Corpo em ruínas, uma análise das ações performativas de Paula Garcia

Detalhes bibliográficos
Autor(a) principal: Pinto, Amanda Marques
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/21203
Resumo: The main theme in this master’s thesis is the way a body communicates in situation of extreme vulnerability. For that purpose, it departs from the analysis of Paula Garcia’s performance “Corpo Ruindo” – “Noise Body”1 – presented at SESC Pompeia during the period of March 10th to May 10th, 2015. Firstly, aspects of this artist’s creation process are presented, aiming at discussing her changes of concept of body in relation to different environments and objects. We depart from the contact of body versus magnet versus iron – body x magnet x iron – proposed throughout the performance and in the studies of noise these objects provoke. To broaden this discussion, concepts on the works of John Cage and Nam Jun Paik are also studied. Garcia’s own research, which represents a testimony of the concept of the body ready to become and transforming itself into ruins, is presented as part of our theoretical foundation. The historical context elaborated by writers such as Amelia Jones (2012) and Roselee Goldberg (2015) is helpful when we think of issues related to performance as an artistic language, which represents the specific circuit where Garcia is. Theories of performativity, vulnerability, collectivity, as well as gender and feminism issues proposed by Judith Butler (1999; 2003; 2006; 2016; 2017) are used both to question the female body during the performance and out of it. Besides that, the discussions on the human figure by Eliane Moraes (2012) and the cyborg theory by Donna Haraway are cited. The bodymedia theory, by Christine Greiner and Helena Katz (2005, 2015) underpins the research base on the vulnerable body that constitutes itself in relationship with the environment. We expect, with his research, to collaborate with a study field in development in Brazil, with contributions by both researchers and artists, proposing singular considerations about the communication of the body in its various states
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spelling Greiner, Christinehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8278240A7Pinto, Amanda Marques2018-07-05T12:38:55Z2018-04-26Pinto, Amanda Marques. Corpo em ruínas, uma análise das ações performativas de Paula Garcia. 2018. 90 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.https://tede2.pucsp.br/handle/handle/21203The main theme in this master’s thesis is the way a body communicates in situation of extreme vulnerability. For that purpose, it departs from the analysis of Paula Garcia’s performance “Corpo Ruindo” – “Noise Body”1 – presented at SESC Pompeia during the period of March 10th to May 10th, 2015. Firstly, aspects of this artist’s creation process are presented, aiming at discussing her changes of concept of body in relation to different environments and objects. We depart from the contact of body versus magnet versus iron – body x magnet x iron – proposed throughout the performance and in the studies of noise these objects provoke. To broaden this discussion, concepts on the works of John Cage and Nam Jun Paik are also studied. Garcia’s own research, which represents a testimony of the concept of the body ready to become and transforming itself into ruins, is presented as part of our theoretical foundation. The historical context elaborated by writers such as Amelia Jones (2012) and Roselee Goldberg (2015) is helpful when we think of issues related to performance as an artistic language, which represents the specific circuit where Garcia is. Theories of performativity, vulnerability, collectivity, as well as gender and feminism issues proposed by Judith Butler (1999; 2003; 2006; 2016; 2017) are used both to question the female body during the performance and out of it. Besides that, the discussions on the human figure by Eliane Moraes (2012) and the cyborg theory by Donna Haraway are cited. The bodymedia theory, by Christine Greiner and Helena Katz (2005, 2015) underpins the research base on the vulnerable body that constitutes itself in relationship with the environment. We expect, with his research, to collaborate with a study field in development in Brazil, with contributions by both researchers and artists, proposing singular considerations about the communication of the body in its various statesO tema desta dissertação de mestrado é o modo como um corpo comunica em situação de vulnerabilidade extrema. Para tanto, parte da análise da performance “Corpo Ruindo” de Paula Garcia que aconteceu no SESC Pompéia no período de 10 de março à 10 de maio de 2015. Em um primeiro momento, são apresentados aspectos do processo de criação desta artista tendo como objetivo discutir as suas mudanças de concepção de corpo na relação com diferentes ambientes e objetos. Partiremos do contato entre corpo x imã x ferro proposto ao longo da performance e dos estudos do ruído que esses objetos provocam. Para ampliar o debate serão estudados conceitos da obra de John Cage e Nam June Paik. Como parte da fundamentação teórica, apresenta-se também a pesquisa da própria artista que representa um testemunho da concepção deste corpo prestes e a se transformar em ruínas. O contexto histórico elaborado por autoras como Amelia Jones (2012) e Roselee Goldberg (2015) ajuda a pensar nas questões da performance como linguagem artística, que representa o circuito específico em que Garcia está inserida. As teorias da performatividade, da vulnerabilidade e da coletividade, bem como as questões de gênero e feminismo proposta por Judith Butler (1999; 2003; 2006; 2016; 2017) são utilizadas para problematizar o corpo feminino no ato da performance e também fora dela. Além disso, são citadas pontualmente as discussões sobre a figura humana de Eliane Moraes (2012) e a Teoria Ciborgue de Donna Haraway (2009). A teoria Corpomídia de Christine Greiner e Helena Katz (2005, 2015) fundamenta a pesquisa sobre corpo vulnerável que se constitui na relação com o ambiente. O resultado esperado é colaborar com um campo de estudos que vem sendo trabalhado por pesquisadores e artistas de diversas regiões do Brasil e que propõe reflexões singulares acerca da comunicação do corpo em seus diversos estadosCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/45970/Amanda%20Marques%20Pinto.