A face do feminino na poética de Guilherme de Almeida
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/14892 |
Resumo: | The object of this thesis is the Guilherme de Almeida`s love poetry, which shows universal elements whose basis is archetypical and mythological. It still has the intention of contributing to the poet`s critical fortune, which has been contemplated insufficiently until now. In his poems, the woman is not represented physically, but is changed into a constant fleeting image, which is confounded with the own concept of love or feminine principle. It is chosen to exalt the love from the past or from the future, and the woman from the present is sung in her abstraction. By meeting these images, the androgyny myth shows a welcoming answer. This myth, unlike the imaginary distant idea that it has about, is very modern and involves a psychological reality behind the whole love search, apart from meaning a cosmic fullness condition metaphor in which the opposites are confounded. Other myths based on the androgyny figure are also contemplated. The relationship between the poetic corpus and the androgyny myth is made by the comparison and the similarity of their images, apart from analyses and deductions. For that relationship, especially Mircea Eliade contributes, among others, to his ideas about the reproduction of images, according to Images and Symbols (1991). The search for the love fullness, to which the myth refers to, occurs, therefore, in the poetic textual body, in which the woman is sublimated and represents the own lost self for good. As a consequence, the search for this fullness experience also has an initiatory and spiritual nature. It seeks to identify the concept of love in its poetry through the comparison with other similar concepts, such as the passion love, the sublime love, and the erotic love. It still develops an introductory study of Guilherme de Almeida`s work in general focusing on its literary characteristics and its qualities according to the criticism, highlighting the question of the engagement with the sublime universal aspect, as well as pointing out especially the symbolist tones of his poetry that, returned to ethereal fleeting spiritual images, keep an intimate relationship to his love poems and to the subject of his thesis |
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Matos, Edilene Diashttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4484237J9Redondo, Altamiro José2016-04-28T19:59:15Z2009-05-132009-04-29Redondo, Altamiro José. A face do feminino na poética de Guilherme de Almeida. 2009. 122 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/14892The object of this thesis is the Guilherme de Almeida`s love poetry, which shows universal elements whose basis is archetypical and mythological. It still has the intention of contributing to the poet`s critical fortune, which has been contemplated insufficiently until now. In his poems, the woman is not represented physically, but is changed into a constant fleeting image, which is confounded with the own concept of love or feminine principle. It is chosen to exalt the love from the past or from the future, and the woman from the present is sung in her abstraction. By meeting these images, the androgyny myth shows a welcoming answer. This myth, unlike the imaginary distant idea that it has about, is very modern and involves a psychological reality behind the whole love search, apart from meaning a cosmic fullness condition metaphor in which the opposites are confounded. Other myths based on the androgyny figure are also contemplated. The relationship between the poetic corpus and the androgyny myth is made by the comparison and the similarity of their images, apart from analyses and deductions. For that relationship, especially Mircea Eliade contributes, among others, to his ideas about the reproduction of images, according to Images and Symbols (1991). The search for the love fullness, to which the myth refers to, occurs, therefore, in the poetic textual body, in which the woman is sublimated and represents the own lost self for good. As a consequence, the search for this fullness experience also has an initiatory and spiritual nature. It seeks to identify the concept of love in its poetry through the comparison with other similar concepts, such as the passion love, the sublime love, and the erotic love. It still develops an introductory study of Guilherme de Almeida`s work in general focusing on its literary characteristics and its qualities according to the criticism, highlighting the question of the engagement with the sublime universal aspect, as well as pointing out especially the symbolist tones of his poetry that, returned to ethereal fleeting spiritual images, keep an intimate relationship to his love poems and to the subject of his thesisO objeto dessa dissertação é a poesia de temática amorosa de Guilherme de Almeida, que apresenta elementos universais de fundo arquetípico-mitológico. Tem, ainda, intenção de contribuir para a fortuna crítica do poeta, contemplada de modo insuficiente até o momento. Em seus poemas, a mulher não é representada fisicamente, mas transformada em imagem sempre fugidia, na qual se confunde com o próprio conceito de amor ou princípio feminino. Prefere-se enaltecer o amor do passado ou do futuro, e a mulher do presente é cantada em sua abstração. Ao encontro dessas imagens, o mito do andrógino se apresenta como resposta acolhedora. Esse mito, ao contrário da idéia fantasiosa e distante que se tem a respeito, é atualíssimo, e implica uma realidade psicológica por trás de toda busca amorosa, além de significar uma metáfora da condição de plenitude cósmica, onde os opostos se confundem. Outros mitos de fundo andrógino também são contemplados. A relação do corpus poético com o mito do andrógino se faz pela comparação e semelhança de suas imagens, além de análises e deduções. Para tal relação, contribui, sobretudo, Mircea Eliade, entre outros, com suas idéias sobre reprodução de imagens, conforme o livro Imagens e símbolos (1991). A busca da plenitude amorosa, a que alude o mito, ocorre, portanto, no corpo textual poético, onde a mulher é sublimada e representa o próprio eu perdido para sempre. Como desdobramento, essa experiência da busca de plenitude também tem caráter iniciático e espiritual. Procura-se identificar o conceito de amor em sua poética, a partir da comparação com outros conceitos semelhantes, como o amor-paixão, o amor sublime e o amor erótico. Faz-se, ainda, um estudo introdutório da obra em geral de Guilherme de Almeida, com ênfase em suas características literárias e suas qualidades conforme a crítica, ressaltando-se a questão do engajamento com o aspecto sublime e universal, além de se destacar, especialmente, os tons simbolistas de sua poesia, que, voltados para imagens etéreas, fugidias e espirituais, guardam estreita relação com seus poemas de temática amorosa e com o tema da dissertaçãoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/31235/Altamiro%20Jose%20Redondo.