Forjado em sangue: a ancestralidade do vampiro cinematográfico

Detalhes bibliográficos
Autor(a) principal: Humphreys, Juliana Porto Chacon
Data de Publicação: 2014
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/4607
Resumo: This research aims to examine the route of the vampire figure in film, tracing a line of ancestry that starts in early influences found in medieval art, through the transmutations within the Gothic and Romantic literature, until contemporaneously, their cinematic recreations. It is about to understand the factors that forged the figure of the vampire in current cinema, especially regarding to its status as an undead male and to the arising horror effects. Thus, the object of study assumes two distinct phases: primary, enclosed by the figure of the vampire in film; and secondary, comprising a cutout of fantastic literature. Being hybrid, the research corpus comprises, at first, a set of works of the XV century called Dance macabre, plus a small sample of tales of the XVIII and XIX centuries with vampire theme, culminating in the work Dracula, by Bram Stoker, on 1897. Secondly, but more importantly, about a century set of extensive and representative vampire filmography that includes the transformation of the vampire image, starting with Nosferatu, on 1922; and finishing with Shadows of the Night, on 2011. The assumptions that guide the study deal with the relationship between the attraction exerted by the vampires and their increasing aestheticization; detachment between cinematic vampires and the literary array of Bram Stoker's Dracula and the consequent spread of reconfigurations of character retrieve the medieval influences. Forcibly multidisciplinary, the theoretical references of research include studies in Art History, History of Literature and the History of Cinema, as an instrument of semiotic analysis, which in this case will be Greimas for literature and Peirce for images. Supported by this background, the study also aims to contribute significantly to the study of the figure of the vampire, highlighting the influences that determined the existence of one of the most important horror characters of the first century of cinema
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spelling Motta, Leda Tenorio dahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4137760Y6Humphreys, Juliana Porto Chacon2016-04-26T18:14:02Z2014-04-252014-03-17Humphreys, Juliana Porto Chacon. Forged in blood: the ancestry of the cinematographic vampire. 2014. 415 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2014.https://tede2.pucsp.br/handle/handle/4607This research aims to examine the route of the vampire figure in film, tracing a line of ancestry that starts in early influences found in medieval art, through the transmutations within the Gothic and Romantic literature, until contemporaneously, their cinematic recreations. It is about to understand the factors that forged the figure of the vampire in current cinema, especially regarding to its status as an undead male and to the arising horror effects. Thus, the object of study assumes two distinct phases: primary, enclosed by the figure of the vampire in film; and secondary, comprising a cutout of fantastic literature. Being hybrid, the research corpus comprises, at first, a set of works of the XV century called Dance macabre, plus a small sample of tales of the XVIII and XIX centuries with vampire theme, culminating in the work Dracula, by Bram Stoker, on 1897. Secondly, but more importantly, about a century set of extensive and representative vampire filmography that includes the transformation of the vampire image, starting with Nosferatu, on 1922; and finishing with Shadows of the Night, on 2011. The assumptions that guide the study deal with the relationship between the attraction exerted by the vampires and their increasing aestheticization; detachment between cinematic vampires and the literary array of Bram Stoker's Dracula and the consequent spread of reconfigurations of character retrieve the medieval influences. Forcibly multidisciplinary, the theoretical references of research include studies in Art History, History of Literature and the History of Cinema, as an instrument of semiotic analysis, which in this case will be Greimas for literature and Peirce for images. Supported by this background, the study also aims to contribute significantly to the study of the figure of the vampire, highlighting the influences that determined the existence of one of the most important horror characters of the first century of cinemaEsta pesquisa tem como principal objetivo examinar o percurso da figura vampiresca no cinema, traçando uma linha de ancestralidade que se inicia nas primeiras influências encontradas na arte medieval, passando pelas transmutações no âmbito da literatura romântica gótica e chegando, contemporaneamente, a suas refigurações cinematográficas. Trata-se de compreender os fatores que forjaram as imagens e a figura do vampiro no cinema atual, especialmente no que se refere à sua condição de morto vivo do sexo masculino e aos efeitos de horror daí decorrentes. O objeto de estudos assume, desse modo, duas faces distintas: uma primária, delimitada pela figura do vampiro no cinema e outra secundária, constituída por um recorte de literaturas fantásticas. Sendo híbrido, o corpus da pesquisa compreende, num primeiro momento, um conjunto de obras do século XV, denominadas Danças Macabras, além de uma pequena amostra de contos dos séculos XVIII e XIX com tema vampiresco, que culminaram na obra Drácula, de Bram Stoker, de 1897. Num segundo momento, porém mais relevante, um extenso conjunto de filmes representativos de cerca de um século de filmografia vampiresca contempla as transformações da imagem vampiresca, iniciando por Nosferatu de 1922 e terminando com Sombras da Noite de 2011. As hipóteses que norteiam o estudo versam sobre: as relações entre a atração exercida pelos vampiros e sua crescente estetização; o distanciamento dos vampiros cinematográficos da matriz literária do Drácula de Bram Stoker e a consequente disseminação de reconfigurações da personagem que recuperam as influências medievais. Obrigatoriamente multidisciplinares, os referenciais teóricos da pesquisa compreendem estudos em História da Arte, História da Literatura e História do Cinema, assim como um instrumental de análise semiótica, que, neste caso, será greimasiano para a literatura e peirceano para as imagens. É com esse referencial que o estudo pretende contribuir de forma relevante para o estudo da figura do vampiro, destacando as influências que determinaram a existência de uma das mais importantes personagens de horror do primeiro século de cinemaapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/13468/Juliana%20Porto%20Chacon%20Humphreys.