O espaço sagrado e o religioso na obra de claudio Pastro

• Autor(a) principal: Sartorelli, Cesar Augusto
• Data de Publicação: 2005
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/1888
• topic: Arte; Arte sacra - Brasil; arte religiosa; arquitetura; arquitetura sacra; Arquitetura religiosa - Brasil - Século 20; Pastro, Claudio, 1948- - Crítica e interpretação; ícone; iconografia; projeto moderno; vanguardas artísticas; arquitetura românica; Romano Guardini; Rudolf Otto; Mircea Eliade; Roy Rapapport; Lina Bo Bardi; Matisse; beneditinos; Beuron; afresco; Art; Sacred art; Architecture; religious art; religious architecture; Sacred architecture; Claudio Pastro; icon; iconography; modern architecture; Bauhaus; artistic vanguard; romanic architecture; Romano Guardini; Rudolf Otto; Mircea Eliade; Roy Rapapport; Lina Bo Bardi; Matisse; benedictines; Beuron; fresco; CNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMO::HISTORIA DA ARQUITETURA E URBANISMO

Overall this sciences of religions essay is about architecture and art, but mainly its object is to treat specifically the fields wich refer to both the construction of religious spaces, and the hole art contained inside them and rised from them as well. These fields encircle painting, sculpture and, in addition, furniture and special pieces designed for the indoor spaces. More specifically, this essay also builts and reports its reflections based on the contemporary christian artwork and architectural spaces, produced and projected by artist and vernacular architect Claudio Pastro. The analysis in this essay approaches Pastro's biography through his unique process of working and criating, as a painter, pictorial artist, architect and sacred art expert. The second chapter explores Pastro's conceptions between sacred art and religious art, which are indeed different: each conception is clearly refeared, explained, discussed, compared to the other ones, and looked over through the eyes of Mircea Eliade's and Rudolf Otto's fenomenology. Still in the field of the Teology of the Art, the thinking of Romano Guardini about the sacred and the religious is also shown. In the third chapter we have a timeline brief of the history of art and sacred architecture, the bases of Pastro's work; then, a comparative study between his conception about the modern project related to the architecture and the vanguard arts. We also comment some brazilian architects projects, wich he admire and influenced him. Furthermore we comment the II Council of the Vatican and its propositions of liturgical renewal, wich led to the renew of sacred architeture and art, home of Pastro's realm of inspiration and concepts. We end with the analysis and critical reviewing of nine of his chapels and churches already built. In the conclusion, we comment the repercussion of Claudio Pastro's works, and the importance of his figure within the brazilian artistic and architectural panorama, as well as the concerns and limits of his concepts. Alongside with these questions, we leave to open minds some other further questions to be treated, about the relationships between art and religion, and art and the sacred.