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBRLiteraturaLiteratura brasileiraPoesia modernaMulherMitosArquétiposAlmeida, Guilherme de -- 1890-1969 -- Critica e interpretacaoPoesia brasileira -- Historia e criticaAmor na literaturaBrazilian literatureModern poetryLoveWomanMythsArchetypesCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADAA face do feminino na poética de Guilherme de Almeidainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAltamiro Jose Redondo.pdf.txtAltamiro Jose Redondo.pdf.txtExtracted texttext/plain255870https://repositorio.pucsp.br/xmlui/bitstream/handle/14892/3/Altamiro%20Jose%20Redondo.pdf.txtcdf7ead4d015050a1a8930765f52f01bMD53ORIGINALAltamiro Jose Redondo.pdfapplication/pdf549592https://repositorio.pucsp.br/xmlui/bitstream/handle/14892/1/Altamiro%20Jose%20Redondo.pdff1c082a77cb01a779f1d83a6dd5abd7bMD51THUMBNAILAltamiro Jose Redondo.pdf.jpgAltamiro Jose Redondo.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/14892/2/Altamiro%20Jose%20Redondo.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/148922022-04-27 16:45:08.576oai:repositorio.pucsp.br:handle/14892Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T19:45:08Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
A face do feminino na poética de Guilherme de Almeida |
title |
A face do feminino na poética de Guilherme de Almeida |
spellingShingle |
A face do feminino na poética de Guilherme de Almeida Redondo, Altamiro José Literatura brasileira Poesia moderna Mulher Mitos Arquétipos Almeida, Guilherme de -- 1890-1969 -- Critica e interpretacao Poesia brasileira -- Historia e critica Amor na literatura Brazilian literature Modern poetry Love Woman Myths Archetypes CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
title_short |
A face do feminino na poética de Guilherme de Almeida |
title_full |
A face do feminino na poética de Guilherme de Almeida |
title_fullStr |
A face do feminino na poética de Guilherme de Almeida |
title_full_unstemmed |
A face do feminino na poética de Guilherme de Almeida |
title_sort |
A face do feminino na poética de Guilherme de Almeida |
author |
Redondo, Altamiro José |
author_facet |
Redondo, Altamiro José |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Matos, Edilene Dias |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4484237J9 |
dc.contributor.author.fl_str_mv |
Redondo, Altamiro José |
contributor_str_mv |
Matos, Edilene Dias |
dc.subject.por.fl_str_mv |
Literatura brasileira Poesia moderna Mulher Mitos Arquétipos Almeida, Guilherme de -- 1890-1969 -- Critica e interpretacao Poesia brasileira -- Historia e critica Amor na literatura |
topic |
Literatura brasileira Poesia moderna Mulher Mitos Arquétipos Almeida, Guilherme de -- 1890-1969 -- Critica e interpretacao Poesia brasileira -- Historia e critica Amor na literatura Brazilian literature Modern poetry Love Woman Myths Archetypes CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
dc.subject.eng.fl_str_mv |
Brazilian literature Modern poetry Love Woman Myths Archetypes |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
description |
The object of this thesis is the Guilherme de Almeida`s love poetry, which shows universal elements whose basis is archetypical and mythological. It still has the intention of contributing to the poet`s critical fortune, which has been contemplated insufficiently until now. In his poems, the woman is not represented physically, but is changed into a constant fleeting image, which is confounded with the own concept of love or feminine principle. It is chosen to exalt the love from the past or from the future, and the woman from the present is sung in her abstraction. By meeting these images, the androgyny myth shows a welcoming answer. This myth, unlike the imaginary distant idea that it has about, is very modern and involves a psychological reality behind the whole love search, apart from meaning a cosmic fullness condition metaphor in which the opposites are confounded. Other myths based on the androgyny figure are also contemplated. The relationship between the poetic corpus and the androgyny myth is made by the comparison and the similarity of their images, apart from analyses and deductions. For that relationship, especially Mircea Eliade contributes, among others, to his ideas about the reproduction of images, according to Images and Symbols (1991). The search for the love fullness, to which the myth refers to, occurs, therefore, in the poetic textual body, in which the woman is sublimated and represents the own lost self for good. As a consequence, the search for this fullness experience also has an initiatory and spiritual nature. It seeks to identify the concept of love in its poetry through the comparison with other similar concepts, such as the passion love, the sublime love, and the erotic love. It still develops an introductory study of Guilherme de Almeida`s work in general focusing on its literary characteristics and its qualities according to the criticism, highlighting the question of the engagement with the sublime universal aspect, as well as pointing out especially the symbolist tones of his poetry that, returned to ethereal fleeting spiritual images, keep an intimate relationship to his love poems and to the subject of his thesis |
publishDate |
2009 |
dc.date.available.fl_str_mv |
2009-05-13 |
dc.date.issued.fl_str_mv |
2009-04-29 |
dc.date.accessioned.fl_str_mv |
2016-04-28T19:59:15Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Redondo, Altamiro José. A face do feminino na poética de Guilherme de Almeida. 2009. 122 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/14892 |
identifier_str_mv |
Redondo, Altamiro José. A face do feminino na poética de Guilherme de Almeida. 2009. 122 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
url |
https://tede2.pucsp.br/handle/handle/14892 |
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por |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Literatura e Crítica Literária |
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PUC-SP |
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BR |
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Literatura |
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Pontifícia Universidade Católica de São Paulo |
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