Ueinzz: acontecimento e conexão
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/22015 |
Resumo: | This work proposes to reflect on a common and singular space of collective creation of Cia. Teatral Ueinzz’ processes. Collective creation refers to a mode of working without a director, practiced by the group in recent years. It is investigated practices in the expanded field of art and clinic, in various collaborations, on the attempts of construction and operation of a collective, based on heterogeneity and difference. It weaves. Disaster, exhaustion, mark this collective creation not as a beginning, but as a means. Demolitions of language, gaps, oblivion, discontinuities are characteristic of the group’s work in process (the process as work). The notions of error, failure, and fail, have their values transmuted from colloquial usage. A singular presence, which resists interpretation, gains status of event. The event is itself a space-time of transmutation, of passage. In its duration, a thought of the theater is produced. It is proposed that the singularity of this machine of various subjects together is a kind of creative connection between the participants, which actualizes such a presence. Vulnerability and fragilization, understood as forms of resistance, enable this type of connection. The connection is made up of shared affections, which enables the event be understood as coemergence and differentiation. Finally, the oswaldian anthropophagy is taken to think joy and lightness, characteristics of some of the multiple layers experienced in the Ueinzz Company, in its constant movement: the altering experience, mark of the vital desiring production. A singular and non-individualizing mode of subjectivity offers the notion of collective creation a new terrain. From this experience, it’s presented subsidies for the reflection of the various current collective machines |
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Pelbart, Peter Pálhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4778254Z9Carvalhaes, Ana Goldenstein2019-03-25T12:31:39Z2019-02-22Carvalhaes, Ana Goldenstein. Ueinzz: acontecimento e conexão. 2019. 394 f. Tese (Doutorado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.https://tede2.pucsp.br/handle/handle/22015This work proposes to reflect on a common and singular space of collective creation of Cia. Teatral Ueinzz’ processes. Collective creation refers to a mode of working without a director, practiced by the group in recent years. It is investigated practices in the expanded field of art and clinic, in various collaborations, on the attempts of construction and operation of a collective, based on heterogeneity and difference. It weaves. Disaster, exhaustion, mark this collective creation not as a beginning, but as a means. Demolitions of language, gaps, oblivion, discontinuities are characteristic of the group’s work in process (the process as work). The notions of error, failure, and fail, have their values transmuted from colloquial usage. A singular presence, which resists interpretation, gains status of event. The event is itself a space-time of transmutation, of passage. In its duration, a thought of the theater is produced. It is proposed that the singularity of this machine of various subjects together is a kind of creative connection between the participants, which actualizes such a presence. Vulnerability and fragilization, understood as forms of resistance, enable this type of connection. The connection is made up of shared affections, which enables the event be understood as coemergence and differentiation. Finally, the oswaldian anthropophagy is taken to think joy and lightness, characteristics of some of the multiple layers experienced in the Ueinzz Company, in its constant movement: the altering experience, mark of the vital desiring production. A singular and non-individualizing mode of subjectivity offers the notion of collective creation a new terrain. From this experience, it’s presented subsidies for the reflection of the various current collective machinesEste texto se propõe a refletir sobre um espaço comum e singular de criação coletiva nos processos da Cia. Teatral Ueinzz. A criação coletiva refere-se a um modo de trabalhar sem diretor, que vem sendo praticado pelo grupo nos últimos anos. Investiga- se aqui práticas no campo da arte e da clínica expandidas, assim como diversas formas de cocriação, vivenciadas nas tentativas de construção e de operação de um coletivo que se apoia na heterogeneidade e na diferença. Trama-se. O desastre, o esgotamento, marcam essa criação coletiva não como início, mas como meio. As demolições da linguagem, as fendas, o esquecimento, as descontinuidades são características do work in process (o processo como obra) do grupo. As noções de erro, falha e fracasso, têm seus valores transmutados do uso coloquial. Certa presença singular, que resiste à interpretação, ganha neste percurso o estatuto de acontecimento. O acontecimento é ele mesmo um espaço-tempo de transmutação, de passagem. Em sua duração, se produz também um pensamento do teatro. Propõe-se que a singularidade dessa máquina de criação de várias pessoas juntas se dá em função de um tipo de conexão criativa que ocorre entre os participantes, que atualiza tal presença. Vulnerabilidade e fragilização, entendidas como formas de resistência, viabilizam esse tipo de conexão. A conexão é feita de afetos compartilhados, o que faz entendermos o acontecimento como coemergência e diferenciação. Por fim, a antropofagia oswaldiana é retomada para pensar alegria e leveza, características de algumas das múltiplas camadas vivenciadas na Cia. Ueinzz, em seu movimento constante: a experiência alteradora, marca da produção desejante e vital. Um modo de subjetivação singular e não individualizante, oferece à noção de criação coletiva (ou cocriação) um novo relevo. A partir desta experiência, apresentam-se subsídios para a reflexão sobre as diversas máquinas coletivas atuaisCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/48530/Ana%20Goldenstein%20Carvalhaes.