Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique

Detalhes bibliográficos
Autor(a) principal: Silva, Rosyane Maria da
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/23230
Resumo: This study analyzed the meanings and symbologies that black Brazilian and African women establish for the use of Turbans (Iqhiya, Turban, Headwrap, Doek, Ojá) in their lives in the cities of Cape Town (South Africa), Maputo (Mozambique), Franca, São Paulo and Salvador (Brazil). This research sought to discover historical and cultural meanings in the use of Turbans, as well as to investigate how their use represents a connection between these countries in the diaspora, which may influence the self-esteem, resistance, sense of belonging and empowerment of these women. In addition, we also aimed to demonstrate the differences in the use of the Turban and new ways of using and signifying it. To this end, we interviewed black African and Brazilian women, reinforcing the importance of orality and black memories. The analysis of the interviews allowed the identification of three master keys for the interpretation of the uses of Turbans: 1) Re-existences, 2) Identities and 3) Ongoing transits: Africa and diasporas. Equally, offspring carrying has become a key element to pack and sew these continental wefts, as in addition to building cultural identification, strengthening the mother's identity and creating a maternal bond, it rescues the ancestral way of carrying, highlighting the importance of cultural maintenance and reexistence of black population. Based on these cultural expressions, we associate this relationship with the fabric itself - admittedly necessary - both for Turbantar (the act of wearing Turbans) and for carrying offspring –, especially with the Capulanas, since they take us directly to Mozambique, and are, literally, a cloth that tells the stories of a people. The analysis of the use of Turbans, Capulanas and carrying demonstrated that these identity components have a greater number of similarities than differences in the contexts in question. It is noteworthy that despite the long period elapsed from the experiences of enslavement and the Atlantic distances between the countries, we found similar models, ways of tying and uses of the Turbans as well as carrying, which established connections in terms of aesthetics and culture, in addition to crowning black women here and there. We conclude that for these women, ancestral connections were maintained based on such an imposing and diverse outfit, which full of stories, ancestry, identities and cultures. Turbantar and carrying are evidently linked to the memories of corporeality, beauty, resistance, blackness, identities and reconnection to the ancestry of black women
id PUC_SP-1_f7050b307c63f047a69abc3c86fe7a29
oai_identifier_str oai:repositorio.pucsp.br:handle/23230
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling Antonacci, Maria Antonieta Martinezhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8701398H0Silva, Rosyane Maria da2020-08-26T11:24:55Z2020-08-07Silva, Rosyane Maria da. Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique. 2020. 141 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.https://tede2.pucsp.br/handle/handle/23230This study analyzed the meanings and symbologies that black Brazilian and African women establish for the use of Turbans (Iqhiya, Turban, Headwrap, Doek, Ojá) in their lives in the cities of Cape Town (South Africa), Maputo (Mozambique), Franca, São Paulo and Salvador (Brazil). This research sought to discover historical and cultural meanings in the use of Turbans, as well as to investigate how their use represents a connection between these countries in the diaspora, which may influence the self-esteem, resistance, sense of belonging and empowerment of these women. In addition, we also aimed to demonstrate the differences in the use of the Turban and new ways of using and signifying it. To this end, we interviewed black African and Brazilian women, reinforcing the importance of orality and black memories. The analysis of the interviews allowed the identification of three master keys for the interpretation of the uses of Turbans: 1) Re-existences, 2) Identities and 3) Ongoing transits: Africa and diasporas. Equally, offspring carrying has become a key element to pack and sew these continental wefts, as in addition to building cultural identification, strengthening the mother's identity and creating a maternal bond, it rescues the ancestral way of carrying, highlighting the importance of cultural maintenance and reexistence of black population. Based on these cultural expressions, we associate this relationship with the fabric itself - admittedly necessary - both for Turbantar (the act of wearing Turbans) and for carrying offspring –, especially with the Capulanas, since they take us directly to Mozambique, and are, literally, a cloth that tells the stories of a people. The analysis of the use of Turbans, Capulanas and carrying demonstrated that these identity components have