Novelization and Serialization: Or, Forms of Time Otherwise
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Bakhtiniana |
Texto Completo: | https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995 |
Resumo: | This article explores Bakhtin’s notion of novelization in relation to his theory of time and serialization. For Bakhtin, the novel is historical without history. He traces the novel’s history to ancient Greece, without giving it a fixed identity, seeing it in terms of tendencies and crises. Novelization, for Bakhtin, is a means of opening up literary history to a more dialogic analysis of form and a discursive mode to critically assess ideologies. He underlines the novel’s destabilizing ability, its decentralizing of discourse, and its accommodation of unofficial and alien voices. Bakhtin’s suggestive historical account of the novel’s development allows us to extend his thinking and sketch an outline of novelization as a future conditional, rather than a generic law. Bakhtin offers a problematic version of modernity, in which the novel activates time’s purchase on the present. But because of modernity’s propensity for crisis, time is suspended. The article also examines a chronotope of the novel about which Bakhtin has little to say: the time/space of nation. Benedict Anderson and Etienne Balibar, whose interests include the themes of comparatism, multiculturalism, and postcolonialism, question the idea of nation through their analyses that privilege the novel genre. |
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Novelization and Serialization: Or, Forms of Time OtherwiseRomancização ou serialização: ou diferentes formas de tempoNovelizationSerializationIdeologiesModernityNationRomancizaçãoSerializaçãoIdeologiasModernidadeNaçãoThis article explores Bakhtin’s notion of novelization in relation to his theory of time and serialization. For Bakhtin, the novel is historical without history. He traces the novel’s history to ancient Greece, without giving it a fixed identity, seeing it in terms of tendencies and crises. Novelization, for Bakhtin, is a means of opening up literary history to a more dialogic analysis of form and a discursive mode to critically assess ideologies. He underlines the novel’s destabilizing ability, its decentralizing of discourse, and its accommodation of unofficial and alien voices. Bakhtin’s suggestive historical account of the novel’s development allows us to extend his thinking and sketch an outline of novelization as a future conditional, rather than a generic law. Bakhtin offers a problematic version of modernity, in which the novel activates time’s purchase on the present. But because of modernity’s propensity for crisis, time is suspended. The article also examines a chronotope of the novel about which Bakhtin has little to say: the time/space of nation. Benedict Anderson and Etienne Balibar, whose interests include the themes of comparatism, multiculturalism, and postcolonialism, question the idea of nation through their analyses that privilege the novel genre. Este artigo explora a noção bakhtiniana de romancização no que se refere à sua teoria de tempo e serialização. Bakhtin, para quem o romance é histórico, mas sem história, remonta à Grécia antiga para traçar a história do romance. Sem dar a ele uma identidade fixa, compreende-o em termos de tendências e crises. A romancização, para Bakhtin, é um meio de tornar a história literária acessível a uma análise mais dialógica da forma e um modo discursivo para avaliar ideologias criticamente. Ele enfatiza a habilidade desestabilizadora do romance, sua descentralização do discurso e sua acomodação de vozes não oficiais e estrangeiras. Seu sugestivo relato histórico do desenvolvimento do romance nos permite estender seu pensamento e esboçar a romancização mais como uma condição futura do que uma lei genérica. Bakhtin oferece uma versão problemática de modernidade, na qual o romance ativa a influência do tempo sobre o presente; no entanto, por causa da propensão à crise da modernidade, o tempo é suspenso. O artigo também examina um cronotopo do romance sobre o qual Bakhtin tem pouco a dizer: o tempo/espaço da nação. Benedict Anderson e Etienne Balibar, cujos interesses incluem temas relacionados ao comparatismo, ao multiculturalismo e ao pós-colonialismo, questionam a ideia de nação por meio de análises em que o gênero romanesco é privilegiado.Pontifícia Universidade Católica de São Paulo2015-11-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995Bakhtiniana. Revista de Estudos do Discurso ; Vol. 11 No. 1 (2016); Eng. 