Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/14772 |
Resumo: | This essay intends to analyze the readers "Simeão, o crioulo", by Joaquim Manuel de Macedo, published in 1869, and A Escrava Isaura, by Bernardo Guimarães, published in 1875. They report the black and the mestizo´s conditions when forming the Brazilian identity, in the nationalist romanticism. For this purpose, we referred ourselves to the base of the German romanticism with the theories of Rousseau, Kant and the Germans of Iena, pursuing to verify how much as the I romantic is toward to its inwardness, until we approach the romanticism in Brazil which uses the literature as the government's political instrument, with the responsibility to contribute for the formation of the people and to execute the establishment of the nation. It is wondered: To what extent, in those narratives, the black and the mestizo accomplish the protagonist's role in the formation of the Brazilian identity? How do they hide an image of the black / slave? In what extent does it point to the constituent values of the Brazilian romantic ideology and, especially, of Macedo and Guimarães? This work guides the hypothesis: the romantic subject's speech, by embodying the black's image, is based on the imaginary construction of the caricature, adjusting the black slave and mestizo figures. In order to oppose those ideas and to hear a voice from within the slavery, it was chosen the poem "QUEM SOU EU ?, by Luiz Gama, which exposes the existence of the slave condition. In order to handle those interrogations, it consults the critical purposes from David Brookshaw, Zilá Bernd, Antonio Cândido, Eduardo Etzel, Silvio Romero, Gilberto Freyre. As a methodological strategy, firstly it was searched the theories which sustain the commented subjects, and later to dialogue those theories with the analysis of the corpus. The suggested hypothesis is ratified, realizing it as a form of approaching the black and mestizo, both slaves, in a relationship of preservation of the nationalist ideas of the Brazilian romanticismk. The slave |
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Junqueira, Maria Aparecidahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8788310T8Zahra, Lidiane Confessor de Cerqueira2016-04-28T19:58:57Z2016-02-162015-12-18Zahra, Lidiane Confessor de Cerqueira. Simeão, o crioulo and A Escrava Isaura: the blacks in the brazilian romanticism. 2015. 129 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015.https://tede2.pucsp.br/handle/handle/14772This essay intends to analyze the readers "Simeão, o crioulo", by Joaquim Manuel de Macedo, published in 1869, and A Escrava Isaura, by Bernardo Guimarães, published in 1875. They report the black and the mestizo´s conditions when forming the Brazilian identity, in the nationalist romanticism. For this purpose, we referred ourselves to the base of the German romanticism with the theories of Rousseau, Kant and the Germans of Iena, pursuing to verify how much as the I romantic is toward to its inwardness, until we approach the romanticism in Brazil which uses the literature as the government's political instrument, with the responsibility to contribute for the formation of the people and to execute the establishment of the nation. It is wondered: To what extent, in those narratives, the black and the mestizo accomplish the protagonist's role in the formation of the Brazilian identity? How do they hide an image of the black / slave? In what extent does it point to the constituent values of the Brazilian romantic ideology and, especially, of Macedo and Guimarães? This work guides the hypothesis: the romantic subject's speech, by embodying the black's image, is based on the imaginary construction of the caricature, adjusting the black slave and mestizo figures. In order to oppose those ideas and to hear a voice from within the slavery, it was chosen the poem "QUEM SOU EU ?, by Luiz Gama, which exposes the existence of the slave condition. In order to handle those interrogations, it consults the critical purposes from David Brookshaw, Zilá Bernd, Antonio Cândido, Eduardo Etzel, Silvio Romero, Gilberto Freyre. As a methodological strategy, firstly it was searched the theories which sustain the commented subjects, and later to dialogue those theories with the analysis of the corpus. The suggested hypothesis is ratified, realizing it as a form of approaching the black and mestizo, both slaves, in a relationship of preservation of the nationalist ideas of the Brazilian romanticismk. The slaveEsta dissertação propõe-se a analisar as obras Simeão, o crioulo de Joaquim Manuel de Macedo, publicada em 1869, e A Escrava Isaura de Bernardo Guimarães, publicada em 1875. Trata do estado do negro e do mestiço quando da formação identitária brasileira, no romantismo nacionalista. Para tanto, nos reportamos à base do romantismo alemão com as teorias de Rousseau, Kant e os alemães de Iena, buscando verificar o quanto o Eu romântico está voltado para sua interioridade, até chegarmos ao romantismo no Brasil que usa a literatura como instrumento político do governo, com a responsabilidade de contribuir para a formação do povo e efetivar o estabelecimento da nação. Pergunta-se: Até que ponto, nessas narrativas, o negro e o mestiço cumprem papel de protagonista na formação identitária brasileira? Como ocultam uma imagem do negro/escravo? Em que medida apontam para valores constitutivos do ideário romântico brasileiro e, em especial, de Macedo e Guimarães? Orienta este trabalho a hipótese: o discurso do sujeito romântico, ao corporificar a imagem do negro, pauta-se na construção imagética da caricatura, acomodando a figura escrava do negro e mestiço. Para contrapor essas ideias e ouvir uma voz de dentro da escravidão, elegemos o poema QUEM SOU EU? , de Luiz Gama, que expõe a vivência da condição cativa. Para dar conta desses questionamentos, recorrese às propostas críticas de David Brookshaw, Zilá Bernd, Antonio Candido, Eduardo Etzel, Silvio Romero, Gilberto Freyre. Como estratégia metodológica, buscou-se primeiro situar as teorias que sustentam as questões levantadas, e depois dialogar essas teorias com a análise do corpus. Ratifica-se a hipótese aventada, percebendoa como uma forma de abordar o negro e mestiço, ambos escravos, numa relação de preservação dos ideias nacionalistas do romantismo brasileiroCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/31044/Lidiane%20Confessor%20%20de%20Cerqueira%20Zahra.