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesCorpomídiaPerformance (Arte)Garcia, Paula [1975- ]BodymediaPerformance artCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOCorpo em ruínas, uma análise das ações performativas de Paula GarciaBody in ruins: an analysis of Paula Garcia’s performing actsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAmanda Marques Pinto.pdf.txtAmanda Marques Pinto.pdf.txtExtracted texttext/plain139130https://repositorio.pucsp.br/xmlui/bitstream/handle/21203/4/Amanda%20Marques%20Pinto.pdf.txt3bf772aeb1e014802918729d2cf9b85aMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Corpo em ruínas, uma análise das ações performativas de Paula Garcia
dc.title.alternative.eng.fl_str_mv Body in ruins: an analysis of Paula Garcia’s performing acts
title Corpo em ruínas, uma análise das ações performativas de Paula Garcia
spellingShingle Corpo em ruínas, uma análise das ações performativas de Paula Garcia
Pinto, Amanda Marques
Corpomídia
Performance (Arte)
Garcia, Paula [1975- ]
Bodymedia
Performance art
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Corpo em ruínas, uma análise das ações performativas de Paula Garcia
title_full Corpo em ruínas, uma análise das ações performativas de Paula Garcia
title_fullStr Corpo em ruínas, uma análise das ações performativas de Paula Garcia
title_full_unstemmed Corpo em ruínas, uma análise das ações performativas de Paula Garcia
title_sort Corpo em ruínas, uma análise das ações performativas de Paula Garcia
author Pinto, Amanda Marques
author_facet Pinto, Amanda Marques
author_role author
dc.contributor.advisor1.fl_str_mv Greiner, Christine
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8278240A7
dc.contributor.author.fl_str_mv Pinto, Amanda Marques
contributor_str_mv Greiner, Christine
dc.subject.por.fl_str_mv Corpomídia
Performance (Arte)
Garcia, Paula [1975- ]
topic Corpomídia
Performance (Arte)
Garcia, Paula [1975- ]
Bodymedia
Performance art
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Bodymedia
Performance art
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The main theme in this master’s thesis is the way a body communicates in situation of extreme vulnerability. For that purpose, it departs from the analysis of Paula Garcia’s performance “Corpo Ruindo” – “Noise Body”1 – presented at SESC Pompeia during the period of March 10th to May 10th, 2015. Firstly, aspects of this artist’s creation process are presented, aiming at discussing her changes of concept of body in relation to different environments and objects. We depart from the contact of body versus magnet versus iron – body x magnet x iron – proposed throughout the performance and in the studies of noise these objects provoke. To broaden this discussion, concepts on the works of John Cage and Nam Jun Paik are also studied. Garcia’s own research, which represents a testimony of the concept of the body ready to become and transforming itself into ruins, is presented as part of our theoretical foundation. The historical context elaborated by writers such as Amelia Jones (2012) and Roselee Goldberg (2015) is helpful when we think of issues related to performance as an artistic language, which represents the specific circuit where Garcia is. Theories of performativity, vulnerability, collectivity, as well as gender and feminism issues proposed by Judith Butler (1999; 2003; 2006; 2016; 2017) are used both to question the female body during the performance and out of it. Besides that, the discussions on the human figure by Eliane Moraes (2012) and the cyborg theory by Donna Haraway are cited. The bodymedia theory, by Christine Greiner and Helena Katz (2005, 2015) underpins the research base on the vulnerable body that constitutes itself in relationship with the environment. We expect, with his research, to collaborate with a study field in development in Brazil, with contributions by both researchers and artists, proposing singular considerations about the communication of the body in its various states
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-07-05T12:38:55Z
dc.date.issued.fl_str_mv 2018-04-26
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dc.identifier.citation.fl_str_mv Pinto, Amanda Marques. Corpo em ruínas, uma análise das ações performativas de Paula Garcia. 2018. 90 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/21203
identifier_str_mv Pinto, Amanda Marques. Corpo em ruínas, uma análise das ações performativas de Paula Garcia. 2018. 90 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
url https://tede2.pucsp.br/handle/handle/21203
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Comunicação e Semiótica
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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