Respiros: por um estado de jogo entre o teatro e a clínica
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/15680 |
Resumo: | This work is the effort to promote a conversation beetwen theatre and clinic, where the and , the intersection, is considered the main point. With this aim, the concept of encounter is taken as a mediator for the exercise of writing and thinking. To find a way in beetwen these two fields, a territory of research is created which is denominated as teatrar ( to theatre ), searching to study both its components and its variations. The procedure of work chosen was to let the encounters produce conections, contaminations and proliferations. Narratives were generated for clinical and scenical situations originated at the researcher s practice as an occupational therapist and as a collaborator for a theatre company, in a way to make the cartography and to reveal the issues involved in the relationship of forces present at the encounters. The investigation focused in their different layers, agitations and achievements. Conceptual narratives were also produced through conversations with philosophers, like Gilles Deleuze and Félix Guattari, and theatre authors, like Jerzy Grotowski and Samuel Beckett. From these authors works, the elements were evoked that could resonate in the process of investigating, making the criticism, and creating this territory called teatrar. There is also the effort to concieve strategies that could put clinic and theatre in a state of playing, where people involved are commited to the invention of clinical and scenical devices that are able to affirm life in its power of variation and autopoiesis. Breaths, a provocation for the research and creation of theatricalclinical operations that produce splits, openings, disruptures, compositions that can liberate life from its obstructions and allow it to continuously reivent itself, breathing |
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Rolnik, Suely Belinhahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4760866P5Angeli, Andréa do Amparo Carotta de2016-04-28T20:39:42Z2008-04-122008-04-02Angeli, Andréa do Amparo Carotta de. Respiros: por um estado de jogo entre o teatro e a clínica. 2008. 153 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008.https://tede2.pucsp.br/handle/handle/15680This work is the effort to promote a conversation beetwen theatre and clinic, where the and , the intersection, is considered the main point. With this aim, the concept of encounter is taken as a mediator for the exercise of writing and thinking. To find a way in beetwen these two fields, a territory of research is created which is denominated as teatrar ( to theatre ), searching to study both its components and its variations. The procedure of work chosen was to let the encounters produce conections, contaminations and proliferations. Narratives were generated for clinical and scenical situations originated at the researcher s practice as an occupational therapist and as a collaborator for a theatre company, in a way to make the cartography and to reveal the issues involved in the relationship of forces present at the encounters. The investigation focused in their different layers, agitations and achievements. Conceptual narratives were also produced through conversations with philosophers, like Gilles Deleuze and Félix Guattari, and theatre authors, like Jerzy Grotowski and Samuel Beckett. From these authors works, the elements were evoked that could resonate in the process of investigating, making the criticism, and creating this territory called teatrar. There is also the effort to concieve strategies that could put clinic and theatre in a state of playing, where people involved are commited to the invention of clinical and scenical devices that are able to affirm life in its power of variation and autopoiesis. Breaths, a provocation for the research and creation of theatricalclinical operations that produce splits, openings, disruptures, compositions that can liberate life from its obstructions and allow it to continuously reivent itself, breathingNesta dissertação, procura-se promover uma conversa entre teatro e clínica, fazendo do e , da intersecção, seu ponto privilegiado. Para tanto, toma-se o encontro como um intercessor em seu exercício de escrita e de pensamento. Para caminhar no entre destes campos, cunha-se um território de pesquisa, aqui denominado teatrar, buscando estudar ao mesmo tempo o que o compõe e suas variações. O procedimento escolhido foi o de permitir que os encontros produzissem conexões, contaminações e proliferações, gerando narrativas de situações clínicas e cênicas, oriundas da prática da pesquisadora como terapeuta ocupacional e como colaboradora em uma companhia de teatro, de modo a cartografar e problematizar as relações de forças nos encontros. As investigações focaram suas diferentes camadas, agitações e efetuações. Também foram produzidas narrativas conceituais, por meio de conversas com alguns autores da filosofia, como Gilles Deleuze e Félix Guattari, e do teatro, como Jerzy Grotowski e Samuel Beckett, evocando neles os elementos que ressoavam na investigação, na crítica e na criação deste território teatrar. Busca-se ainda pensar estratégias que lancem em um estado de jogo a clínica e o teatro. Estado este em que o clínico e o artista estejam comprometidos com a invenção de dispositivos cênicos e clínicos que afirmem a vida em sua potência de variação e autopoiese. Respiros, uma provocação para a pesquisa e criação de operações teatro-clínicas que produzam fissuras, aberturas, rupturas, composições que liberem a vida daquilo que a impede de se reinventar continuamente, de respirarCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/31408/Andrea%20do%20Amparo%20Carotta%20De%20Angeli.