Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno

Detalhes bibliográficos
Autor(a) principal: Braga, Ive
Data de Publicação: 2017
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/20306
Resumo: This research takes art as an empirical source to analyze the individual's experience in modernity. The sedimentation of historical and social content objectified in the form of artistic objects is, therefore, the material adopted to explore philosophically the specters of the individual's perception, which manifest themselves in reason, emotion, senses, memory and consciousness. In order to examine these propositions, this research focuses on the prospect of Miroslav Tichý (1926 - 2011), plastic artist and photographer from the Czech Republic. Miroslav Tichý wandered around the streets of the small town where he lived, collecting some discarded objects to manufacture his rudimentary cameras that allowed him to capture a peculiar perspective of a modernity facet. The research elements were presented in four dimensions: material, immaterial, aesthetic and dramatic. This formal organization, which contemplates the theoretical concepts, the method and the analysis of the object of study, had the objective of reproducing the logic of the antagonistic spheres of society, which interact at the same time as they collide. The theoretical reference adopted for this study is the Critical theory of society, considering mainly the concepts of experience and its impoverishment, the individual and pseudo-individuation, developed by Walter Benjamin, Theodor W. Adorno, Max Horkheimer and Herbert Marcuse. The information extracted from the photographs of Miroslav Tichý were organized in four categories of analysis: city, people, bodies and objects. In association with the theoretical perspective presented, the data obtained allowed to explore the experience of the individual in the urban environment, the exaltation and depreciation of the woman, the decrepitude of corporeal matter and the new and more effective forms of repression, indicative elements of the hazy character of the individual in modernity. The themes developed focused on the movement of antagonistic social forces that, while promoting art for emancipation, reinforce the ideological prisms of domination proper of capitalism in the process of transforming culture into merchandise. The reflections raised allowed to criticize the way the social structure expresses itself in the objects of culture and determines the relationship between subject and object
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spelling Sass, Odairhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4380150P4Braga, Ive2017-08-24T12:53:03Z2017-08-15Braga, Ive. Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno. 2017. 198 f. Tese (Doutorado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20306This research takes art as an empirical source to analyze the individual's experience in modernity. The sedimentation of historical and social content objectified in the form of artistic objects is, therefore, the material adopted to explore philosophically the specters of the individual's perception, which manifest themselves in reason, emotion, senses, memory and consciousness. In order to examine these propositions, this research focuses on the prospect of Miroslav Tichý (1926 - 2011), plastic artist and photographer from the Czech Republic. Miroslav Tichý wandered around the streets of the small town where he lived, collecting some discarded objects to manufacture his rudimentary cameras that allowed him to capture a peculiar perspective of a modernity facet. The research elements were presented in four dimensions: material, immaterial, aesthetic and dramatic. This formal organization, which contemplates the theoretical concepts, the method and the analysis of the object of study, had the objective of reproducing the logic of the antagonistic spheres of society, which interact at the same time as they collide. The theoretical reference adopted for this study is the Critical theory of society, considering mainly the concepts of experience and its impoverishment, the individual and pseudo-individuation, developed by Walter Benjamin, Theodor W. Adorno, Max Horkheimer and Herbert Marcuse. The information extracted from the photographs of Miroslav Tichý were organized in four categories of analysis: city, people, bodies and objects. In association with the theoretical perspective presented, the data obtained allowed to explore the experience of the individual in the urban environment, the exaltation and depreciation of the woman, the decrepitude of corporeal matter and the new and more effective forms of repression, indicative elements of the hazy character of the individual in modernity. The themes developed focused on the movement of antagonistic social forces that, while promoting art for emancipation, reinforce the ideological prisms of domination proper of capitalism in the process of transforming culture into merchandise. The reflections raised allowed to criticize the way the social structure expresses itself in the objects of culture and determines the relationship between subject and objectEsta pesquisa toma a arte como fonte empírica para analisar a experiência do indivíduo na modernidade. A sedimentação do conteúdo histórico e social objetivado na forma dos objetos artísticos é, portanto, o material adotado para explorar filosoficamente os espectros da percepção do indivíduo, que se manifestam na razão, emoção, sentidos, memória e consciência. A fim de examinar essas proposições, analisou-se a perspectiva apresentada na obra de Miroslav Tichý. Miroslav Tichý (1926 – 2011) foi artista plástico e fotógrafo oriundo da República Tcheca. Miroslav Tichý vagava pelas ruas da pequena cidade onde morava, recolhendo alguns objetos descartados para fabricar artesanalmente máquinas fotográficas rudimentares que lhe permitiram captar sob uma ótica peculiar uma faceta da modernidade. Os elementos que compõem o conjunto da pesquisa foram apresentados em quatro dimensões: material, imaterial, estética e dramática. Esta organização formal, que contempla os conceitos teóricos tratados, o método e a análise do objeto de estudo, teve como objetivo reproduzir a lógica das esferas antagônicas