O novo tempo do Afrobeat: expressões musicais e identidades negras

Detalhes bibliográficos
Autor(a) principal: Amaral, Raphael Fernando
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/21316
Resumo: The present research aims to understande the influences of afrobeat, nigerian musical style, and its main creator, the musician Fela Kuti, concerning emergente musical productions in the urban context at contemporary Brazil. The central scope of the research consists on how musicians and activists have taken the afrobeat as a stylistic and aesthetic reference. Through the analysis of phonographic production and cultural activities it’s noticed that the afrobeat music bacame a new basis for identity and musical dialogue. It explores also the political clashes around the incorporation of afrobeat into different social and ethnic extracts. It is also emphasized that through this style, a new black and young affirmation has been made in the context of the metropolis’ peripheries in Brazil. Inserted in the Cultural Studies, this investigation’s relevance stems from the fact that, with the afrobeat, it is possible to understand certain facets about how occur the cultural movements, identity reconfigurations and a new formations of subjectivities between Africa and America by the routes of the black diaspora
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spelling Azevedo, Amailton Magnohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8492224U5Amaral, Raphael Fernando2018-08-08T11:30:29Z2018-06-22Amaral, Raphael Fernando. O novo tempo do Afrobeat: expressões musicais e identidades negras. 2018. 166 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.https://tede2.pucsp.br/handle/handle/21316The present research aims to understande the influences of afrobeat, nigerian musical style, and its main creator, the musician Fela Kuti, concerning emergente musical productions in the urban context at contemporary Brazil. The central scope of the research consists on how musicians and activists have taken the afrobeat as a stylistic and aesthetic reference. Through the analysis of phonographic production and cultural activities it’s noticed that the afrobeat music bacame a new basis for identity and musical dialogue. It explores also the political clashes around the incorporation of afrobeat into different social and ethnic extracts. It is also emphasized that through this style, a new black and young affirmation has been made in the context of the metropolis’ peripheries in Brazil. Inserted in the Cultural Studies, this investigation’s relevance stems from the fact that, with the afrobeat, it is possible to understand certain facets about how occur the cultural movements, identity reconfigurations and a new formations of subjectivities between Africa and America by the routes of the black diasporaA presente pesquisa tem como objetivo compreender as influências do afrobeat, estilo musical nigeriano, e de seu principal criador, o músico Fela Kuti, sobre as produções musicais emergentes no contexto urbano no Brasil contemporâneo. O escopo central da pesquisa consiste no modo como músicos e ativistas tomaram o afrobeat como referência estilística e estética. Por meio da análise da produção fonográfica e de atividades culturais se percebe que a música afrobeat se tornou uma nova base de diálogo musical e identitário. Explora, também, os embates políticos em torno da incorporação do afrobeat em diferentes extratos sociais e étnicos. Destaca que, por meio desse estilo, uma nova afirmação negra e jovem se fez no contexto das periferias das metrópoles no Brasil. Inserida nos Estudos Culturais, a relevância dessa investigação decorre do fato que, com o afrobeat, é possível compreender determinadas facetas sobre como ocorrem as movimentações culturais, reconfigurações identitárias e a formação de novas subjetividades entre a África e a América pelas rotas da diáspora negraConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/46323/Raphael%20Fernando%20Amaral.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBrasilFaculdade de Ciências SociaisAfrobeatFela KutiDiáspora AfricanaCultura afro-brasileira – HistóriaMúsica popular - Brasil - Influências africanasAfrobeatFela KutiAfrican diásporaAfrobrazilian culture - HistoryPopular music - Brazill - African influencesCNPQ::CIENCIAS HUMANAS::HISTORIAO novo tempo do Afrobeat: expressões musicais e identidades negrasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRaphael Fernando Amaral.pdf.txtRaphael Fernando Amaral.pdf.txtExtracted texttext/plain379892https://repositorio.pucsp.br/xmlui/bitstream/handle/21316/4/Raphael%20Fernando%20Amaral.pdf.txt4f0481d490befb5153d90a828f702243MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv O novo tempo do Afrobeat: expressões musicais e identidades negras
title O novo tempo do Afrobeat: expressões musicais e identidades negras
spellingShingle O novo tempo do Afrobeat: expressões musicais e identidades negras
Amaral, Raphael Fernando
Afrobeat
Fela Kuti
Diáspora Africana
Cultura afro-brasileira – História
Música popular - Brasil - Influências africanas
Afrobeat
Fela Kuti
African diáspora
Afrobrazilian culture - History
Popular music - Brazill - African influences
CNPQ::CIENCIAS HUMANAS::HISTORIA
title_short O novo tempo do Afrobeat: expressões musicais e identidades negras
title_full O novo tempo do Afrobeat: expressões musicais e identidades negras
title_fullStr O novo tempo do Afrobeat: expressões musicais e identidades negras
title_full_unstemmed O novo tempo do Afrobeat: expressões musicais e identidades negras
title_sort O novo tempo do Afrobeat: expressões musicais e identidades negras
author Amaral, Raphael Fernando
author_facet Amaral, Raphael Fernando
author_role author
dc.contributor.advisor1.fl_str_mv Azevedo, Amailton Magno
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8492224U5
dc.contributor.author.fl_str_mv Amaral, Raphael Fernando
contributor_str_mv Azevedo, Amailton Magno
dc.subject.por.fl_str_mv Afrobeat
Fela Kuti
Diáspora Africana
topic Afrobeat
Fela Kuti
Diáspora Africana
Cultura afro-brasileira – História
Música popular - Brasil - Influências africanas
Afrobeat
Fela Kuti
African diáspora
Afrobrazilian culture - History
Popular music - Brazill - African influences
CNPQ::CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Cultura afro-brasileira – História
Música popular - Brasil - Influências africanas
Afrobeat
Fela Kuti
African diáspora
Afrobrazilian culture - History
Popular music - Brazill - African influences
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::HISTORIA
description The present research aims to understande the influences of afrobeat, nigerian musical style, and its main creator, the musician Fela Kuti, concerning emergente musical productions in the urban context at contemporary Brazil. The central scope of the research consists on how musicians and activists have taken the afrobeat as a stylistic and aesthetic reference. Through the analysis of phonographic production and cultural activities it’s noticed that the afrobeat music bacame a new basis for identity and musical dialogue. It explores also the political clashes around the incorporation of afrobeat into different social and ethnic extracts. It is also emphasized that through this style, a new black and young affirmation has been made in the context of the metropolis’ peripheries in Brazil. Inserted in the Cultural Studies, this investigation’s relevance stems from the fact that, with the afrobeat, it is possible to understand certain facets about how occur the cultural movements, identity reconfigurations and a new formations of subjectivities between Africa and America by the routes of the black diaspora
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-08-08T11:30:29Z
dc.date.issued.fl_str_mv 2018-06-22
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Amaral, Raphael Fernando. O novo tempo do Afrobeat: expressões musicais e identidades negras. 2018. 166 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/21316
identifier_str_mv Amaral, Raphael Fernando. O novo tempo do Afrobeat: expressões musicais e identidades negras. 2018. 166 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
url https://tede2.pucsp.br/handle/handle/21316
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em História
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
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institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
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