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Psicologia: Psicologia ClínicaPUC-SPBRPsicologiaTeatroClínicaTeatro -- Aspectos psicologicosTheatreClinicCNPQ::CIENCIAS HUMANAS::PSICOLOGIARespiros: por um estado de jogo entre o teatro e a clínicainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAndrea do Amparo Carotta De Angeli.pdf.txtAndrea do Amparo Carotta De Angeli.pdf.txtExtracted texttext/plain252838https://repositorio.pucsp.br/xmlui/bitstream/handle/15680/3/Andrea%20do%20Amparo%20Carotta%20De%20Angeli.pdf.txtcbefa835c320ecedd0f2ebe6d8c8efd3MD53ORIGINALAndrea do Amparo Carotta De Angeli.pdfapplication/pdf472231https://repositorio.pucsp.br/xmlui/bitstream/handle/15680/1/Andrea%20do%20Amparo%20Carotta%20De%20Angeli.pdf2bab60b230f385e825dd1b749b49a34fMD51THUMBNAILAndrea do Amparo Carotta De Angeli.pdf.jpgAndrea do Amparo Carotta De Angeli.pdf.jpgGenerated Thumbnailimage/jpeg2784https://repositorio.pucsp.br/xmlui/bitstream/handle/15680/2/Andrea%20do%20Amparo%20Carotta%20De%20Angeli.pdf.jpg2dca0723d2c1b92e26e0d6b7b9785771MD52handle/156802022-04-27 20:42:56.545oai:repositorio.pucsp.br:handle/15680Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T23:42:56Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Respiros: por um estado de jogo entre o teatro e a clínica |
title |
Respiros: por um estado de jogo entre o teatro e a clínica |
spellingShingle |
Respiros: por um estado de jogo entre o teatro e a clínica Angeli, Andréa do Amparo Carotta de Teatro Clínica Teatro -- Aspectos psicologicos Theatre Clinic CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
title_short |
Respiros: por um estado de jogo entre o teatro e a clínica |
title_full |
Respiros: por um estado de jogo entre o teatro e a clínica |
title_fullStr |
Respiros: por um estado de jogo entre o teatro e a clínica |
title_full_unstemmed |
Respiros: por um estado de jogo entre o teatro e a clínica |
title_sort |
Respiros: por um estado de jogo entre o teatro e a clínica |
author |
Angeli, Andréa do Amparo Carotta de |
author_facet |
Angeli, Andréa do Amparo Carotta de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rolnik, Suely Belinha |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4760866P5 |
dc.contributor.author.fl_str_mv |
Angeli, Andréa do Amparo Carotta de |
contributor_str_mv |
Rolnik, Suely Belinha |
dc.subject.por.fl_str_mv |
Teatro Clínica Teatro -- Aspectos psicologicos |
topic |
Teatro Clínica Teatro -- Aspectos psicologicos Theatre Clinic CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
dc.subject.eng.fl_str_mv |
Theatre Clinic |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA |
description |
This work is the effort to promote a conversation beetwen theatre and clinic, where the and , the intersection, is considered the main point. With this aim, the concept of encounter is taken as a mediator for the exercise of writing and thinking. To find a way in beetwen these two fields, a territory of research is created which is denominated as teatrar ( to theatre ), searching to study both its components and its variations. The procedure of work chosen was to let the encounters produce conections, contaminations and proliferations. Narratives were generated for clinical and scenical situations originated at the researcher s practice as an occupational therapist and as a collaborator for a theatre company, in a way to make the cartography and to reveal the issues involved in the relationship of forces present at the encounters. The investigation focused in their different layers, agitations and achievements. Conceptual narratives were also produced through conversations with philosophers, like Gilles Deleuze and Félix Guattari, and theatre authors, like Jerzy Grotowski and Samuel Beckett. From these authors works, the elements were evoked that could resonate in the process of investigating, making the criticism, and creating this territory called teatrar. There is also the effort to concieve strategies that could put clinic and theatre in a state of playing, where people involved are commited to the invention of clinical and scenical devices that are able to affirm life in its power of variation and autopoiesis. Breaths, a provocation for the research and creation of theatricalclinical operations that produce splits, openings, disruptures, compositions that can liberate life from its obstructions and allow it to continuously reivent itself, breathing |
publishDate |
2008 |
dc.date.available.fl_str_mv |
2008-04-12 |
dc.date.issued.fl_str_mv |
2008-04-02 |
dc.date.accessioned.fl_str_mv |
2016-04-28T20:39:42Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Angeli, Andréa do Amparo Carotta de. Respiros: por um estado de jogo entre o teatro e a clínica. 2008. 153 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/15680 |
identifier_str_mv |
Angeli, Andréa do Amparo Carotta de. Respiros: por um estado de jogo entre o teatro e a clínica. 2008. 153 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica |
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PUC-SP |
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BR |
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Psicologia |
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Pontifícia Universidade Católica de São Paulo |
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