Dialogism, polyphony and carnivalization in Dostoevsky

Detalhes bibliográficos
Autor(a) principal: Schaefer, Sérgio
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019
Resumo: Dostoevsky is the creator, in literature, of three new artistic forms: dialogism, polyphony and carnivalization. Dostoevsky is the artist. Bakhtin sees clearly how this writer was able to retain his creation in historical trends of ancient Menippus satire and at the same time, keep them fresh. Bakhtin is the critic. This article attempts to show Dostoevsky's creation through the critique of Bakhtin.
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spelling Dialogism, polyphony and carnivalization in DostoevskyDialogismo, polifonia e carnavalização em DostoiévskiMenippus satireDialogismPolyphonyCarnivalizationDostoevskySátira menipeiaDialogismoPolifoniaCarnavalizaçãoDostoiévskiDostoevsky is the creator, in literature, of three new artistic forms: dialogism, polyphony and carnivalization. Dostoevsky is the artist. Bakhtin sees clearly how this writer was able to retain his creation in historical trends of ancient Menippus satire and at the same time, keep them fresh. Bakhtin is the critic. This article attempts to show Dostoevsky's creation through the critique of Bakhtin.Dostoiévski é o criador, na literatura, de três novas formas artísticas: o dialogismo, a polifonia e a carnavalização. Dostoiévski é o artista. Bakhtin vê com clareza como esse escritor conseguiu conservar em sua criação as tendências históricas da antiga sátira menipeia e, ao mesmo tempo, renová-las. Bakhtin é o crítico. O presente artigo procura mostrar a criação de Dostoiévski através da crítica de Bakhtin.Pontifícia Universidade Católica de São Paulo2011-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019Bakhtiniana. Revista de Estudos do Discurso ; No. 6 (2011); 194-209Bakhtiniana. Revista de Estudos do Discurso; Núm. 6 (2011); 194-209Bakhtiniana. Revista de Estudos do Discurso; No. 6 (2011); 194-209Bakhtiniana. Revista de Estudos do Discurso; n. 6 (2011); 194-209Бахтиниана: Журнал дискурсивных исследований; № 6 (2011); 194-2092176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019/5534Schaefer, Sérgioinfo:eu-repo/semantics/openAccess2024-05-15T13:59:21Zoai:ojs.pkp.sfu.ca:article/6019Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2024-05-15T13:59:21Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Dialogism, polyphony and carnivalization in Dostoevsky
Dialogismo, polifonia e carnavalização em Dostoiévski
title Dialogism, polyphony and carnivalization in Dostoevsky
spellingShingle Dialogism, polyphony and carnivalization in Dostoevsky
Schaefer, Sérgio
Menippus satire
Dialogism
Polyphony
Carnivalization
Dostoevsky
Sátira menipeia
Dialogismo
Polifonia
Carnavalização
Dostoiévski
title_short Dialogism, polyphony and carnivalization in Dostoevsky
title_full Dialogism, polyphony and carnivalization in Dostoevsky
title_fullStr Dialogism, polyphony and carnivalization in Dostoevsky
title_full_unstemmed Dialogism, polyphony and carnivalization in Dostoevsky
title_sort Dialogism, polyphony and carnivalization in Dostoevsky
author Schaefer, Sérgio
author_facet Schaefer, Sérgio
author_role author
dc.contributor.author.fl_str_mv Schaefer, Sérgio
dc.subject.por.fl_str_mv Menippus satire
Dialogism
Polyphony
Carnivalization
Dostoevsky
Sátira menipeia
Dialogismo
Polifonia
Carnavalização
Dostoiévski
topic Menippus satire
Dialogism
Polyphony
Carnivalization
Dostoevsky
Sátira menipeia
Dialogismo
Polifonia
Carnavalização
Dostoiévski
description Dostoevsky is the creator, in literature, of three new artistic forms: dialogism, polyphony and carnivalization. Dostoevsky is the artist. Bakhtin sees clearly how this writer was able to retain his creation in historical trends of ancient Menippus satire and at the same time, keep them fresh. Bakhtin is the critic. This article attempts to show Dostoevsky's creation through the critique of Bakhtin.
publishDate 2011
dc.date.none.fl_str_mv 2011-11-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/6019/5534
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; No. 6 (2011); 194-209
Bakhtiniana. Revista de Estudos do Discurso; Núm. 6 (2011); 194-209
Bakhtiniana. Revista de Estudos do Discurso; No. 6 (2011); 194-209
Bakhtiniana. Revista de Estudos do Discurso; n. 6 (2011); 194-209
Бахтиниана: Журнал дискурсивных исследований; № 6 (2011); 194-209
2176-4573
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