The photograph of emptiness – on Haruo Ohara

Detalhes bibliográficos
Autor(a) principal: Fontanari, Rodrigo
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/36500
Resumo: This article focuses on the Japanese- Brazilian photographer Haruo Ohara, little known among us, and who distinguishes himself from other photographers for his daring aesthetics that tends towards an emptiness: it captures the presence of things and not their sense. His intense photographic production is strangely held in parallel to his activity as a farmer. Ohara creates moments of “empty spaces” of happenings, which attest to a state of pure contemplation, in which the photographer gives the viewer simply the poetry of forms. Ohara’s style tends, by hypothesis, to that principle of zen naturalness which distinguishes the traditional Japanese art: a nothing especial which refers to a state of things expressed in its naturalness. We here aim to embark on this particular case. 
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spelling The photograph of emptiness – on Haruo OharaA fotografia do vazio – sobre Haruo OharaHaruo Oharaart photographemptiness.Haruo OharaFotografia de arteVazioThis article focuses on the Japanese- Brazilian photographer Haruo Ohara, little known among us, and who distinguishes himself from other photographers for his daring aesthetics that tends towards an emptiness: it captures the presence of things and not their sense. His intense photographic production is strangely held in parallel to his activity as a farmer. Ohara creates moments of “empty spaces” of happenings, which attest to a state of pure contemplation, in which the photographer gives the viewer simply the poetry of forms. Ohara’s style tends, by hypothesis, to that principle of zen naturalness which distinguishes the traditional Japanese art: a nothing especial which refers to a state of things expressed in its naturalness. We here aim to embark on this particular case. Este artigo debruça-se sobre a obra do fotógrafo nipo-brasileiro Haruo Ohara, pouco conhecida entre nós, e que se distingue de outros fotógrafos pela sua ousada estética que tende a um vazio: captar a presença das coisas e não seu sentido. Sua intensa produção fotográfica é estranhamente realizada em paralelo a sua atividade de agricultor. Ohara cria instantes de “espaços vazios” de acontecimento que atestam um estado de pura contemplação, em que o fotógrafo dá a ver ao espectador  simplesmente a poesia das formas. O estilo de Ohara tende, por hipótese, àquele princípio de naturalidade zen que distingue a tradicional arte japonesa da paisagem: um nada especial que se refere a um estado de coisas expresso em sua naturalidade. Quer-se aqui enveredar por este caso especial. PEPG COS-PUC-SP2019-02-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/36500Galaxia; No. 40 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 40 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/36500/27923Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessFontanari, Rodrigo2019-02-23T19:05:34Zoai:ojs.pkp.sfu.ca:article/36500Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-02-23T19:05:34Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv The photograph of emptiness – on Haruo Ohara
A fotografia do vazio – sobre Haruo Ohara
title The photograph of emptiness – on Haruo Ohara
spellingShingle The photograph of emptiness – on Haruo Ohara
Fontanari, Rodrigo
Haruo Ohara
art photograph
emptiness.
Haruo Ohara
Fotografia de arte
Vazio
title_short The photograph of emptiness – on Haruo Ohara
title_full The photograph of emptiness – on Haruo Ohara
title_fullStr The photograph of emptiness – on Haruo Ohara
title_full_unstemmed The photograph of emptiness – on Haruo Ohara
title_sort The photograph of emptiness – on Haruo Ohara
author Fontanari, Rodrigo
author_facet Fontanari, Rodrigo
author_role author
dc.contributor.author.fl_str_mv Fontanari, Rodrigo
dc.subject.por.fl_str_mv Haruo Ohara
art photograph
emptiness.
Haruo Ohara
Fotografia de arte
Vazio
topic Haruo Ohara
art photograph
emptiness.
Haruo Ohara
Fotografia de arte
Vazio
description This article focuses on the Japanese- Brazilian photographer Haruo Ohara, little known among us, and who distinguishes himself from other photographers for his daring aesthetics that tends towards an emptiness: it captures the presence of things and not their sense. His intense photographic production is strangely held in parallel to his activity as a farmer. Ohara creates moments of “empty spaces” of happenings, which attest to a state of pure contemplation, in which the photographer gives the viewer simply the poetry of forms. Ohara’s style tends, by hypothesis, to that principle of zen naturalness which distinguishes the traditional Japanese art: a nothing especial which refers to a state of things expressed in its naturalness. We here aim to embark on this particular case. 
publishDate 2019
dc.date.none.fl_str_mv 2019-02-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36500
url https://revistas.pucsp.br/index.php/galaxia/article/view/36500
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36500/27923
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 40 (2019)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 40 (2019)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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