a greater number of similarities than differences in the contexts in question. It is noteworthy that despite the long period elapsed from the experiences of enslavement and the Atlantic distances between the countries, we found similar models, ways of tying and uses of the Turbans as well as carrying, which established connections in terms of aesthetics and culture, in addition to crowning black women here and there. We conclude that for these women, ancestral connections were maintained based on such an imposing and diverse outfit, which full of stories, ancestry, identities and cultures. Turbantar and carrying are evidently linked to the memories of corporeality, beauty, resistance, blackness, identities and reconnection to the ancestry of black womenEste estudo analisou quais os significados e as simbologias que mulheres negras brasileiras e africanas estabelecem para o uso de Turbantes (Iqhiya, Turban, Headwrap, Doek, Ojá) em suas vidas nas cidades de Cidade do Cabo (África do Sul), Maputo (Moçambique), Franca, São Paulo e Salvador (Brasil). Esta pesquisa buscou descobrir significados histórico-culturais no uso de Turbantes, bem como investigar como seu uso representa uma conexão entre esses países na diáspora, podendo influenciar na autoestima, resistência, pertencimento e empoderamento dessas mulheres. Ademais, também visamos demonstrar as diferenças presentes no uso do Turbante e novas formas de usá-lo e significá-lo. Para tanto, entrevistamos mulheres negras africanas e brasileiras, reforçando a importância da oralidade e das memórias negras. A análise das entrevistas permitiu a identificação de três chaves-mestras para interpretação dos usos dos Turbantes: 1) Reexistências, 2) Identidades e 3) Trânsitos em curso: África e diásporas. Igualmente, o carregar se tornou peça-chave para embalar e costurar essas tramas continentais, pois além de construir identificação cultural, fortalecimento identitário da mãe e criação de vínculo materno, resgata a forma ancestral de carregar, evidenciando a importância da manutenção cultural e reexistência da população negra. A partir dessas expressões culturais, associamos essa relação ao próprio tecido – assumidamente necessário –, tanto para Turbantar quanto para carregar –, em especial com as Capulanas, visto que elas nos levam diretamente a Moçambique, e são, literalmente, um pano que conta histórias de um povo. A análise do uso de Turbantes, das Capulanas e do carregar demonstrou que esses componentes identitários apresentam maior número de semelhanças que de diferenças nos contextos em questão. Destaca-se que apesar do longo período decorrido das experiências de escravização e das distâncias atlânticas entre os países, encontramos modelos, amarrações e usos semelhantes dos Turbantes e do modo de carregar, dialogando nos quesitos estética e cultura, além de coroar mulheres negras lá e cá. Concluímos que para essas mulheres as conexões ancestrais se mantiveram a partir dessa indumentária imponente e diversificada, carregada de histórias, ancestralidades, identidades e culturas. O Turbantar e o carregar estão intensamente ligados às memórias de corporeidade, beleza, resistências, negritude, identidades e resgate de ancestralidades das mulheres negrasConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/52309/Rosyane%20Maria%20da%20Silva.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBrasilFaculdade de Ciências SociaisTurbantesNegras - VestuárioDiáspora africanaBrasil - Civilização - Influências africanasTurbansWomen, Black - ClothingBrazil - Civilization - African influencesAfrican diasporaCNPQ::CIENCIAS HUMANAS::HISTORIAIqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e MoçambiqueTurbans and cloths connecting black women: Brazil, South Africa e Mozambiqueinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRosyane Maria da Silva.pdf.txtRosyane Maria da Silva.pdf.txtExtracted texttext/plain281478https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/4/Rosyane%20Maria%20da%20Silva.pdf.txtd48da15336aadefda7295a08c85ba6b4MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALRosyane Maria da Silva.pdfRosyane Maria da Silva.pdfapplication/pdf7095600https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/2/Rosyane%20Maria%20da%20Silva.pdfc1e0c38600aee1eee064319c7e15905dMD52THUMBNAILRosyane Maria da Silva.pdf.jpgRosyane Maria da Silva.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/3/Rosyane%20Maria%20da%20Silva.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD53handle/232302022-04-28 16:13:40.768oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T19:13:40Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
dc.title.alternative.eng.fl_str_mv Turbans and cloths connecting black women: Brazil, South Africa e Mozambique
title Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
spellingShingle Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
Silva, Rosyane Maria da
Turbantes
Negras - Vestuário
Diáspora africana
Brasil - Civilização - Influências africanas
Turbans
Women, Black - Clothing