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoCinemaLiteratura fantásticaSemióticaImagemVampiroCinemaFantastic literatureSemioticsImagevampireCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOForjado em sangue: a ancestralidade do vampiro cinematográficoForged in blood: the ancestry of the cinematographic vampireinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTJuliana Porto Chacon Humphreys.pdf.txtJuliana Porto Chacon Humphreys.pdf.txtExtracted texttext/plain882604https://repositorio.pucsp.br/xmlui/bitstream/handle/4607/3/Juliana%20Porto%20Chacon%20Humphreys.pdf.txt8ec0dc4b6186785487fff41d2ff2d672MD53ORIGINALJuliana Porto Chacon Humphreys.pdfapplication/pdf12878114https://repositorio.pucsp.br/xmlui/bitstream/handle/4607/1/Juliana%20Porto%20Chacon%20Humphreys.pdfed308dd65205bd7b257546c767ff93feMD51THUMBNAILJuliana Porto Chacon Humphreys.pdf.jpgJuliana Porto Chacon Humphreys.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/4607/2/Juliana%20Porto%20Chacon%20Humphreys.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/46072022-04-28 19:06:21.211oai:repositorio.pucsp.br:handle/4607Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T22:06:21Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Forjado em sangue: a ancestralidade do vampiro cinematográfico
dc.title.alternative.eng.fl_str_mv Forged in blood: the ancestry of the cinematographic vampire
title Forjado em sangue: a ancestralidade do vampiro cinematográfico
spellingShingle Forjado em sangue: a ancestralidade do vampiro cinematográfico
Humphreys, Juliana Porto Chacon
Cinema
Literatura fantástica
Semiótica
Imagem
Vampiro
Cinema
Fantastic literature
Semiotics
Image
vampire
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Forjado em sangue: a ancestralidade do vampiro cinematográfico
title_full Forjado em sangue: a ancestralidade do vampiro cinematográfico
title_fullStr Forjado em sangue: a ancestralidade do vampiro cinematográfico
title_full_unstemmed Forjado em sangue: a ancestralidade do vampiro cinematográfico
title_sort Forjado em sangue: a ancestralidade do vampiro cinematográfico
author Humphreys, Juliana Porto Chacon
author_facet Humphreys, Juliana Porto Chacon
author_role author
dc.contributor.advisor1.fl_str_mv Motta, Leda Tenorio da
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4137760Y6
dc.contributor.author.fl_str_mv Humphreys, Juliana Porto Chacon
contributor_str_mv Motta, Leda Tenorio da
dc.subject.por.fl_str_mv Cinema
Literatura fantástica
Semiótica
Imagem
Vampiro
topic Cinema
Literatura fantástica
Semiótica
Imagem
Vampiro
Cinema
Fantastic literature
Semiotics
Image
vampire
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Cinema
Fantastic literature
Semiotics
Image
vampire
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This research aims to examine the route of the vampire figure in film, tracing a line of ancestry that starts in early influences found in medieval art, through the transmutations within the Gothic and Romantic literature, until contemporaneously, their cinematic recreations. It is about to understand the factors that forged the figure of the vampire in current cinema, especially regarding to its status as an undead male and to the arising horror effects. Thus, the object of study assumes two distinct phases: primary, enclosed by the figure of the vampire in film; and secondary, comprising a cutout of fantastic literature. Being hybrid, the research corpus comprises, at first, a set of works of the XV century called Dance macabre, plus a small sample of tales of the XVIII and XIX centuries with vampire theme, culminating in the work Dracula, by Bram Stoker, on 1897. Secondly, but more importantly, about a century set of extensive and representative vampire filmography that includes the transformation of the vampire image, starting with Nosferatu, on 1922; and finishing with Shadows of the Night, on 2011. The assumptions that guide the study deal with the relationship between the attraction exerted by the vampires and their increasing aestheticization; detachment between cinematic vampires and the literary array of Bram Stoker's Dracula and the consequent spread of reconfigurations of character retrieve the medieval influences. Forcibly multidisciplinary, the theoretical references of research include studies in Art History, History of Literature and the History of Cinema, as an instrument of semiotic analysis, which in this case will be Greimas for literature and Peirce for images. Supported by this background, the study also aims to contribute significantly to the study of the figure of the vampire, highlighting the influences that determined the existence of one of the most important horror characters of the first century of cinema
publishDate 2014
dc.date.available.fl_str_mv 2014-04-25
dc.date.issued.fl_str_mv 2014-03-17
dc.date.accessioned.fl_str_mv 2016-04-26T18:14:02Z
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dc.identifier.citation.fl_str_mv Humphreys, Juliana Porto Chacon. Forged in blood: the ancestry of the cinematographic vampire. 2014. 415 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2014.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/4607
identifier_str_mv Humphreys, Juliana Porto Chacon. Forged in blood: the ancestry of the cinematographic vampire. 2014. 415 f. Tese (Doutorado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2014.
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publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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