À flor da pele/à flor da terra: o sintoma social MPB

Detalhes bibliográficos
Autor(a) principal: Vicente, Maria de Fátima
Data de Publicação: 2010
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/4208
Resumo: This thesis deals with the social symptom Brazilian popular Music - MPB between 1965 and 1972 and its ethical incidence on the Brazilian society under dictatorship (1964-1985) as effect of its condition of social symptom. The sonority is a central element of the Brazilian society and instituted itself in earthly, corporal sonority, opposite to the sublime one. In the turn of century XIX, by the force of the conditions of the musical scene and the social-political scene, it was articulated based on the orality and for the percussion when, stabilished the frame song as the predominant way of the Brazilian musical culture. It points out as intrinsic factor to the definition of this frame the insurmountable presence of the singer, decisive element for the effect of symbolic mediation of the social link accomplished by this music, in special when the institutionalization of the MPB. The format song safeguarded the place of the body, as the frame supports itself the intonation of everyday speach, and instaurates the body of the singer as object of the circulation of the word, diction limited for the interdiction. Which alows to point out the acts of the singers as singular acts due to relation in this social symptom that the singer establishes with his public: situated in the lack of the object by the effect of musical silence, homologous position to the psychoanalyst in the cure, producing decoposed and understandable effects of the social reality. It was concluded that the vicissitudes of social MPB symptom in that social-political conjuncture, read by the paradigm of singer s interpretation , had happened in the society as acts that drive away the death and had accomplished understandable possibilities of the instituted social-political order
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spelling Koltai, CaterinaVicente, Maria de Fátima2016-04-26T14:58:09Z2010-08-192010-06-09Vicente, Maria de Fátima. À flor da pele/à flor da terra: o sintoma social MPB. 2010. 175 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.https://tede2.pucsp.br/handle/handle/4208This thesis deals with the social symptom Brazilian popular Music - MPB between 1965 and 1972 and its ethical incidence on the Brazilian society under dictatorship (1964-1985) as effect of its condition of social symptom. The sonority is a central element of the Brazilian society and instituted itself in earthly, corporal sonority, opposite to the sublime one. In the turn of century XIX, by the force of the conditions of the musical scene and the social-political scene, it was articulated based on the orality and for the percussion when, stabilished the frame song as the predominant way of the Brazilian musical culture. It points out as intrinsic factor to the definition of this frame the insurmountable presence of the singer, decisive element for the effect of symbolic mediation of the social link accomplished by this music, in special when the institutionalization of the MPB. The format song safeguarded the place of the body, as the frame supports itself the intonation of everyday speach, and instaurates the body of the singer as object of the circulation of the word, diction limited for the interdiction. Which alows to point out the acts of the singers as singular acts due to relation in this social symptom that the singer establishes with his public: situated in the lack of the object by the effect of musical silence, homologous position to the psychoanalyst in the cure, producing decoposed and understandable effects of the social reality. It was concluded that the vicissitudes of social MPB symptom in that social-political conjuncture, read by the paradigm of singer s interpretation , had happened in the society as acts that drive away the death and had accomplished understandable possibilities of the instituted social-political orderEsta tese trata do sintoma social Música popular brasileira MPB entre 1965 e 1972 e de sua incidência ética sobre a sociedade brasileira sob ditadura (1964-1985) como efeito de sua condição de sintoma social. A sonoridade é um elemento central da sociedade brasileira e se instituiu em sonoridade terrena, corpórea e avessa ao sublime. Na virada do século XIX, por força das condições da cena musical e da cena político-social, articulou-se pautada pela oralidade e pela percussão quando, estabilizou o formato canção como o modo predominante da cultura musical brasileira. Sobressai como fator intrínseco à definição desse formato a presença incontornável do cancionista, elemento decisivo para os efeitos de mediação simbólica do laço social efetivado por essa música, em especial quando da institucionalização da MPB. O formato-canção salvaguardou o lugar do corpo, uma vez que esse formato se apóia na entoação da fala cotidiana, e instaura o corpo do cancionista como objeto da circulação da palavra, dicção limitada pela interdicção. O que permite situar os atos dos cancionistas como atos singulares devido à relação que nesse sintoma social o cancionista estabelece com seu público: situado na falta do objeto por efeito do silêncio musical, posição homóloga à do psicanalista na cura, produzindo efeitos de escansão interpretantes da realidade social. Conclui-se que as vicissitudes do sintoma social MPB naquela conjuntura político-social, lidos pelo paradigma da interpretação do cancionista, incidiram na sociedade como atos que afugentam a morte e efetivaram possibilidades interpretantes da ordem político-social instituídaapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/11995/Maria%20de%20Fatima%20Vicente.