Brazil - Civilization - African influences
African diaspora
CNPQ::CIENCIAS HUMANAS::HISTORIA
title_short Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
title_full Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
title_fullStr Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
title_full_unstemmed Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
title_sort Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique
author Silva, Rosyane Maria da
author_facet Silva, Rosyane Maria da
author_role author
dc.contributor.advisor1.fl_str_mv Antonacci, Maria Antonieta Martinez
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8701398H0
dc.contributor.author.fl_str_mv Silva, Rosyane Maria da
contributor_str_mv Antonacci, Maria Antonieta Martinez
dc.subject.por.fl_str_mv Turbantes
Negras - Vestuário
Diáspora africana
Brasil - Civilização - Influências africanas
topic Turbantes
Negras - Vestuário
Diáspora africana
Brasil - Civilização - Influências africanas
Turbans
Women, Black - Clothing
Brazil - Civilization - African influences
African diaspora
CNPQ::CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Turbans
Women, Black - Clothing
Brazil - Civilization - African influences
African diaspora
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::HISTORIA
description This study analyzed the meanings and symbologies that black Brazilian and African women establish for the use of Turbans (Iqhiya, Turban, Headwrap, Doek, Ojá) in their lives in the cities of Cape Town (South Africa), Maputo (Mozambique), Franca, São Paulo and Salvador (Brazil). This research sought to discover historical and cultural meanings in the use of Turbans, as well as to investigate how their use represents a connection between these countries in the diaspora, which may influence the self-esteem, resistance, sense of belonging and empowerment of these women. In addition, we also aimed to demonstrate the differences in the use of the Turban and new ways of using and signifying it. To this end, we interviewed black African and Brazilian women, reinforcing the importance of orality and black memories. The analysis of the interviews allowed the identification of three master keys for the interpretation of the uses of Turbans: 1) Re-existences, 2) Identities and 3) Ongoing transits: Africa and diasporas. Equally, offspring carrying has become a key element to pack and sew these continental wefts, as in addition to building cultural identification, strengthening the mother's identity and creating a maternal bond, it rescues the ancestral way of carrying, highlighting the importance of cultural maintenance and reexistence of black population. Based on these cultural expressions, we associate this relationship with the fabric itself - admittedly necessary - both for Turbantar (the act of wearing Turbans) and for carrying offspring –, especially with the Capulanas, since they take us directly to Mozambique, and are, literally, a cloth that tells the stories of a people. The analysis of the use of Turbans, Capulanas and carrying demonstrated that these identity components have a greater number of similarities than differences in the contexts in question. It is noteworthy that despite the long period elapsed from the experiences of enslavement and the Atlantic distances between the countries, we found similar models, ways of tying and uses of the Turbans as well as carrying, which established connections in terms of aesthetics and culture, in addition to crowning black women here and there. We conclude that for these women, ancestral connections were maintained based on such an imposing and diverse outfit, which full of stories, ancestry, identities and cultures. Turbantar and carrying are evidently linked to the memories of corporeality, beauty, resistance, blackness, identities and reconnection to the ancestry of black women
publishDate 2020
dc.date.accessioned.fl_str_mv 2020-08-26T11:24:55Z
dc.date.issued.fl_str_mv 2020-08-07
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Silva, Rosyane Maria da. Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique. 2020. 141 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/23230
identifier_str_mv Silva, Rosyane Maria da. Iqhiya: turbantes e tecidos conectando mulheres negras: Brasil, África do Sul e Moçambique. 2020. 141 f. Dissertação (Mestrado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.
url https://tede2.pucsp.br/handle/handle/23230
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em História
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/4/Rosyane%20Maria%20da%20Silva.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/1/license.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/2/Rosyane%20Maria%20da%20Silva.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/23230/3/Rosyane%20Maria%20da%20Silva.pdf.jpg
bitstream.checksum.fl_str_mv d48da15336aadefda7295a08c85ba6b4
bd3efa91386c1718a7f26a329fdcb468
c1e0c38600aee1eee064319c7e15905d
cc73c4c239a4c332d642ba1e7c7a9fb2
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809277905653465088