Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/19972 |
Resumo: | The central purpose of this work is to make a reflection about the construct of the term miscegenation in the book Tent of Miracles (1969), written by Jorge Amado, and then find and cross multiple contributions intellectual, affective and empirical that may have influenced in the elaboration of the discourse evidenced in the literary text. So, the author's life is taken as research source. We understand his artistic elaboration as an esthetic experimentation that emerges from – and remits to – a specific social context that he lived. Also, we focus mainly on the concepts about miscegenation that emerge in the literary text itself, making Tent of Miracles our primordial source. Considering the multiple significances of the term miscegenation in historiography, we are focusing in its use on the literary object, taking into account the significances and concepts that this term has acquired in different times and places. We point the closer relation between the construct of miscegenation and literary representations of the city of Salvador in Tent. We analyses the microcosms of the city represented and its relation with the idea of miscegenation present in the text. The objective is to identify and understand, in the literary work, vestiges of possible overviews of historical conjunctures. Here, we understand literature like a possible document for historical research, taking into account the subjectivities present in an artistic document. Also, we think important to understand and discuss historical functions of Tent of Miracles – like pointed by Antonio Candido, who identifies this function in the literary structure, considering that this one has direct relations with author significances about the place where the literary piece is conceived, a relevant aspect, considering that the place that has inspired Amado was the same the novel is set in. We point out that Tent presents us refracted images of Jorge Amado’s living between black people, frequenting territories and having experiences in Salvador. This fact brings some elements that problematize the historiographic formulation about Amado like an author who exalted the miscegenation like a way of racial pacification. This research proposes to think about an author facet, analyzing it from his own creation, not looking for answers established of the history in the literature, or the opposite, but trying to find signs of feedback between history and literature – an approach that presents us to subjects, overviews, ruptures and historical continuities |
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Avelino, Yvone Diashttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8565678U6Esteves, Felipe Eugênio de Leão2017-04-10T17:33:10Z2017-03-10Esteves, Felipe Eugênio de Leão. Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado. 2017. 162 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/19972The central purpose of this work is to make a reflection about the construct of the term miscegenation in the book Tent of Miracles (1969), written by Jorge Amado, and then find and cross multiple contributions intellectual, affective and empirical that may have influenced in the elaboration of the discourse evidenced in the literary text. So, the author's life is taken as research source. We understand his artistic elaboration as an esthetic experimentation that emerges from – and remits to – a specific social context that he lived. Also, we focus mainly on the concepts about miscegenation that emerge in the literary text itself, making Tent of Miracles our primordial source. Considering the multiple significances of the term miscegenation in historiography, we are focusing in its use on the literary object, taking into account the significances and concepts that this term has acquired in different times and places. We point the closer relation between the construct of miscegenation and literary representations of the city of Salvador in Tent. We analyses the microcosms of the city represented and its relation with the idea of miscegenation present in the text. The objective is to identify and understand, in the literary work, vestiges of possible overviews of historical conjunctures. Here, we understand literature like a possible document for historical research, taking into account the subjectivities present in an artistic document. Also, we think important to understand and discuss historical functions of Tent of Miracles – like pointed by Antonio Candido, who identifies this function in the literary structure, considering that this one has direct relations with author significances about the place where the literary piece is conceived, a relevant aspect, considering that the place that has inspired Amado was the same the novel is set in. We point out that Tent presents us refracted images of Jorge Amado’s living between black people, frequenting territories and having experiences in Salvador. This fact brings some elements that problematize the historiographic formulation about Amado like an author who exalted the miscegenation like a way of racial pacification. This research proposes to think about an author facet, analyzing it from his own creation, not looking for answers established of the history in the literature, or the opposite, but trying to find signs of feedback between history and literature – an approach that presents us to subjects, overviews, ruptures and historical continuitiesEsta dissertação tem como proposta central refletir sobre o construto do termo mestiçagem na obra Tenda dos Milagres (1969), de Jorge Amado, e com isso descortinar e intercruzar as diversas contribuições intelectuais, afetivas e empíricas na elaboração de um discurso evidenciado em texto literário. Projetamos, assim, o autor como fonte da pesquisa, entendendo sua elaboração artística como um se lançar estético que – emerge de e remete a – um fazer social, ao tempo que focamos atenção no uso do termo mestiçagem no interior literário, nas tramas de seu texto, portanto, em Tenda dos Milagres como fonte primeira. Diante do valor polissêmico deste termo na historiografia, atentamos para a sua substância no interior do objeto literário, considerando os significados moldados do seu uso entre os variados sujeitos, tempos e lugares. Constata-se, portanto, a estreita relação deste construto discursivo com as representações associadas à cidade de Salvador na obra literária, bem como a função da cidade na condição de palco de vivência do autor, o que motiva a análise dos microcosmos construídos por essas representações na modelagem da ideia de mestiçagem no texto. Como em caminho contrário, pelo objeto artístico chegar ao autor, que mediou as estruturas entre o universal e o subjetivo, objetiva-se investigar os rastros que possam nos apontar panoramas de conjunturas históricas a partir da peça literária. Compreende-se, dessa forma, a literatura como documento possível a ser aferido na pesquisa histórica se