Cultura Hip-Hop e Serviço Social: a arte como superação da invisibilidade social da juventude periférica

• Autor(a) principal: Arruda, Daniel Péricles
• Data de Publicação: 2017
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/20093
• topic: Serviço Social com a juventude; Hip-Hop (Cultura popular) - Brasil; Juventude na arte; Social Sork with youth; Hip-Hop Culture; Youth in art; CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL

This thesis aims to offer a critical reading about the interfaces between art and the social invisibility of the peripheral youth and offer a construction of knowledge in/to the area, mainly for Social Work. As far as art is concerned, in the critical perspective, we emphasize hip-hop culture as one of the most significant artistic modalities for the peripheral youth. For the accomplishment of this study, the bibliographic analysis on the subject was important, as well as the analysis of songs, poetry, films, documentaries and reports. This research is based on the Marxian legacy and the Marxist tradition, however, it does not deny important contributions from other theoretical matrices consistent with this approach. It is a qualitative study (with the presentation of quantitative data), through oral history, focusing on data collected from an interviewed group of individuals. For this, three people who belong to the hip-hop culture were interviewed. Two young people with an average age of 26.5 years - both living in the district of Brasilândia, in the North Zone of São Paulo / SP -, and one individual about 50 years old - who lives in São Bernardo do Campo / SP, whom is a well known figure in national and international scopes because of his militancy in the hip-hop culture. The interviews conducted with the two people who live in Brasilândia aimed to understand how they experience art in their life trajectory and their daily experience in the community where they live. The interview with the Sao Bernardo resident was focused on understanding his early life and his current practice with youth, through the hip-hop culture. The analytic course demonstrated that hip-hop culture presents significant elements for Social Work and that overcoming social invisibility through art is possible from the moment it is related to culture through daily relationships built from significant territorial sociabilities