165-182 / Port. 187-207Bakhtiniana. Revista de Estudos do Discurso; Vol. 11 Núm. 1 (2016); Eng. 165-182 / Port. 187-207Bakhtiniana. Revista de Estudos do Discurso; Vol. 11 No. 1 (2016); Eng. 165-182 / Port. 187-207Bakhtiniana. Revista de Estudos do Discurso; v. 11 n. 1 (2016); Eng. 165-182 / Port. 187-207Бахтиниана: Журнал дискурсивных исследований; Том 11 № 1 (2016); Eng. 165-182 / Port. 187-2072176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPengporhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995/18217https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995/18218Hitchcock, Peterinfo:eu-repo/semantics/openAccess2016-11-06T16:10:17Zoai:ojs.pkp.sfu.ca:article/24995Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2016-11-06T16:10:17Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Novelization and Serialization: Or, Forms of Time Otherwise Romancização ou serialização: ou diferentes formas de tempo |
title |
Novelization and Serialization: Or, Forms of Time Otherwise |
spellingShingle |
Novelization and Serialization: Or, Forms of Time Otherwise Hitchcock, Peter Novelization Serialization Ideologies Modernity Nation Romancização Serialização Ideologias Modernidade Nação |
title_short |
Novelization and Serialization: Or, Forms of Time Otherwise |
title_full |
Novelization and Serialization: Or, Forms of Time Otherwise |
title_fullStr |
Novelization and Serialization: Or, Forms of Time Otherwise |
title_full_unstemmed |
Novelization and Serialization: Or, Forms of Time Otherwise |
title_sort |
Novelization and Serialization: Or, Forms of Time Otherwise |
author |
Hitchcock, Peter |
author_facet |
Hitchcock, Peter |
author_role |
author |
dc.contributor.author.fl_str_mv |
Hitchcock, Peter |
dc.subject.por.fl_str_mv |
Novelization Serialization Ideologies Modernity Nation Romancização Serialização Ideologias Modernidade Nação |
topic |
Novelization Serialization Ideologies Modernity Nation Romancização Serialização Ideologias Modernidade Nação |
description |
This article explores Bakhtin’s notion of novelization in relation to his theory of time and serialization. For Bakhtin, the novel is historical without history. He traces the novel’s history to ancient Greece, without giving it a fixed identity, seeing it in terms of tendencies and crises. Novelization, for Bakhtin, is a means of opening up literary history to a more dialogic analysis of form and a discursive mode to critically assess ideologies. He underlines the novel’s destabilizing ability, its decentralizing of discourse, and its accommodation of unofficial and alien voices. Bakhtin’s suggestive historical account of the novel’s development allows us to extend his thinking and sketch an outline of novelization as a future conditional, rather than a generic law. Bakhtin offers a problematic version of modernity, in which the novel activates time’s purchase on the present. But because of modernity’s propensity for crisis, time is suspended. The article also examines a chronotope of the novel about which Bakhtin has little to say: the time/space of nation. Benedict Anderson and Etienne Balibar, whose interests include the themes of comparatism, multiculturalism, and postcolonialism, question the idea of nation through their analyses that privilege the novel genre. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995 |
url |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995/18217 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/24995/18218 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Bakhtiniana. Revista de Estudos do Discurso ; Vol. 11 No. 1 (2016); Eng. 165-182 / Port. 187-207 Bakhtiniana. Revista de Estudos do Discurso; Vol. 11 Núm. 1 (2016); Eng. 165-182 / Port. 187-207 Bakhtiniana. Revista de Estudos do Discurso; Vol. 11 No. 1 (2016); Eng. 165-182 / Port. 187-207 Bakhtiniana. Revista de Estudos do Discurso; v. 11 n. 1 (2016); Eng. 165-182 / Port. 187-207 Бахтиниана: Журнал дискурсивных исследований; Том 11 № 1 (2016); Eng. 165-182 / Port. 187-207 2176-4573 reponame:Bakhtiniana instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
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Pontifícia Universidade Católica de São Paulo (PUC-SP) |
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PUC_SP |
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PUC_SP |
reponame_str |
Bakhtiniana |
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Bakhtiniana |
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Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
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