Aspectos multimodais de tradução da canção Poison Ivy para a língua portuguesa

• Autor(a) principal: Dutra, Vanessa Martins
• Data de Publicação: 2021
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/32968
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS; Tradução de música; Poison Ivy/Erva Venenosa; Cantabilidade; Análise transdisciplinar; Aspectos multimodais; Music translation; Poison Ivy/Erva Venenosa; Singability; Transdisciplinary analysis; Multimodal aspect

This undergraduate thesis, of which the line of research is Music Translation, aims to analyze a Brazilian translation of a song and compare it to the original product, in English, in order to examine the multimodal aspects of the aforementioned songs and demonstrate their importance in the translation process, identify the similarities and the differences between the compositions and evaluate the final product of the translation. The research consists of a case study based on the analysis of the source text and its respective translation — the original song “Poison Ivy”, by The Coasters, and its Brazilian version “Erva Venenosa”, by Rita Lee. The analysis was based mainly on the five choices in song translation and on the concept of the three layers of “singability” — prosodic, poetic and semantic-reflexive match — proposed by Franzon (2008) and on the transdisciplinary analysis model of the multimodal aspects in song translation proposed by Rocha (2018). The analysis revealed that there was a combination of choices in the translation process — adapting the translation to the original music as well as translating the lyrics and adapting the music accordingly— and the production of a “singable” song due to the achievement of the three layers of singability. As for the multimodal aspects, results revealed that, in addition to musical elements, such as notation and beat, which underwent certain changes due to the change in the musical genre and vocal register, the translation mainly adapted the original lyrics, but maintained its essence with the recreation of the theme, tone and style of vocabulary