da sociedade, que interagem ao mesmo tempo que se chocam. O referencial teórico adotado é a Teoria crítica da sociedade, utilizando-se, principalmente, os conceitos de experiência e seu empobrecimento, indivíduo e pseudoindividuação, desenvolvidos por Walter Benjamin, Theodor W. Adorno, Max Horkheimer e Herbert Marcuse. As informações extraídas das fotografias de Miroslav Tichý foram dispostas em quatro categorias de análise confeccionadas à posteriori: cidade, pessoas, corpos e objetos. Em articulação com a perspectiva teórica, os dados obtidos permitiram explorar a experiência do indivíduo no meio urbano, o enaltecimento e depreciação da mulher, a decrepitude da matéria corpórea e as novas e mais eficazes formas de repressão, elementos indicativos do caráter obnubilado do indivíduo na modernidade. Os temas desenvolvidos focalizaram o movimento de forças sociais antagônicas que, ao mesmo tempo que promovem a arte com vistas à emancipação, reforçam os prismas ideológicos da dominação próprias ao capitalismo no processo de transformação da cultura em mercadoria. As reflexões suscitadas permitiram tecer a crítica ao modo como a estrutura social se expressa nos objetos da cultura e determina a relação entre sujeito e objetoConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/42967/Ive%20Braga.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Educação: História, Política, SociedadePUC-SPBrasilFaculdade de EducaçãoTichý, Miroslav [1926-2011]ArteEstéticaArtSenses regressionAestheticsCNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAOMiroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo modernoMiroslav Tichý: a lyric at the height of senses regression: a study about the drama of the modern individualinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTIve Braga.pdf.txtIve Braga.pdf.txtExtracted texttext/plain415520https://repositorio.pucsp.br/xmlui/bitstream/handle/20306/4/Ive%20Braga.pdf.txt20fc504f7b4ea2b9ebec0291d7ef9dc6MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
dc.title.alternative.eng.fl_str_mv Miroslav Tichý: a lyric at the height of senses regression: a study about the drama of the modern individual
title Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
spellingShingle Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
Braga, Ive
Tichý, Miroslav [1926-2011]
Arte
Estética
Art
Senses regression
Aesthetics
CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
title_short Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
title_full Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
title_fullStr Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
title_full_unstemmed Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
title_sort Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno
author Braga, Ive
author_facet Braga, Ive
author_role author
dc.contributor.advisor1.fl_str_mv Sass, Odair
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4380150P4
dc.contributor.author.fl_str_mv Braga, Ive
contributor_str_mv Sass, Odair
dc.subject.eng.fl_str_mv Tichý, Miroslav [1926-2011]
Arte
Estética
Art
Senses regression
Aesthetics
topic Tichý, Miroslav [1926-2011]
Arte
Estética
Art
Senses regression
Aesthetics
CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::EDUCACAO::TOPICOS ESPECIFICOS DE EDUCACAO
description This research takes art as an empirical source to analyze the individual's experience in modernity. The sedimentation of historical and social content objectified in the form of artistic objects is, therefore, the material adopted to explore philosophically the specters of the individual's perception, which manifest themselves in reason, emotion, senses, memory and consciousness. In order to examine these propositions, this research focuses on the prospect of Miroslav Tichý (1926 - 2011), plastic artist and photographer from the Czech Republic. Miroslav Tichý wandered around the streets of the small town where he lived, collecting some discarded objects to manufacture his rudimentary cameras that allowed him to capture a peculiar perspective of a modernity facet. The research elements were presented in four dimensions: material, immaterial, aesthetic and dramatic. This formal organization, which contemplates the theoretical concepts, the method and the analysis of the object of study, had the objective of reproducing the logic of the antagonistic spheres of society, which interact at the same time as they collide. The theoretical reference adopted for this study is the Critical theory of society, considering mainly the concepts of experience and its impoverishment, the individual and pseudo-individuation, developed by Walter Benjamin, Theodor W. Adorno, Max Horkheimer and Herbert Marcuse. The information extracted from the photographs of Miroslav Tichý were organized in four categories of analysis: city, people, bodies and objects. In association with the theoretical perspective presented, the data obtained allowed to explore the experience of the individual in the urban environment, the exaltation and depreciation of the woman, the decrepitude of corporeal matter and the new and more effective forms of repression, indicative elements of the hazy character of the individual in modernity. The themes developed focused on the movement of antagonistic social forces that, while promoting art for emancipation, reinforce the ideological prisms of domination proper of capitalism in the process of transforming culture into merchandise. The reflections raised allowed to criticize the way the social structure expresses itself in the objects of culture and determines the relationship between subject and object
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-08-24T12:53:03Z
dc.date.issued.fl_str_mv 2017-08-15
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dc.identifier.citation.fl_str_mv Braga, Ive. Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno. 2017. 198 f. Tese (Doutorado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20306
identifier_str_mv Braga, Ive. Miroslav Tichý: um lírico no auge da regressão dos sentidos: um estudo sobre o drama do indivíduo moderno. 2017. 198 f. Tese (Doutorado em Educação: História, Política, Sociedade) - Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
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