voz
Voz
topic Intervenção fono audiológica
Canto coral
Treinamento da voz
Voz
Voice
Vocal training
Speech language therapy
CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
dc.subject.eng.fl_str_mv Voice
Vocal training
Speech language therapy
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
description Most choirs, formed in churches, communities, schools and clubs, is composed of amateur singers. There are few studies that address the intervention with this population and studies emphasize only the immediate results of the application of vocal exercises. Objective: To determine the effects of a speech therapeutic intervention proposed by means of evaluation of speech therapists, singing teachers and amateur choristers participants, analyzing, in the pre and post intervention, the parameters of breathing, projection of the voice and vocal range in singing voice. Method: The program had the theoretical framework of ZABALA (1998), which presents a reflection on the educational practice. This research counted on the participation of ten amateur choral singers who initially responded to a questionnaire to describe the group. The singers performed voice recordings of the vocal range and a piece of song, of free choice, pre and post intervention. During six weekly meetings, the group went through a warming up program, basic knowledge of anatomy and physiology of voice applied to singing, discussions about vocal health, breathing and voice perception. The recordings were sent on a CD to six professional judges (speech therapists and singing teachers). The judges made audio perception analysis by a protocol and evaluated the breathing, projection of the voice and vocal range of the singers. Choristers, without access to the recordings, made auto-evaluation and reviewed the same parameters. Results: Judges evaluation: vocal range had more positive changes, followed by breathing and, finally, the voice projection. Statistical analysis (qui-square) showed that all the parameters were significant changes (p <0.01). When comparing the two groups of judges: speech pathologists examined the voice range profile more in line with expectations, singing teachers, the projection of the voice, and breathing presented data equivalent, statistically. The results showed that by subject, in the opinion of judges, two subjects showed improvement in all parameters examined and seven of them, at least two parameters. According to the singers report, all aspects had improved. Conclusion: the proposed intervention, which adopted an action such as posture and broad education, had positive effects in the study group and shows the need to conduct further studies to evaluate, in addition to the results pre and post intervention, the process itself, the order to enhance the work of a speech pathologist in the singing voice
publishDate 2009
dc.date.issued.fl_str_mv 2009-01-30
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dc.identifier.citation.fl_str_mv Loiola, Camila Miranda. Amateur choir: the effect of speech therapeutic intervention. 2009. 115 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/12215
identifier_str_mv Loiola, Camila Miranda. Amateur choir: the effect of speech therapeutic intervention. 2009. 115 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.
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