Neide Sá: poética da alteridade

• Autor(a) principal: Novaes, Gabriel de Britto
• Data de Publicação: 2018
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/27194
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA; Neide Sá; Poema/processo; Poesia visual; Participação; Alteridade; Neide Dias de Sá; Poem/process; Visual poetry; Participation; Otherness

Neide Sá, the only female artist to lead the poetic avant-garde movement Poema/Processo, in a period of dictatorship in Brazil. Her work is marked by breaking up with traditional ways of doing poetry, expanding its conception beyond word and including public participation, turning the reader into an active participant in the poetics of the work. This monograph consists of two basic interests: a historical rescue of the career of the artist Neide Dias de Sá and the analysis of five of her main pieces, highlighting the importance of the audience participation in the works. We used, as a basis for this analysis, the concepts of Open work by Umberto Eco, The work of art in the age of mechanical reproduction by Walter Benjamin, Theory of the non-object by Ferreira Gullar, and the New Brazilian Objectivity by Hélio Oiticica. We also present an approximation of the concepts used in the works of Neide Sá with works by contemporary artists, closing with her participation in important recent national and international exhibitions