Estudo da audição de músicos de rock and roll

Detalhes bibliográficos
Autor(a) principal: Maia, Juliana Rollo Fernandes
Data de Publicação: 2006
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/12059
Resumo: When we think about music, it is difficult to imagine that it may cause a hearing damage. Nevertheless, when played at high sound pressure levels, music can be harmful to man. Rock and roll is performed in excessive sound pressure levels. Several studies have demonstrated that rock concert s sound levels can range from 100 to 115 dB (A), with peak levels of 150 dB (A). Objective: to study the rock and roll musician´s hearing, analyzing the results of the audiological evaluation and verifying whether time of musical exposure is a source of variability. Methods: a questionnaire with objective of raising the personal data, health, exposure to amplified music, complaints and variable was applied to the musicians, that could influence the found results. 23 rock and roll musicians (46 ears) were evaluated by means of pure tone audiometry, immitance audiometry and transient/distortion product evoked otoacoustic emissions. Results: the main auditory complaints were: intolerance for loud sounds (48%) and tinnitus (39%). The results also revealed that all musicians (100%) presented hearing thresholds within normal range; however, 19 ears (41%) had presented audiometric notch in 4000-6000 Hz. 100% of the ears presented type A tympanogram and acoustic reflexes present in 500, 1000 and 2000 Hz bilaterally. In 4000 Hz, 65,2% of the reflexes were present and 34,8%, absent. TEOAEs were presented in 39% and absent in 61%. In the OAEPD test more than 50% of the ears had response presence on the evaluated frequencies. Conclusions: the results had shown that although hearing loss was not present in the studied population, already exists alteration in the OAE register, which suggests alteration of the cochlear function. In relation to the exposure time, the results demonstrated that the musicians with career time over 10 years statistically presents significant difference compared to those with career time minor than 10 years
id PUC_SP-1_e787d2ff03035780af148801a0cdeef3
oai_identifier_str oai:repositorio.pucsp.br:handle/12059
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling Russo, Ieda Chaves PachecoMaia, Juliana Rollo Fernandes2016-04-27T18:12:15Z2007-09-102006-07-31Maia, Juliana Rollo Fernandes. Study of the hearing of rock and roll musicians. 2006. 84 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2006.https://tede2.pucsp.br/handle/handle/12059When we think about music, it is difficult to imagine that it may cause a hearing damage. Nevertheless, when played at high sound pressure levels, music can be harmful to man. Rock and roll is performed in excessive sound pressure levels. Several studies have demonstrated that rock concert s sound levels can range from 100 to 115 dB (A), with peak levels of 150 dB (A). Objective: to study the rock and roll musician´s hearing, analyzing the results of the audiological evaluation and verifying whether time of musical exposure is a source of variability. Methods: a questionnaire with objective of raising the personal data, health, exposure to amplified music, complaints and variable was applied to the musicians, that could influence the found results. 23 rock and roll musicians (46 ears) were evaluated by means of pure tone audiometry, immitance audiometry and transient/distortion product evoked otoacoustic emissions. Results: the main auditory complaints were: intolerance for loud sounds (48%) and tinnitus (39%). The results also revealed that all musicians (100%) presented hearing thresholds within normal range; however, 19 ears (41%) had presented audiometric notch in 4000-6000 Hz. 100% of the ears presented type A tympanogram and acoustic reflexes present in 500, 1000 and 2000 Hz bilaterally. In 4000 Hz, 65,2% of the reflexes were present and 34,8%, absent. TEOAEs were presented in 39% and absent in 61%. In the OAEPD test more than 50% of the ears had response presence on the evaluated frequencies. Conclusions: the results had shown that although hearing loss was not present in the studied population, already exists alteration in the OAE register, which suggests alteration of the cochlear function. In relation to the exposure time, the results demonstrated that the musicians with career time over 10 years statistically presents significant difference compared to those with career time minor than 10 yearsAo pensarmos na música, fica difícil imaginar que esta possa causar algum dano à audição. Porém, quando executada em níveis excessivos de pressão sonora, a música pode provocar efeitos auditivos prejudiciais ao homem. O Rock and roll tem como uma de suas principais características os níveis sonoros elevados. Diversos estudos já constataram que os níveis encontrados em concertos de Rock variam de 100 a 115 dB (A), alcançando picos de 150 dB (A). Objetivo: estudar a audição de músicos de Rock and roll, analisando os resultados da avaliação audiológica e investigar a influência da variável tempo de exposição à música amplificada na audição. Método: foi aplicado um questionário em 23 músicos, com objetivo de levantar os dados pessoais, de saúde, de exposição à música amplificada, queixas e variáveis que pudessem influenciar os resultados encontrados. Os 23 músicos foram avaliados (46 orelhas) por meio da audiometria tonal liminar, audiometria vocal, medidas de imitância acústica e emissões otoacústicas (evocadas por estímulo transiente EOAT e produto de distorção EOAPD). Resultados: as principais queixas auditivas encontradas foram: intolerância para sons intensos (48%) e zumbido (39%). Todos os músicos avaliados (100%) apresentaram limiares auditivos dentro dos padrões de normalidade bilateralmente, porém 19 (41%) das orelhas apresentaram entalhe audiométrico em 4000-6000 Hz; 100% das orelhas apresentaram timpanograma tipo A bilateralmente e reflexo acústico contralateral presente em 500, 1000 e 2000 Hz bilateralmente. Em 4000 Hz, 65,2% dos reflexos acústicos estavam presentes e 34,8% ausentes. 