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciências SociaisPUC-SPBRCiências SociaisMúsica popular brasileiraMPBCanção e cancionistasDicções e interdicção psicanalíticaSintoma social e ordem instituídaÉtica e estéticaBrazilian popular musicSong and singersCiction and psychoanalyst interdictionSocial symptom and instituted orderAesthetic and ethicsCNPQ::CIENCIAS SOCIAIS APLICADASÀ flor da pele/à flor da terra: o sintoma social MPBinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria de Fatima Vicente.pdf.txtMaria de Fatima Vicente.pdf.txtExtracted texttext/plain346039https://repositorio.pucsp.br/xmlui/bitstream/handle/4208/3/Maria%20de%20Fatima%20Vicente.pdf.txt3eb3532d35920a231a8729ebfe9f2f6eMD53ORIGINALMaria de Fatima Vicente.pdfapplication/pdf931895https://repositorio.pucsp.br/xmlui/bitstream/handle/4208/1/Maria%20de%20Fatima%20Vicente.pdf411623fa873351963074ca75769e9ffaMD51THUMBNAILMaria de Fatima Vicente.pdf.jpgMaria de Fatima Vicente.pdf.jpgGenerated Thumbnailimage/jpeg3095https://repositorio.pucsp.br/xmlui/bitstream/handle/4208/2/Maria%20de%20Fatima%20Vicente.pdf.jpg26fa89b168a568f7a1904c7b7a1f6cbdMD52handle/42082022-04-28 18:14:03.536oai:repositorio.pucsp.br:handle/4208Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T21:14:03Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv À flor da pele/à flor da terra: o sintoma social MPB
title À flor da pele/à flor da terra: o sintoma social MPB
spellingShingle À flor da pele/à flor da terra: o sintoma social MPB
Vicente, Maria de Fátima
Música popular brasileira
MPB
Canção e cancionistas
Dicções e interdicção psicanalítica
Sintoma social e ordem instituída
Ética e estética
Brazilian popular music
Song and singers
Ciction and psychoanalyst interdiction
Social symptom and instituted order
Aesthetic and ethics
CNPQ::CIENCIAS SOCIAIS APLICADAS
title_short À flor da pele/à flor da terra: o sintoma social MPB
title_full À flor da pele/à flor da terra: o sintoma social MPB
title_fullStr À flor da pele/à flor da terra: o sintoma social MPB
title_full_unstemmed À flor da pele/à flor da terra: o sintoma social MPB
title_sort À flor da pele/à flor da terra: o sintoma social MPB
author Vicente, Maria de Fátima
author_facet Vicente, Maria de Fátima
author_role author
dc.contributor.advisor1.fl_str_mv Koltai, Caterina
dc.contributor.author.fl_str_mv Vicente, Maria de Fátima
contributor_str_mv Koltai, Caterina
dc.subject.por.fl_str_mv Música popular brasileira
MPB
Canção e cancionistas
Dicções e interdicção psicanalítica
Sintoma social e ordem instituída
Ética e estética
topic Música popular brasileira
MPB
Canção e cancionistas
Dicções e interdicção psicanalítica
Sintoma social e ordem instituída
Ética e estética
Brazilian popular music
Song and singers
Ciction and psychoanalyst interdiction
Social symptom and instituted order
Aesthetic and ethics
CNPQ::CIENCIAS SOCIAIS APLICADAS
dc.subject.eng.fl_str_mv Brazilian popular music
Song and singers
Ciction and psychoanalyst interdiction
Social symptom and instituted order
Aesthetic and ethics
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS
description This thesis deals with the social symptom Brazilian popular Music - MPB between 1965 and 1972 and its ethical incidence on the Brazilian society under dictatorship (1964-1985) as effect of its condition of social symptom. The sonority is a central element of the Brazilian society and instituted itself in earthly, corporal sonority, opposite to the sublime one. In the turn of century XIX, by the force of the conditions of the musical scene and the social-political scene, it was articulated based on the orality and for the percussion when, stabilished the frame song as the predominant way of the Brazilian musical culture. It points out as intrinsic factor to the definition of this frame the insurmountable presence of the singer, decisive element for the effect of symbolic mediation of the social link accomplished by this music, in special when the institutionalization of the MPB. The format song safeguarded the place of the body, as the frame supports itself the intonation of everyday speach, and instaurates the body of the singer as object of the circulation of the word, diction limited for the interdiction. Which alows to point out the acts of the singers as singular acts due to relation in this social symptom that the singer establishes with his public: situated in the lack of the object by the effect of musical silence, homologous position to the psychoanalyst in the cure, producing decoposed and understandable effects of the social reality. It was concluded that the vicissitudes of social MPB symptom in that social-political conjuncture, read by the paradigm of singer s interpretation , had happened in the society as acts that drive away the death and had accomplished understandable possibilities of the instituted social-political order
publishDate 2010
dc.date.available.fl_str_mv 2010-08-19
dc.date.issued.fl_str_mv 2010-06-09
dc.date.accessioned.fl_str_mv 2016-04-26T14:58:09Z
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dc.identifier.citation.fl_str_mv Vicente, Maria de Fátima. À flor da pele/à flor da terra: o sintoma social MPB. 2010. 175 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/4208
identifier_str_mv Vicente, Maria de Fátima. À flor da pele/à flor da terra: o sintoma social MPB. 2010. 175 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
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publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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