Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Bakhtiniana |
Texto Completo: | https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334 |
Resumo: | On the border between theater and dialogism, this article proposes reflections on the process of staging A Serpente, by Nelson Rodrigues in 2017 and 2018 by the Carmen Group - Body, Art, Movement and Staging Training Center. From a perspective that reports and analyzes at the same time steps of scenic creation, the text dialogues with the Bakhtinian theory, seeking to understand the constitutive aspects of three dialogical-theatrical experiments: the group's laboratory work, called Serpentes de laboratório, the assembly of A Serpente [The Serpent]in its Show format and the session of Disassembly Scenic. In addition to the theoretical, technical and methodological specificities of each one of the experiments, results signal aspects concerning authorship, reception and significance of the different situations of theatrical communication experienced by the group. |
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Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson RodriguesLaboratório, espetáculo, desmontagem: experimentos teatro[dia]lógicos do Carmen Group em A serpente, de Nelson RodriguesEncenaçãoA serpenteTeatrologiaDialogismoStagingA SerpenteTheater theoryDialogismOn the border between theater and dialogism, this article proposes reflections on the process of staging A Serpente, by Nelson Rodrigues in 2017 and 2018 by the Carmen Group - Body, Art, Movement and Staging Training Center. From a perspective that reports and analyzes at the same time steps of scenic creation, the text dialogues with the Bakhtinian theory, seeking to understand the constitutive aspects of three dialogical-theatrical experiments: the group's laboratory work, called Serpentes de laboratório, the assembly of A Serpente [The Serpent]in its Show format and the session of Disassembly Scenic. In addition to the theoretical, technical and methodological specificities of each one of the experiments, results signal aspects concerning authorship, reception and significance of the different situations of theatrical communication experienced by the group.Nas fronteiras entre teatrologia e dialogismo, o presente artigo propõe reflexões sobre o processo de encenação do texto A serpente, de Nelson Rodrigues, nos anos de 2017 e 2018 pelo Carmen Group – Centro de Treinamento em Corpo, Arte, Movimento e Encenação. A partir de uma perspectiva que relata e, ao mesmo tempo, analisa etapas de criação cênica, o texto dialoga com a teoria bakhtiniana, buscando compreender aspectos constitutivos de três experimentos teatro[dia]lógicos: a mostra do trabalho laboratorial do grupo, denominada Serpentes de laboratório, a montagem de A Serpente em seu formato de Espetáculo e a sessão de Desmontagem Cênica. Os resultados sinalizam, para além das especificidades teóricas, técnicas e metodológicas características de cada um dos experimentos, aspectos relacionados à autoria, recepção e significação nas diferentes situações de comunicação teatral vivenciadas.Pontifícia Universidade Católica de São Paulo2019-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334Bakhtiniana. Revista de Estudos do Discurso ; Vol. 14 No. 3 (2019); Port. 15-34 / Eng. 15-35Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 Núm. 3 (2019); Port. 15-34 / Eng. 15-35Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 No. 3 (2019); Port. 15-34 / Eng. 15-35Bakhtiniana. Revista de Estudos do Discurso; v. 14 n. 3 (2019); Port. 15-34 / Eng. 15-35Бахтиниана: Журнал дискурсивных исследований; Том 14 № 3 (2019); Port. 15-34 / Eng. 15-352176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334/29143https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334/29144Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discursoinfo:eu-repo/semantics/openAccessGonçalves, Jean Carlos2019-08-06T11:19:14Zoai:ojs.pkp.sfu.ca:article/38334Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2019-08-06T11:19:14Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues Laboratório, espetáculo, desmontagem: experimentos teatro[dia]lógicos do Carmen Group em A serpente, de Nelson Rodrigues |
title |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
spellingShingle |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues Gonçalves, Jean Carlos Encenação A serpente Teatrologia Dialogismo Staging A Serpente Theater theory Dialogism |
title_short |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
title_full |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
title_fullStr |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
title_full_unstemmed |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
title_sort |
Laboratory, Spectacle, Disassembly: Dialogical-theatrical Experiments of the Carmen Group in A serpente [The Serpent], by Nelson Rodrigues |
author |
Gonçalves, Jean Carlos |
author_facet |
Gonçalves, Jean Carlos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gonçalves, Jean Carlos |
dc.subject.por.fl_str_mv |
Encenação A serpente Teatrologia Dialogismo Staging A Serpente Theater theory Dialogism |
topic |
Encenação A serpente Teatrologia Dialogismo Staging A Serpente Theater theory Dialogism |
description |
On the border between theater and dialogism, this article proposes reflections on the process of staging A Serpente, by Nelson Rodrigues in 2017 and 2018 by the Carmen Group - Body, Art, Movement and Staging Training Center. From a perspective that reports and analyzes at the same time steps of scenic creation, the text dialogues with the Bakhtinian theory, seeking to understand the constitutive aspects of three dialogical-theatrical experiments: the group's laboratory work, called Serpentes de laboratório, the assembly of A Serpente [The Serpent]in its Show format and the session of Disassembly Scenic. In addition to the theoretical, technical and methodological specificities of each one of the experiments, results signal aspects concerning authorship, reception and significance of the different situations of theatrical communication experienced by the group. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334 |
url |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334/29143 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/38334/29144 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discurso info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discurso |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Bakhtiniana. Revista de Estudos do Discurso ; Vol. 14 No. 3 (2019); Port. 15-34 / Eng. 15-35 Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 Núm. 3 (2019); Port. 15-34 / Eng. 15-35 Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 No. 3 (2019); Port. 15-34 / Eng. 15-35 Bakhtiniana. Revista de Estudos do Discurso; v. 14 n. 3 (2019); Port. 15-34 / Eng. 15-35 Бахтиниана: Журнал дискурсивных исследований; Том 14 № 3 (2019); Port. 15-34 / Eng. 15-35 2176-4573 reponame:Bakhtiniana instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Bakhtiniana |
collection |
Bakhtiniana |
repository.name.fl_str_mv |
Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
||bakhtinianarevista@gmail.com |
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