Design e experiência: estudos a partir da edição de colecionador e das redes de compartilhamento

• Autor(a) principal: Borges, André Luís Ribeiro
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/19645
• topic: Edição de Colecionador; Design; Linguagens híbridas; Communication; Collector's Edition; Hybrid languages; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

This present research object the study of the Collector's Edition and its creative impact on the twenty--first century. The purpose is to observe the resizing of contemporary design by issues of affection and experience. In this context the present research aims to discuss questions such as the relationship between design and participatory practices of media convergence today. The design is largely responsible for the product process of signification and is positioned in a more collaborative manner, and with his public contact points and broader interaction spaces which motivates and promotes the creation of communities of interest in a global network sharing that create ample opportunities for experience and exchange of affection. To understand this process we analyze the Collector's Edition to establish the sign processes and generation experience that make these issues not a marketing product, but a hybrid object component of a cultural process of society and communication to an audience. To reflect on this use as theoretical contributions interconnected fields each other as the theory of affects of Baruch Spinoza, transmitted by Gilles Deleuze (2002), associated with semiotic approach of Charles Sanders Peirce the bias Lucia Santaella (2002) and Charles William Morris (1976). The communication and design studies to questions of thought and language of design through Pignatari (2008) and Villem Flusser (2007). The theory of media approach to media convergence and their hybridization processes especially by Henry Jenkins (2006) and Lucia Santaella (2002). Regarding the poetic analysis of Collector's Editions reflect the approach end of Christine Mello (2008)