All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies

Detalhes bibliográficos
Autor(a) principal: Duarte, Eduardo
Data de Publicação: 2021
Outros Autores: Ramos, Gustavo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/54206
Resumo: This paper investigates the projections of the social imaginary on the future of the human body in the cinematographic image of science fiction. We seek, therefore, to understand how images of the future of mankind play out in the movies. The question that guided us along the way was: based on the images we create today in science fiction films about tomorrow, which desires, fears, hopes, anxieties and expectations have we pointed out in our collective construction of the imaginary of the future? We started with the social perspective of the future that advertising in the 19th century pointed to for the year 2000. A positive view of progress from the technology in our lives. Then, through an analysis of a constellation of frames from contemporary futuristic films, inspired by the studies of the researcher Aby Warburg, we propose a perspective of reading and understanding of a social memory and its respective affects on the contemporary projections of the future of the body human. At this moment, we can observe the imagens reflect the pessimism in regard to the contemporary relationship between technologies and the body.
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spelling All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies Todo lo que es sólido se desmorona en el futuro:: percepciones imaginarias del cuerpo en películas futuristas.Tudo o que é sólido se desmancha no futuro: Percepções imaginárias do corpo em filmes futuristas.Ficção Científicacorpo humanoimaginário do futurocinemaAby Warburgscience fictionhuman bodyimaginary of the futureAby WarburgcinemaAby Warburgficción cientificacinecuerpo humanocuerpo humano; imaginario del futuro; cine; ciencia ficción; Aby Warburg.imaginario del futuroThis paper investigates the projections of the social imaginary on the future of the human body in the cinematographic image of science fiction. We seek, therefore, to understand how images of the future of mankind play out in the movies. The question that guided us along the way was: based on the images we create today in science fiction films about tomorrow, which desires, fears, hopes, anxieties and expectations have we pointed out in our collective construction of the imaginary of the future? We started with the social perspective of the future that advertising in the 19th century pointed to for the year 2000. A positive view of progress from the technology in our lives. Then, through an analysis of a constellation of frames from contemporary futuristic films, inspired by the studies of the researcher Aby Warburg, we propose a perspective of reading and understanding of a social memory and its respective affects on the contemporary projections of the future of the body human. At this moment, we can observe the imagens reflect the pessimism in regard to the contemporary relationship between technologies and the body.Este estudio investiga las proyecciones del imaginario social sobre el futuro del cuerpo humano en la imagen cinematográfica de la ciencia ficción. Así, buscamos comprender cómo se dibujan las imágenes del futuro de la especie humana en el cine. La pregunta que nos guió en el camino fue: a partir de las imágenes que creamos hoy en las películas de ciencia ficción sobre el mañana, ¿qué deseos, miedos, esperanzas, ansiedades y expectativas hemos apuntado en nuestra construcción colectiva del imaginario del futuro? Partimos de la perspectiva social del futuro que la publicidad del siglo XIX apuntaba al año 2000. Una visión positiva del progreso basada en la tecnología en nuestras vidas. Luego, a través de un análisis de una constelación de fotogramas de películas futuristas contemporáneas, inspirados en los estudios del investigador Aby Warburg, proponemos una perspectiva de lectura y comprensión de una memoria social y sus respectivos afectos sobre las proyecciones contemporáneas del futuro del cuerpo humano. En este momento, podemos observar el pesimismo de que las imágenes reflejen la relación contemporánea entre las tecnologías y el cuerpo.O presente estudo investiga as projeções do imaginário social sobre o futuro do corpo humano na imagem cinematográfica da ficção científica. Iniciamos pela perspectiva social de futuro que a publicidade no século 19 apontava para o ano 2000. Em seguida, por meio de uma análise de uma constelação de frames de filmes futuristas contemporâneos, inspirada nos estudos do pesquisador Aby Warburg, propõe-se uma perspectiva de leitura e compreensão de uma memória social e seus respectivos afetos sobre as projeções contemporâneas de futuro do corpo humano.PEPG COS-PUC-SP2021-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/54206Galaxia; No. 46 (2021)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/54206/38192Copyright (c) 2021 Eduardo Duarte, Gustavo Ramoshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDuarte, EduardoRamos, Gustavo2022-06-21T13:55:46Zoai:ojs.pkp.sfu.ca:article/54206Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:46Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
Todo lo que es sólido se desmorona en el futuro:: percepciones imaginarias del cuerpo en películas futuristas.
Tudo o que é sólido se desmancha no futuro: Percepções imaginárias do corpo em filmes futuristas.
title All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
spellingShingle All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
Duarte, Eduardo
Ficção Científica
corpo humano
imaginário do futuro
cinema
Aby Warburg
science fiction
human body
imaginary of the future
Aby Warburg
cinema
Aby Warburg
ficción cientifica
cine
cuerpo humano
cuerpo humano; imaginario del futuro; cine; ciencia ficción; Aby Warburg.
imaginario del futuro
title_short All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
title_full All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
title_fullStr All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
title_full_unstemmed All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
title_sort All that is solid melts into the future : Imaginary perceptions of the body in futuristic movies
author Duarte, Eduardo
author_facet Duarte, Eduardo
Ramos, Gustavo
author_role author
author2 Ramos, Gustavo
author2_role author
dc.contributor.author.fl_str_mv Duarte, Eduardo
Ramos, Gustavo
dc.subject.por.fl_str_mv Ficção Científica
corpo humano
imaginário do futuro
cinema
Aby Warburg
science fiction
human body
imaginary of the future
Aby Warburg
cinema
Aby Warburg
ficción cientifica
cine
cuerpo humano
cuerpo humano; imaginario del futuro; cine; ciencia ficción; Aby Warburg.
imaginario del futuro
topic Ficção Científica
corpo humano
imaginário do futuro
cinema
Aby Warburg
science fiction
human body
imaginary of the future
Aby Warburg
cinema
Aby Warburg
ficción cientifica
cine
cuerpo humano
cuerpo humano; imaginario del futuro; cine; ciencia ficción; Aby Warburg.
imaginario del futuro
description This paper investigates the projections of the social imaginary on the future of the human body in the cinematographic image of science fiction. We seek, therefore, to understand how images of the future of mankind play out in the movies. The question that guided us along the way was: based on the images we create today in science fiction films about tomorrow, which desires, fears, hopes, anxieties and expectations have we pointed out in our collective construction of the imaginary of the future? We started with the social perspective of the future that advertising in the 19th century pointed to for the year 2000. A positive view of progress from the technology in our lives. Then, through an analysis of a constellation of frames from contemporary futuristic films, inspired by the studies of the researcher Aby Warburg, we propose a perspective of reading and understanding of a social memory and its respective affects on the contemporary projections of the future of the body human. At this moment, we can observe the imagens reflect the pessimism in regard to the contemporary relationship between technologies and the body.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/54206
url https://revistas.pucsp.br/index.php/galaxia/article/view/54206
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/54206/38192
dc.rights.driver.fl_str_mv Copyright (c) 2021 Eduardo Duarte, Gustavo Ramos
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Eduardo Duarte, Gustavo Ramos
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 46 (2021)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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