HER, US: technology, affection and sociability in contemporaneity

Detalhes bibliográficos
Autor(a) principal: Fischer, Sandra
Data de Publicação: 2016
Outros Autores: Caetano, Kati
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/27780
Resumo: The essay, focusing on the lm Her (Spike Jonze; 2013, EUA), deals with the problem of man/machine interface and its consequences, concerning the relationship between the human element and the advent of technique. The main purpose is to discuss the conceptual approach of the term "technique" and its interpretation in contemporary cultural practices, considering matters related to affection and sociability. The theoretical and analytical basis are derived from socio-semiotic concepts and from German philosopher Martin Heidegger’s studies, and re ections about the issues of modern technique in a time when society watches the shortening of distances and the resulting effects of presence, a phenomenon which tends to be experienced in an ambiguous way, mixing up fear and enchantment sensations. 
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spelling HER, US: technology, affection and sociability in contemporaneityELA, NÓS: tecnologia, afeto e sociabilidades na contemporaneidadeinterface homem/máquinatécnica/tecnologiaELAsociabilidade e afetosman/machine interfacetechnique/technologyHersociabilityaffectionsThe essay, focusing on the lm Her (Spike Jonze; 2013, EUA), deals with the problem of man/machine interface and its consequences, concerning the relationship between the human element and the advent of technique. The main purpose is to discuss the conceptual approach of the term "technique" and its interpretation in contemporary cultural practices, considering matters related to affection and sociability. The theoretical and analytical basis are derived from socio-semiotic concepts and from German philosopher Martin Heidegger’s studies, and re ections about the issues of modern technique in a time when society watches the shortening of distances and the resulting effects of presence, a phenomenon which tends to be experienced in an ambiguous way, mixing up fear and enchantment sensations. O artigo, tomando como objeto o filme ELA (HER, Spike Jonze; 2013, EUA), trata da interface homem/máquina e dos desdobramentos concernentes às relações entre o elemento humano e o advento da técnica. O intuito principal é refletir sobre a abordagem conceitual do termo “técnica” e sua interpretação em práticas culturais da contemporaneidade, considerando questões atinentes a afetos e sociabilidades. O direcionamento teórico-analítico orienta-se a partir de conceitos da sociossemiótica e de estudos e reflexões de Martin Heidegger, filósofo alemão que se debruça sobre a problemática da técnica moderna no momento em que a sociedade assiste à redução das distâncias e aos efeitos de presença daí decorrentes, fenômeno que tende a ser vivenciado de forma ambígua, misturando sensações de receio e de encantamento.PEPG COS-PUC-SP2016-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/27780Galaxia; No. 33 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/27780/21226Copyright (c) 2016 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessFischer, SandraCaetano, Kati2016-12-04T14:14:10Zoai:ojs.pkp.sfu.ca:article/27780Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2016-12-04T14:14:10Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv HER, US: technology, affection and sociability in contemporaneity
ELA, NÓS: tecnologia, afeto e sociabilidades na contemporaneidade
title HER, US: technology, affection and sociability in contemporaneity
spellingShingle HER, US: technology, affection and sociability in contemporaneity
Fischer, Sandra
interface homem/máquina
técnica/tecnologia
ELA
sociabilidade e afetos
man/machine interface
technique/technology
Her
sociability
affections
title_short HER, US: technology, affection and sociability in contemporaneity
title_full HER, US: technology, affection and sociability in contemporaneity
title_fullStr HER, US: technology, affection and sociability in contemporaneity
title_full_unstemmed HER, US: technology, affection and sociability in contemporaneity
title_sort HER, US: technology, affection and sociability in contemporaneity
author Fischer, Sandra
author_facet Fischer, Sandra
Caetano, Kati
author_role author
author2 Caetano, Kati
author2_role author
dc.contributor.author.fl_str_mv Fischer, Sandra
Caetano, Kati
dc.subject.por.fl_str_mv interface homem/máquina
técnica/tecnologia
ELA
sociabilidade e afetos
man/machine interface
technique/technology
Her
sociability
affections
topic interface homem/máquina
técnica/tecnologia
ELA
sociabilidade e afetos
man/machine interface
technique/technology
Her
sociability
affections
description The essay, focusing on the lm Her (Spike Jonze; 2013, EUA), deals with the problem of man/machine interface and its consequences, concerning the relationship between the human element and the advent of technique. The main purpose is to discuss the conceptual approach of the term "technique" and its interpretation in contemporary cultural practices, considering matters related to affection and sociability. The theoretical and analytical basis are derived from socio-semiotic concepts and from German philosopher Martin Heidegger’s studies, and re ections about the issues of modern technique in a time when society watches the shortening of distances and the resulting effects of presence, a phenomenon which tends to be experienced in an ambiguous way, mixing up fear and enchantment sensations. 
publishDate 2016
dc.date.none.fl_str_mv 2016-12-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/27780
url https://revistas.pucsp.br/index.php/galaxia/article/view/27780
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/27780/21226
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 33 (2016)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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