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Psicologia: Psicologia ClínicaPUC-SPBrasilFaculdade de Ciências Humanas e da SaúdeCia. Tetral UeinzzTeatro - Aspectos psicológicosConexãoTheater - Psychological aspectsConnectionCNPQ::CIENCIAS HUMANAS::PSICOLOGIAUeinzz: acontecimento e conexãoUeinzz: event and connectioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAna Goldenstein Carvalhaes.pdf.txtAna Goldenstein Carvalhaes.pdf.txtExtracted texttext/plain630077https://repositorio.pucsp.br/xmlui/bitstream/handle/22015/4/Ana%20Goldenstein%20Carvalhaes.pdf.txt397f0c26027d8dc5c74d6589fb5c4feaMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/22015/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALAna Goldenstein Carvalhaes.pdfAna Goldenstein Carvalhaes.pdfapplication/pdf10603174https://repositorio.pucsp.br/xmlui/bitstream/handle/22015/2/Ana%20Goldenstein%20Carvalhaes.pdf7578c611401c663e1c0cafc2d756f78dMD52THUMBNAILAna Goldenstein Carvalhaes.pdf.jpgAna Goldenstein Carvalhaes.pdf.jpgGenerated Thumbnailimage/jpeg3246https://repositorio.pucsp.br/xmlui/bitstream/handle/22015/3/Ana%20Goldenstein%20Carvalhaes.pdf.jpgf18aaca6f1580f1bd3375b7fb1aed6e6MD53handle/220152022-04-28 06:59:15.459oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T09:59:15Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Ueinzz: acontecimento e conexão |
dc.title.alternative.eng.fl_str_mv |
Ueinzz: event and connection |
title |
Ueinzz: acontecimento e conexão |
spellingShingle |
Ueinzz: acontecimento e conexão Carvalhaes, Ana Goldenstein Cia. Tetral Ueinzz Teatro - Aspectos psicológicos Conexão Theater - Psychological aspects Connection CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
title_short |
Ueinzz: acontecimento e conexão |
title_full |
Ueinzz: acontecimento e conexão |
title_fullStr |
Ueinzz: acontecimento e conexão |
title_full_unstemmed |
Ueinzz: acontecimento e conexão |
title_sort |
Ueinzz: acontecimento e conexão |
author |
Carvalhaes, Ana Goldenstein |
author_facet |
Carvalhaes, Ana Goldenstein |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pelbart, Peter Pál |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4778254Z9 |
dc.contributor.author.fl_str_mv |
Carvalhaes, Ana Goldenstein |
contributor_str_mv |
Pelbart, Peter Pál |
dc.subject.por.fl_str_mv |
Cia. Tetral Ueinzz Teatro - Aspectos psicológicos Conexão |
topic |
Cia. Tetral Ueinzz Teatro - Aspectos psicológicos Conexão Theater - Psychological aspects Connection CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
dc.subject.eng.fl_str_mv |
Theater - Psychological aspects Connection |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
description |
This work proposes to reflect on a common and singular space of collective creation of Cia. Teatral Ueinzz’ processes. Collective creation refers to a mode of working without a director, practiced by the group in recent years. It is investigated practices in the expanded field of art and clinic, in various collaborations, on the attempts of construction and operation of a collective, based on heterogeneity and difference. It weaves. Disaster, exhaustion, mark this collective creation not as a beginning, but as a means. Demolitions of language, gaps, oblivion, discontinuities are characteristic of the group’s work in process (the process as work). The notions of error, failure, and fail, have their values transmuted from colloquial usage. A singular presence, which resists interpretation, gains status of event. The event is itself a space-time of transmutation, of passage. In its duration, a thought of the theater is produced. It is proposed that the singularity of this machine of various subjects together is a kind of creative connection between the participants, which actualizes such a presence. Vulnerability and fragilization, understood as forms of resistance, enable this type of connection. The connection is made up of shared affections, which enables the event be understood as coemergence and differentiation. Finally, the oswaldian anthropophagy is taken to think joy and lightness, characteristics of some of the multiple layers experienced in the Ueinzz Company, in its constant movement: the altering experience, mark of the vital desiring production. A singular and non-individualizing mode of subjectivity offers the notion of collective creation a new terrain. From this experience, it’s presented subsidies for the reflection of the various current collective machines |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-03-25T12:31:39Z |
dc.date.issued.fl_str_mv |
2019-02-22 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Carvalhaes, Ana Goldenstein. Ueinzz: acontecimento e conexão. 2019. 394 f. Tese (Doutorado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/22015 |
identifier_str_mv |
Carvalhaes, Ana Goldenstein. Ueinzz: acontecimento e conexão. 2019. 394 f. Tese (Doutorado em Psicologia: Psicologia Clínica) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
url |
https://tede2.pucsp.br/handle/handle/22015 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica |
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PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Humanas e da Saúde |
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Pontifícia Universidade Católica de São Paulo |
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