A épura, a imagem real do romance, no contemporâneo
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/23432 |
Resumo: | The contemporary novel has challenged, with its fragmentation and decentered narrative, researchers and theorists. The genre reflects tridimensional images arranged as an epura in its narratives. This tridimensionality of the narrative consists in an architectural aspect that, within tensile forces, apparently paradoxical, however aporetic, demand a deep research on its development. Simoultaneous to the questioning to the image of the epura, is the image of the „real‟ (as an object) of the novel, that we tried to underline the archi-narrative space of our corpus. The main objective of this thesis is to decipher how the epura is built, how the „real‟ image is built in the novel. This investigative research has an archeological-historical and conceptual-theoretical feature in that it analyses the development of the novel from its origin and scrutinizes the theories in which the genre is based. Analyzed in a systematic way is the narrative structure and the introduction of the narrator – angelus, their field of action, the modalization of the voices –showing and telling, besides its composition and conformation within the dialectic of the voices; the ones who draw the „real‟ image of ficcional prose – novel . The domain of authors and literary works that gave theoretical support to this thesis was wide, for this reason, we chose to cite the ones who most influenced this research: Jacyntho Lins Brandão, Luiz Cozta Lima, Wolfgang Iser, Mikhail Bakhtin and Norman Friedman. This process of analysis and investigative research has as a result the finding that in the narrative process- the tridimentional image – the real – the epura is a narrative artifice in the contemporary novel |
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Palo, Maria Joséhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8712110U0Lemos, Sandra Maria Fontinha de2021-01-19T12:59:20Z2020-11-16Lemos, Sandra Maria Fontinha de. A épura, a imagem real do romance, no contemporâneo. 2020. 243 f. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.https://tede2.pucsp.br/handle/handle/23432The contemporary novel has challenged, with its fragmentation and decentered narrative, researchers and theorists. The genre reflects tridimensional images arranged as an epura in its narratives. This tridimensionality of the narrative consists in an architectural aspect that, within tensile forces, apparently paradoxical, however aporetic, demand a deep research on its development. Simoultaneous to the questioning to the image of the epura, is the image of the „real‟ (as an object) of the novel, that we tried to underline the archi-narrative space of our corpus. The main objective of this thesis is to decipher how the epura is built, how the „real‟ image is built in the novel. This investigative research has an archeological-historical and conceptual-theoretical feature in that it analyses the development of the novel from its origin and scrutinizes the theories in which the genre is based. Analyzed in a systematic way is the narrative structure and the introduction of the narrator – angelus, their field of action, the modalization of the voices –showing and telling, besides its composition and conformation within the dialectic of the voices; the ones who draw the „real‟ image of ficcional prose – novel . The domain of authors and literary works that gave theoretical support to this thesis was wide, for this reason, we chose to cite the ones who most influenced this research: Jacyntho Lins Brandão, Luiz Cozta Lima, Wolfgang Iser, Mikhail Bakhtin and Norman Friedman. This process of analysis and investigative research has as a result the finding that in the narrative process- the tridimentional image – the real – the epura is a narrative artifice in the contemporary novelO romance contemporâneo tem desafiado, com sua fragmentação e sua narrativa descentrada, estudiosos e teóricos. O gênero reflete, hoje, em suas narrativas, imagens tridimensionadas dispostas em épura. Essa tridimensionalidade narrativa consiste numa arquitetônica que, entre forças tensoras, aparentemente paradoxais, no entanto, aporéticas, exige uma investigação de desenvolvimento. A partir do questionamento da imagem épura, da imagem real (como objeto) do romance, no contemporâneo, e das hipóteses aventadas, buscou-se entender a arquinarrativa da escritura, do corpus analisado, e decifrar como se forma a épura – a imagem real do romance, um artifício ficcional. Nessa busca, analisamos os romances A Desumanização, Terra de neve, O sol se põe em São Paulo, Desgraça e Crônica de um vendedor de sangue. A pesquisa investigativa de caráter arqueológico - histórico e teórico-conceitual, analisa o desenvolvimento do romance, a partir de sua origem e perscruta a teoria, na qual se funda o gênero, a teoria que aborda o aspecto ficcional. Analisamos de forma sistemática o aspecto narrativo, a introdução do ângelus-e- narrador e seu campo de ação, suas modalizações como mostrar - showing e contar – telling, além da composição e conformação dialética das vozes, que desenham a imagem real ficcional. A seara de autores e trabalhos que deram suporte teórico a esta tese foi vasta, assim, citamos os teóricos que mais influenciaram esta pesquisa: Jacyntho Lins Brandão, Luiz Costa Lima, Wolfgang Iser, Norman Friedman e Mikhail Bakhtin. Esse processo de pesquisa investigativa e análise teórica teve como resultado a constatação do processo fabular da formação da imagem tridimensional real, a épura, como um artifício do romance contemporâneo. O conhecimento adquirido, a partir da pesquisa e análise do corpus, proporciona um novo recorte de análise do romance, no contemporâneoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/53019/Sandra%20Maria%20Fontinha%20de%20Lemos.