abordado por uma metodologia que considere as subjetividades de um documento artístico. É imprescindível entender, sobretudo, as funções históricas as quais Tenda dos Milagres cumpre enquanto fonte de aferição para a historiografia – como aborda Antonio Candido, que identifica essa função na própria estrutura literária, a qual tem relação direta com as significações do autor sobre o lugar onde a obra foi gestada, observação que se reforça nesta fonte, uma vez que o lugar embrionário da obra é o mesmo que ambienta a trama ficcional. Destacamos que o romance nos apresentou imagens refratadas de uma vivência presente no interior da cultura negra baiana, em seus territórios e em suas práticas; e essa percepção traz elementos que problematizam, sem negar, a formulação historiográfica sobre Jorge Amado que o referencia como um autor que exaltou a mestiçagem como via de entendimentos raciais. A pesquisa se dá a repensar uma faceta do escritor através de sua própria criação, não procurando respostas cimentadas da história na literatura ou o contrário, mas encontrando indícios de retroalimentação entre estes campos, o que nos apresenta articulações entre sujeitos, panoramas, rupturas e continuidades históricasConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/41908/Felipe%20Eug%c3%aanio%20de%20Le%c3%a3o%20Esteves.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBrasilFaculdade de Ciências SociaisMestiçagem na literaturaAmado, Jorge [1912-2001] - Tenda dos milagres - Crítica e interpretaçãoNegros - Bahia, BAMiscegenationTent of MiracleBlacknessCNPQ::CIENCIAS HUMANAS::HISTORIADo negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amadoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTFelipe Eugênio de Leão Esteves.pdf.txtFelipe Eugênio de Leão Esteves.pdf.txtExtracted texttext/plain508019https://repositorio.pucsp.br/xmlui/bitstream/handle/19972/4/Felipe%20Eug%c3%aanio%20de%20Le%c3%a3o%20Esteves.pdf.txt2f03b164bbb3ada7e00b0822c8093ae1MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
title |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
spellingShingle |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado Esteves, Felipe Eugênio de Leão Mestiçagem na literatura Amado, Jorge [1912-2001] - Tenda dos milagres - Crítica e interpretação Negros - Bahia, BA Miscegenation Tent of Miracle Blackness CNPQ::CIENCIAS HUMANAS::HISTORIA |
title_short |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
title_full |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
title_fullStr |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
title_full_unstemmed |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
title_sort |
Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado |
author |
Esteves, Felipe Eugênio de Leão |
author_facet |
Esteves, Felipe Eugênio de Leão |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Avelino, Yvone Dias |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8565678U6 |
dc.contributor.author.fl_str_mv |
Esteves, Felipe Eugênio de Leão |
contributor_str_mv |
Avelino, Yvone Dias |
dc.subject.por.fl_str_mv |
Mestiçagem na literatura Amado, Jorge [1912-2001] - Tenda dos milagres - Crítica e interpretação Negros - Bahia, BA |
topic |
Mestiçagem na literatura Amado, Jorge [1912-2001] - Tenda dos milagres - Crítica e interpretação Negros - Bahia, BA Miscegenation Tent of Miracle Blackness CNPQ::CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Miscegenation Tent of Miracle Blackness |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::HISTORIA |
description |
The central purpose of this work is to make a reflection about the construct of the term miscegenation in the book Tent of Miracles (1969), written by Jorge Amado, and then find and cross multiple contributions intellectual, affective and empirical that may have influenced in the elaboration of the discourse evidenced in the literary text. So, the author's life is taken as research source. We understand his artistic elaboration as an esthetic experimentation that emerges from – and remits to – a specific social context that he lived. Also, we focus mainly on the concepts about miscegenation that emerge in the literary text itself, making Tent of Miracles our primordial source. Considering the multiple significances of the term miscegenation in historiography, we are focusing in its use on the literary object, taking into account the significances and concepts that this term has acquired in different times and places. We point the closer relation between the construct of miscegenation and literary representations of the city of Salvador in Tent. We analyses the microcosms of the city represented and its relation with the idea of miscegenation present in the text. The objective is to identify and understand, in the literary work, vestiges of possible overviews of historical conjunctures. Here, we understand literature like a possible document for historical research, taking into account the subjectivities present in an artistic document. Also, we think important to understand and discuss historical functions of Tent of Miracles – like pointed by Antonio Candido, who identifies this function in the literary structure, considering that this one has direct relations with author significances about the place where the literary piece is conceived, a relevant aspect, considering that the place that has inspired Amado was the same the novel is set in. We point out that Tent presents us refracted images of Jorge Amado’s living between black people, frequenting territories and having experiences in Salvador. This fact brings some elements that problematize the historiographic formulation about Amado like an author who exalted the miscegenation like a way of racial pacification. This research proposes to think about an author facet, analyzing it from his own creation, not looking for answers established of the history in the literature, or the opposite, but trying to find signs of feedback between history and literature – an approach that presents us to subjects, overviews, ruptures and historical continuities |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-04-10T17:33:10Z |
dc.date.issued.fl_str_mv |
2017-03-10 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Esteves, Felipe Eugênio de Leão. Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado. 2017. 162 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/19972 |
identifier_str_mv |
Esteves, Felipe Eugênio de Leão. Do negro ao mestiço: os contornos da mestiçagem em Tenda dos Milagres de Jorge Amado. 2017. 162 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
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https://tede2.pucsp.br/handle/handle/19972 |
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Brasil |
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Faculdade de Ciências Sociais |
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Pontifícia Universidade Católica de São Paulo |
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