39% apresentaram EOAT presentes e 61% ausentes. No teste de EOAPD houve presença de resposta nas freqüências avaliadas em mais de 50% das orelhas. Conclusões: os resultados mostraram que apesar de não ocorrer perda auditiva na população estudada, já existe alteração no registro das EOA, o que sugere alteração da função coclear. Com relação ao tempo de exposição, os resultados demonstraram que os músicos com carreira superior a 10 anos apresentaram diferença estatisticamente significante comparados aos que estão expostos há menos tempoCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/24920/dissertacao.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em FonoaudiologiaPUC-SPBRFonoaudiologiaHearingHearing testsMusicNoise effectsAudicaoTestes auditivosMusicaEfeitos do ruidoCNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIAEstudo da audição de músicos de rock and rollStudy of the hearing of rock and roll musiciansinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTdissertacao.pdf.txtdissertacao.pdf.txtExtracted texttext/plain129413https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/3/dissertacao.pdf.txt67bd7be2b444d0dab4bb9513c0a98f83MD53ORIGINALdissertacao.pdfapplication/pdf416311https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/1/dissertacao.pdf6d42df4a4ba3be204ae74895c6628e34MD51THUMBNAILdissertacao.pdf.jpgdissertacao.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/2/dissertacao.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/120592022-04-27 18:09:19.984oai:repositorio.pucsp.br:handle/12059Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T21:09:19Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Estudo da audição de músicos de rock and roll
dc.title.alternative.eng.fl_str_mv Study of the hearing of rock and roll musicians
title Estudo da audição de músicos de rock and roll
spellingShingle Estudo da audição de músicos de rock and roll
Maia, Juliana Rollo Fernandes
Hearing
Hearing tests
Music
Noise effects
Audicao
Testes auditivos
Musica
Efeitos do ruido
CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
title_short Estudo da audição de músicos de rock and roll
title_full Estudo da audição de músicos de rock and roll
title_fullStr Estudo da audição de músicos de rock and roll
title_full_unstemmed Estudo da audição de músicos de rock and roll
title_sort Estudo da audição de músicos de rock and roll
author Maia, Juliana Rollo Fernandes
author_facet Maia, Juliana Rollo Fernandes
author_role author
dc.contributor.advisor1.fl_str_mv Russo, Ieda Chaves Pacheco
dc.contributor.author.fl_str_mv Maia, Juliana Rollo Fernandes
contributor_str_mv Russo, Ieda Chaves Pacheco
dc.subject.eng.fl_str_mv Hearing
Hearing tests
Music
Noise effects
topic Hearing
Hearing tests
Music
Noise effects
Audicao
Testes auditivos
Musica
Efeitos do ruido
CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
dc.subject.por.fl_str_mv Audicao
Testes auditivos
Musica
Efeitos do ruido
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS DA SAUDE::FONOAUDIOLOGIA
description When we think about music, it is difficult to imagine that it may cause a hearing damage. Nevertheless, when played at high sound pressure levels, music can be harmful to man. Rock and roll is performed in excessive sound pressure levels. Several studies have demonstrated that rock concert s sound levels can range from 100 to 115 dB (A), with peak levels of 150 dB (A). Objective: to study the rock and roll musician´s hearing, analyzing the results of the audiological evaluation and verifying whether time of musical exposure is a source of variability. Methods: a questionnaire with objective of raising the personal data, health, exposure to amplified music, complaints and variable was applied to the musicians, that could influence the found results. 23 rock and roll musicians (46 ears) were evaluated by means of pure tone audiometry, immitance audiometry and transient/distortion product evoked otoacoustic emissions. Results: the main auditory complaints were: intolerance for loud sounds (48%) and tinnitus (39%). The results also revealed that all musicians (100%) presented hearing thresholds within normal range; however, 19 ears (41%) had presented audiometric notch in 4000-6000 Hz. 100% of the ears presented type A tympanogram and acoustic reflexes present in 500, 1000 and 2000 Hz bilaterally. In 4000 Hz, 65,2% of the reflexes were present and 34,8%, absent. TEOAEs were presented in 39% and absent in 61%. In the OAEPD test more than 50% of the ears had response presence on the evaluated frequencies. Conclusions: the results had shown that although hearing loss was not present in the studied population, already exists alteration in the OAE register, which suggests alteration of the cochlear function. In relation to the exposure time, the results demonstrated that the musicians with career time over 10 years statistically presents significant difference compared to those with career time minor than 10 years
publishDate 2006
dc.date.issued.fl_str_mv 2006-07-31
dc.date.available.fl_str_mv 2007-09-10
dc.date.accessioned.fl_str_mv 2016-04-27T18:12:15Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Maia, Juliana Rollo Fernandes. Study of the hearing of rock and roll musicians. 2006. 84 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2006.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/12059
identifier_str_mv Maia, Juliana Rollo Fernandes. Study of the hearing of rock and roll musicians. 2006. 84 f. Dissertação (Mestrado em Fonoaudiologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2006.
url https://tede2.pucsp.br/handle/handle/12059
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Fonoaudiologia
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Fonoaudiologia
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/3/dissertacao.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/1/dissertacao.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/12059/2/dissertacao.pdf.jpg
bitstream.checksum.fl_str_mv 67bd7be2b444d0dab4bb9513c0a98f83
6d42df4a4ba3be204ae74895c6628e34
cc73c4c239a4c332d642ba1e7c7a9fb2
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809278012708880384