Delicadas coreografias: instantâneos de uma terapia ocupacional

• Autor(a) principal: Liberman, Flavia
• Data de Publicação: 2007
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/15625
• topic: Procedimentos em terapia ocupacional; Corpo; Dança; Subjetividade; Grupo; Terapia ocupacional; Subjetividade; Terapia pela danca; Corpo humano; Procedures in occupational therapy; Body; Dancing; Subjectivity; Group; CNPQ::CIENCIAS HUMANAS::PSICOLOGIA

Taking cartography as its methodological trajectory, this paper aims at describing, discussing and, above all, articulating a series of experiences carried through in different clinic contexts occupational therapy clinic, graduation teaching and groups of study using body approaches to promote the meeting between bodies/ individuals. The records outlined here are meant not only to present the procedures that guide the clinic, but also to identify and question some of their conducts through the analysis of scenes, lines and statements. The referred records were reached through the assemblage of text and photographs that seek to catch snapshots of body expression. Theoretical studies on body and subjectivity not only related to occupational therapy but also to philosophy, art and education contribute to reach the concept on what was effected in the bodies as a result of the meetings between the participants and the suggested proposals. Throughout seven series of procedures warmingup,photographing, looking, touching,moving and pausing,improvising,talkingandstop talking some concepts are discussed from the experiences and wander around objective and subjective, visible and invisible, individual and collective aspects. The verbs in the infinitive used throughout the thesis, on both the naming of the series of procedures and the contours that close this paper, aim to express the dynamism of the processes. Inspired by Espinosa, Stern, G. Deleuze and F. Guattari among others, the investigations carried through here are guided by the idea that the capacity to affect and to be affected constitutes an engine for the individual to get closer to their own and other s body, to/in environments. When getting closer takes place, it sometimes creates events in different modulations of intensity, capable of mobilizing affection, thoughts, images and memories likely to be recognized and shared by the group. In this thesis I adopt as reference S. Keleman s conception of the body constructed by several vectors. It is the notion of body as pulse, open and connective, one that supports my practice, because it is in such meetings that getting closer takes place, turbulences occur, production of other existential repertoires solidify and can be expressed. Small events may resonate in other ways of functioning, living and presenting before the other, creating realities. Thus, this paper concerns a possible production of sensitivities: more closely related to the vital pulse itself, to the contacts with the individual and with other worlds, enabling deeper readings of the living, of the body and of the possibilities to construct other ways to exist, particular ones, resistant to the attacks and to the social models that restrict the power and the production of creative and vibrant realities of life