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBRLiteraturaJoaquim Manuel de MacedoSimeão, o criouloBernardo GuimarãesA Escrava IsauraLuiz GamaNegroEscravoThe blackThe slaveCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro Simeão, o crioulo and A Escrava Isaura: the blacks in the brazilian romanticisminfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTLidiane Confessor de Cerqueira Zahra.pdf.txtLidiane Confessor de Cerqueira Zahra.pdf.txtExtracted texttext/plain9264https://repositorio.pucsp.br/xmlui/bitstream/handle/14772/3/Lidiane%20Confessor%20%20de%20Cerqueira%20Zahra.pdf.txt352b1695525e56fd9aa2a8dc80d000bdMD53ORIGINALLidiane Confessor de Cerqueira Zahra.pdfapplication/pdf51566076https://repositorio.pucsp.br/xmlui/bitstream/handle/14772/1/Lidiane%20Confessor%20%20de%20Cerqueira%20Zahra.pdf419648b13f034d4b25dc4c011ded182eMD51THUMBNAILLidiane Confessor de Cerqueira Zahra.pdf.jpgLidiane Confessor de Cerqueira Zahra.pdf.jpgGenerated Thumbnailimage/jpeg1971https://repositorio.pucsp.br/xmlui/bitstream/handle/14772/2/Lidiane%20Confessor%20%20de%20Cerqueira%20Zahra.pdf.jpg22cde5edb19a653b5ac2dd7dd405da81MD52handle/147722022-04-28 12:00:06.878oai:repositorio.pucsp.br:handle/14772Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T15:00:06Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
dc.title.alternative.eng.fl_str_mv |
Simeão, o crioulo and A Escrava Isaura: the blacks in the brazilian romanticism |
title |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
spellingShingle |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro Zahra, Lidiane Confessor de Cerqueira Joaquim Manuel de Macedo Simeão, o crioulo Bernardo Guimarães A Escrava Isaura Luiz Gama Negro Escravo The black The slave CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
title_full |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
title_fullStr |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
title_full_unstemmed |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
title_sort |
Simeão, o crioulo e A Escrava Isaura: o negro no romantismo brasileiro |
author |
Zahra, Lidiane Confessor de Cerqueira |
author_facet |
Zahra, Lidiane Confessor de Cerqueira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Junqueira, Maria Aparecida |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8788310T8 |
dc.contributor.author.fl_str_mv |
Zahra, Lidiane Confessor de Cerqueira |
contributor_str_mv |
Junqueira, Maria Aparecida |
dc.subject.por.fl_str_mv |
Joaquim Manuel de Macedo Simeão, o crioulo Bernardo Guimarães A Escrava Isaura Luiz Gama Negro Escravo |
topic |
Joaquim Manuel de Macedo Simeão, o crioulo Bernardo Guimarães A Escrava Isaura Luiz Gama Negro Escravo The black The slave CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
The black The slave |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
This essay intends to analyze the readers "Simeão, o crioulo", by Joaquim Manuel de Macedo, published in 1869, and A Escrava Isaura, by Bernardo Guimarães, published in 1875. They report the black and the mestizo´s conditions when forming the Brazilian identity, in the nationalist romanticism. For this purpose, we referred ourselves to the base of the German romanticism with the theories of Rousseau, Kant and the Germans of Iena, pursuing to verify how much as the I romantic is toward to its inwardness, until we approach the romanticism in Brazil which uses the literature as the government's political instrument, with the responsibility to contribute for the formation of the people and to execute the establishment of the nation. It is wondered: To what extent, in those narratives, the black and the mestizo accomplish the protagonist's role in the formation of the Brazilian identity? How do they hide an image of the black / slave? In what extent does it point to the constituent values of the Brazilian romantic ideology and, especially, of Macedo and Guimarães? This work guides the hypothesis: the romantic subject's speech, by embodying the black's image, is based on the imaginary construction of the caricature, adjusting the black slave and mestizo figures. In order to oppose those ideas and to hear a voice from within the slavery, it was chosen the poem "QUEM SOU EU ?, by Luiz Gama, which exposes the existence of the slave condition. In order to handle those interrogations, it consults the critical purposes from David Brookshaw, Zilá Bernd, Antonio Cândido, Eduardo Etzel, Silvio Romero, Gilberto Freyre. As a methodological strategy, firstly it was searched the theories which sustain the commented subjects, and later to dialogue those theories with the analysis of the corpus. The suggested hypothesis is ratified, realizing it as a form of approaching the black and mestizo, both slaves, in a relationship of preservation of the nationalist ideas of the Brazilian romanticismk. The slave |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-12-18 |
dc.date.accessioned.fl_str_mv |
2016-04-28T19:58:57Z |
dc.date.available.fl_str_mv |
2016-02-16 |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Zahra, Lidiane Confessor de Cerqueira. Simeão, o crioulo and A Escrava Isaura: the blacks in the brazilian romanticism. 2015. 129 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/14772 |
identifier_str_mv |
Zahra, Lidiane Confessor de Cerqueira. Simeão, o crioulo and A Escrava Isaura: the blacks in the brazilian romanticism. 2015. 129 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
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https://tede2.pucsp.br/handle/handle/14772 |
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