From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias

Detalhes bibliográficos
Autor(a) principal: Henrique Vieira Lourenço, Thaynara
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416
Resumo: In theater, stage directions function as a particular genre in which the author’s voice is inscribed in the text to indicate the paths of representation. In Werewere-Liking Gnepo’s La veuve diyilèm (2003), they play a broader role. There is a narrative function, sometimes author’s, sometimes character’s that, in a dialogic movement of reception/understanding, triggers multiple independent and polyphonic voices and consciences. To verify this statement, we will discuss the Bakhtinian reflections that will be essential for this study.
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spelling From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias Do dialogismo à estética polifônica nas didascálias do teatro ritual de Werewere-Liking Gnepo DidascáliasBakhtinWerewere-Liking GnepoTeatro ritualDidascaliasBakhtinWerewere-Liking GnepoRitual theaterIn theater, stage directions function as a particular genre in which the author’s voice is inscribed in the text to indicate the paths of representation. In Werewere-Liking Gnepo’s La veuve diyilèm (2003), they play a broader role. There is a narrative function, sometimes author’s, sometimes character’s that, in a dialogic movement of reception/understanding, triggers multiple independent and polyphonic voices and consciences. To verify this statement, we will discuss the Bakhtinian reflections that will be essential for this study.No teatro, as didascálias funcionam como um gênero particular em que há a inscrição da voz do autor no texto para indicar os caminhos da representação. Na obra La veuve diyilèm (2003), de Werewere-Liking Gnepo, elas desempenham um papel mais amplo. Há uma função narrativa ora autora, ora personagem que, em um movimento dialógico de recepção/compreensão, desencadeia múltiplas vozes e consciências independentes e polifônicas. Para constatação dessa afirmação, discorreremos sobre as reflexões bakhtinianas que serão imprescindíveis para este estudo.Pontifícia Universidade Católica de São Paulo2022-08-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/5541610.1590/2176-4573p55416Bakhtiniana. Revista de Estudos do Discurso ; Vol. 17 No. 3 (2022); Port. 105-128 / Eng. 117-141Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 Núm. 3 (2022); Port. 105-128 / Eng. 117-141Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 No. 3 (2022); Port. 105-128 / Eng. 117-141Bakhtiniana. Revista de Estudos do Discurso; v. 17 n. 3 (2022); Port. 105-128 / Eng. 117-141Бахтиниана: Журнал дискурсивных исследований; Том 17 № 3 (2022); Port. 105-128 / Eng. 117-1412176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416/40248https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416/40249Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discursohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessHenrique Vieira Lourenço, Thaynara2022-08-11T13:44:12Zoai:ojs.pkp.sfu.ca:article/55416Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2022-08-11T13:44:12Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
Do dialogismo à estética polifônica nas didascálias do teatro ritual de Werewere-Liking Gnepo
title From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
spellingShingle From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
Henrique Vieira Lourenço, Thaynara
Didascálias
Bakhtin
Werewere-Liking Gnepo
Teatro ritual
Didascalias
Bakhtin
Werewere-Liking Gnepo
Ritual theater
title_short From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
title_full From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
title_fullStr From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
title_full_unstemmed From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
title_sort From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
author Henrique Vieira Lourenço, Thaynara
author_facet Henrique Vieira Lourenço, Thaynara
author_role author
dc.contributor.author.fl_str_mv Henrique Vieira Lourenço, Thaynara
dc.subject.por.fl_str_mv Didascálias
Bakhtin
Werewere-Liking Gnepo
Teatro ritual
Didascalias
Bakhtin
Werewere-Liking Gnepo
Ritual theater
topic Didascálias
Bakhtin
Werewere-Liking Gnepo
Teatro ritual
Didascalias
Bakhtin
Werewere-Liking Gnepo
Ritual theater
description In theater, stage directions function as a particular genre in which the author’s voice is inscribed in the text to indicate the paths of representation. In Werewere-Liking Gnepo’s La veuve diyilèm (2003), they play a broader role. There is a narrative function, sometimes author’s, sometimes character’s that, in a dialogic movement of reception/understanding, triggers multiple independent and polyphonic voices and consciences. To verify this statement, we will discuss the Bakhtinian reflections that will be essential for this study.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416
10.1590/2176-4573p55416
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416
identifier_str_mv 10.1590/2176-4573p55416
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416/40248
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/55416/40249
dc.rights.driver.fl_str_mv Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discurso
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discurso
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 17 No. 3 (2022); Port. 105-128 / Eng. 117-141
Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 Núm. 3 (2022); Port. 105-128 / Eng. 117-141
Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 No. 3 (2022); Port. 105-128 / Eng. 117-141
Bakhtiniana. Revista de Estudos do Discurso; v. 17 n. 3 (2022); Port. 105-128 / Eng. 117-141
Бахтиниана: Журнал дискурсивных исследований; Том 17 № 3 (2022); Port. 105-128 / Eng. 117-141
2176-4573
reponame:Bakhtiniana
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Bakhtiniana
collection Bakhtiniana
repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||bakhtinianarevista@gmail.com
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