Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser

Detalhes bibliográficos
Autor(a) principal: Beccari, Marcos
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/41683
Resumo: The objective of this article is to outline an interpretation based on the concept of gesturality presented in Into the universe of technical images, a book in which Vilém Flusser focuses on the sphere of media and communication. Under an essay approach, I start from a brief contextualization of the book and, in the sequence, I relate image and gesture from the Flusserian notion of “dancing around the concrete”. The specificity of the concept of technical image is illustrated with the film Blade Runner 2049, from which I describe the perspective of gesturality opened by Flusser in the book reviewed here. Finally, I point out the thesis that technical images are gestures that produce concreteness, since they function as means that allow us to see the world in which we live.
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spelling Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém FlusserA dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém FlusserVilém Flusserfilosofia da imagemgestualidadeimagens técnicasThe objective of this article is to outline an interpretation based on the concept of gesturality presented in Into the universe of technical images, a book in which Vilém Flusser focuses on the sphere of media and communication. Under an essay approach, I start from a brief contextualization of the book and, in the sequence, I relate image and gesture from the Flusserian notion of “dancing around the concrete”. The specificity of the concept of technical image is illustrated with the film Blade Runner 2049, from which I describe the perspective of gesturality opened by Flusser in the book reviewed here. Finally, I point out the thesis that technical images are gestures that produce concreteness, since they function as means that allow us to see the world in which we live.O objetivo deste artigo é delinear uma interpretação pautada no conceito de gestualidade, desenvolvido em O universo das imagens técnicas, livro em que Vilém Flusser se debruça com mais afinco sobre a esfera das mídias e da comunicação. Sob uma abordagem ensaística, parto de uma breve contextualização da obra e, na sequência, relaciono imagem e gesto a partir da noção flusseriana de “dança em torno do concreto”. A especificidade do conceito de imagem técnica é ilustrada com o filme Blade Runner 2049, seguindo-se para o delineamento da perspectiva da gestualidade aberta por Flusser no livro aqui revisado.Por fim, assinalo a tese de que imagens técnicas são gestos que produzem concretude, pois funcionam como meios que nos dão a ver o mundo em que vivemos.PEPG COS-PUC-SP2019-11-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/41683Galaxia; No. 42 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 42 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/41683/30407Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessBeccari, Marcos2019-11-07T18:05:06Zoai:ojs.pkp.sfu.ca:article/41683Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-11-07T18:05:06Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
A dança em torno do concreto: a gestualidade em O universo das imagens técnicas de Vilém Flusser
title Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
spellingShingle Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
Beccari, Marcos
Vilém Flusser
filosofia da imagem
gestualidade
imagens técnicas
title_short Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
title_full Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
title_fullStr Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
title_full_unstemmed Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
title_sort Dancing around the concrete: the gesturality in Into the universe of the technical images, by Vilém Flusser
author Beccari, Marcos
author_facet Beccari, Marcos
author_role author
dc.contributor.author.fl_str_mv Beccari, Marcos
dc.subject.por.fl_str_mv Vilém Flusser
filosofia da imagem
gestualidade
imagens técnicas
topic Vilém Flusser
filosofia da imagem
gestualidade
imagens técnicas
description The objective of this article is to outline an interpretation based on the concept of gesturality presented in Into the universe of technical images, a book in which Vilém Flusser focuses on the sphere of media and communication. Under an essay approach, I start from a brief contextualization of the book and, in the sequence, I relate image and gesture from the Flusserian notion of “dancing around the concrete”. The specificity of the concept of technical image is illustrated with the film Blade Runner 2049, from which I describe the perspective of gesturality opened by Flusser in the book reviewed here. Finally, I point out the thesis that technical images are gestures that produce concreteness, since they function as means that allow us to see the world in which we live.
publishDate 2019
dc.date.none.fl_str_mv 2019-11-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/41683
url https://revistas.pucsp.br/index.php/galaxia/article/view/41683
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/41683/30407
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 42 (2019)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 42 (2019)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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