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesRealÉpuraVozesShowing- TellingAngelusVoicesCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAA épura, a imagem real do romance, no contemporâneoThe epura, a real image of the novel, in the contemporaryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTSandra Maria Fontinha de Lemos.pdf.txtSandra Maria Fontinha de Lemos.pdf.txtExtracted texttext/plain599800https://repositorio.pucsp.br/xmlui/bitstream/handle/23432/4/Sandra%20Maria%20Fontinha%20de%20Lemos.pdf.txtd4501233f0dbe7f47500cfb85bf8795fMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
A épura, a imagem real do romance, no contemporâneo |
dc.title.alternative.eng.fl_str_mv |
The epura, a real image of the novel, in the contemporary |
title |
A épura, a imagem real do romance, no contemporâneo |
spellingShingle |
A épura, a imagem real do romance, no contemporâneo Lemos, Sandra Maria Fontinha de Real Épura Vozes Showing- Telling Angelus Voices CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
A épura, a imagem real do romance, no contemporâneo |
title_full |
A épura, a imagem real do romance, no contemporâneo |
title_fullStr |
A épura, a imagem real do romance, no contemporâneo |
title_full_unstemmed |
A épura, a imagem real do romance, no contemporâneo |
title_sort |
A épura, a imagem real do romance, no contemporâneo |
author |
Lemos, Sandra Maria Fontinha de |
author_facet |
Lemos, Sandra Maria Fontinha de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Palo, Maria José |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8712110U0 |
dc.contributor.author.fl_str_mv |
Lemos, Sandra Maria Fontinha de |
contributor_str_mv |
Palo, Maria José |
dc.subject.por.fl_str_mv |
Real Épura Vozes |
topic |
Real Épura Vozes Showing- Telling Angelus Voices CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Showing- Telling Angelus Voices |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
The contemporary novel has challenged, with its fragmentation and decentered narrative, researchers and theorists. The genre reflects tridimensional images arranged as an epura in its narratives. This tridimensionality of the narrative consists in an architectural aspect that, within tensile forces, apparently paradoxical, however aporetic, demand a deep research on its development. Simoultaneous to the questioning to the image of the epura, is the image of the „real‟ (as an object) of the novel, that we tried to underline the archi-narrative space of our corpus. The main objective of this thesis is to decipher how the epura is built, how the „real‟ image is built in the novel. This investigative research has an archeological-historical and conceptual-theoretical feature in that it analyses the development of the novel from its origin and scrutinizes the theories in which the genre is based. Analyzed in a systematic way is the narrative structure and the introduction of the narrator – angelus, their field of action, the modalization of the voices –showing and telling, besides its composition and conformation within the dialectic of the voices; the ones who draw the „real‟ image of ficcional prose – novel . The domain of authors and literary works that gave theoretical support to this thesis was wide, for this reason, we chose to cite the ones who most influenced this research: Jacyntho Lins Brandão, Luiz Cozta Lima, Wolfgang Iser, Mikhail Bakhtin and Norman Friedman. This process of analysis and investigative research has as a result the finding that in the narrative process- the tridimentional image – the real – the epura is a narrative artifice in the contemporary novel |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-11-16 |
dc.date.accessioned.fl_str_mv |
2021-01-19T12:59:20Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Lemos, Sandra Maria Fontinha de. A épura, a imagem real do romance, no contemporâneo. 2020. 243 f. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/23432 |
identifier_str_mv |
Lemos, Sandra Maria Fontinha de. A épura, a imagem real do romance, no contemporâneo. 2020. 243 f. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
url |
https://tede2.pucsp.br/handle/handle/23432 |
dc.language.iso.fl_str_mv |
por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Pontifícia Universidade Católica de São Paulo |
dc.publisher.program.fl_str_mv |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária |
dc.publisher.initials.fl_str_mv |
PUC-SP |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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